web analytics
October 20, 2014 / 26 Tishri, 5775
At a Glance
InDepth
Sponsored Post
Meir Panim with Soldiers 5774 Roundup: Year of Relief and Service for Israel’s Needy

Meir Panim implements programs that serve Israel’s neediest populations with respect and dignity. Meir Panim also coordinated care packages for families in the South during the Gaza War.



Home » InDepth » Op-Eds »

‘Miral’: When Good Publicity Trumps Bad Reviews


“Miral” is a film that has garnered an inordinate amount of media attention. In interviews, the director, Julian Schnabel, defends his right to tell the Palestinian “narrative” for what he claims is the first time. He seems not to know that many others before him