web analytics
February 2, 2015 / 13 Shevat, 5775
 
At a Glance
InDepth
Sponsored Post


Home » InDepth » Op-Eds »

Hollywood Types Find Captain America Too American


In March 1941 – nine months before the attack on Pearl Harbor impelled America to enter the Second World War – one colorful American hero already had joined the battle: Captain America.

The famous front cover of Captain America #1 showed its titular hero punching Hitler straight in the face, sending the ridiculous-looking Führer tumbling backward.

With that single unforgettable image, the Nazi ideal of the Aryan übermensch was dealt a fatal blow, as was what remained of the once respectable American “isolationist” movement.

As the first comic book character to enlist in World War II, Captain America was an instant success, selling nearly 1 million copies per issue. In a way that’s not surprising, considering the character’s pedigree. Captain America was created by Joe Simon and Jack Kirby, second-generation Jews who made no secret of their source of inspiration.

The character of Captain America, Simon said, “was our way of lashing out at the Nazi menace.”

In that first issue of the Marvel comic, readers meet the superhero’s “everyman” alter ego, Steve Rogers. A sickly Depression-era child, Rogers loses his parents at a young age, then tries to enlist in the military. Too feeble to join the regular forces, Rogers volunteers for a top-secret military medical experiment known as “Operation Rebirth,” being overseen by one Dr. Reinstein. (Note the character’s Jewish name, one that sounds suspiciously like “Albert Einstein.” In 1941, Einstein was a wildly popular – if little understood – cultural icon in the real world.)

In need of a human “guinea pig” to test his formula, Dr. Reinstein injects Rogers with his Secret-Soldier Serum. Unfortunately, a Nazi spy infiltrates the experiment and kills Dr. Reinstein, leaving the newly empowered Rogers as the serum’s sole beneficiary.

Hailed by the U.S. military as a superhuman savior, Rogers dons a patriotic costume of red, white and blue, with a star on his chest and stripes on his waist. Captain America is quickly dispatched to his most important early assignment: destroy his evil “super soldier” counterpart, a Nazi agent called the Red Skull.

Fast forward to 2011: This summer, Captain America returns to the big screen. Unfortunately, the spirit of 1941 (let alone 1776) is a long way off. In an era of anti-Americanism – at home and abroad – the movie’s director and star have been playing down the character’s American identity.

Director Joe Johnston insists that “this is not about America so much as it is about the spirit of doing the right thing.” Chris Evans, who plays the title character, echoes the sentiment, saying “I’m not trying to get too lost in the American side of it. This isn’t a flag-waving movie.”

This isn’t the first time Hollywood has eagerly de-Americanized superheroes, sometimes by undercutting traces of “corny” patriotism with doses of winking irony. Take the 2006 film “Superman Returns,” which has Clark Kent’s boss cynically describing Superman as fighting for “truth, justice all that stuff.”

Or take the 2009 movie based on a hugely popular toy from Hasbro. The film’s title, “G.I Joe: A Real American Hero,” was trimmed down to just “G.I Joe,” the toy’s iconic logo with the American flag was removed, and the storyline transformed the title character’s American anti-terror squad into an international peacekeeping task force that apparently took its marching orders from the United Nations.

The fact is, Hollywood movies today live or die based on worldwide ticket and DVD sales, and in a world in which American flags are burned regularly from Paris to the Punjab, received wisdom has it that anything too “American” is international box office poison.

Anticipating anti-American blowback, Paramount and Marvel Studios actually offered distributors the choice of marketing the new movie using its real title – “Captain America: The First Avenger” – or opting for simply calling it “The First Avenger.”

Most distributors say they are going with the original title, eager to take advantage of decades of “Captain America” brand recognition. However, three countries – Russia, Ukraine and South Korea – have decided to promote the movie as “The First Avenger.”

By literally cloaking their character in patriotism, Kirby and Simon displayed unabashed love of, and confidence in, the United States. Like many Jewish Americans during World War II, such as the heads of Hollywood studios, they felt duty bound to use their creativity in the service of their country.

About the Author: Rabbi Simcha Weinstein, an internationally known best-selling author whose first book, "Up, Up and Oy Vey!" received the Benjamin Franklin Award, has been profiled in leading publications including The New York Times, The Miami Herald and The London Guardian. He was recently voted New York’s Hippest Rabbi by PBS Channel 13. He chairs the Religious Affairs Committee at Pratt Institute. His forthcoming book is “The Case for Children: Why Parenthood Makes Your World Better.”


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

No Responses to “Hollywood Types Find Captain America Too American”

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Handout photo of texted message sent by a fearful Christopher Cramer from Saudi Arabia before his death.
Saudis Hold Body of U.S. Elbit Subcontractor After Mysterious Death in Tabuk
Latest Indepth Stories
HETi_logo2

It is offensive that in commemorating the Holocaust mentioning Israel was deemed inappropriate.

Questions-Answers-logo

Many questions, all with thee same, single answer

Eli Weiss

Shepherding in the Shomron isn’t your usual kind of shepherding – despite his business-minded beginnings, Eli has discovered that a strong ideological impetus powers the job.

Resnick-013015-Pilot

I said to myself, “This story has got to be told. We’re losing this generation of World War II and if we don’t listen to them now, we’ve lost it.”

His entire existence was about spreading simcha and glorifying G-d’s name on a daily basis.

An Israeli strike could theoretically damage Iran’s nuclear program; only US can terminate program

At some point we need to stop simply defending and promoting Israel and start living in Israel

“We Jews are the only people who when we drop a book on the floor pick it up and kiss it.”

Though Zaide was the publisher of The Jewish Press, a big newspaper,I always remember him learning

Speaker Silver has been an extraordinary public servant since his election to the Assembly in 1975 and has been an exemplary leader of that body since 1994.

He spent the first leg of his daylong visit to the French capital at Hyper Cacher.

Drawing Congress into the Iran nuclear debate is the last thing the White House wants.

Great leaders like Miriam and like Sarah Schenirer possess the capacity to challenge the status quo that confronts them.

Obama’s foreign policy is viewed by both liberals and conservatives as deeply flawed

More Articles from Rabbi Simcha Weinstein
Rabbi Simcha Weinstein

With the newest Superman film, “Man of Steel,” set for release next week, it seems only fitting to look back at the two men who created the world’s most famous superhero.

Front-Page-031513

My wife was called for jury duty when she was pregnant with our fourth child. Since her due date was looming, her doctor wrote a letter to the court, asking for an exemption. When I went to the courthouse office to deliver the letter, I was taken aback by how long the line was.

It’s being called a game changer. Everybody seems to be talking about the recently released Jewish Community Study of New York and its surprising findings regarding New York’s changing Jewish demography.

In March 1941 – nine months before the attack on Pearl Harbor impelled America to enter the Second World War – one colorful American hero already had joined the battle: Captain America.

As an Englishman living in New York, I’ve become rather ambivalent toward the Royal Family over the years. The latest scandal rocking Buckingham Palace hasn’t changed my attitude.

Throughout our history, the survival of the Jewish people has depended upon the courage of Jewish women. With their unassuming femininity and modest morality – not to mention their wills of steel – they have led us by the power of their personal example for thousands of years.

For days after the Al Smith Memorial Dinner, held in mid-October at the Waldorf Astoria, the media buzzed with clips of presidential candidates John McCain and Barack Obama delivering hilarious routines that put many professional comedians to shame.

The release of the new Batman movie, “The Dark Knight,” will inevitably be overshadowed by the untimely death of one of its stars, Health Ledger, who played the Joker. The talented young actor (who actually lived a few blocks from me) had devoted himself to creating an original, multifaceted portrayal of the iconic character, arguably the most compelling villain in the Batman canon.

Printed from: http://www.jewishpress.com/indepth/opinions/hollywood-types-find-captain-america-too-american/2011/07/20/

Scan this QR code to visit this page online: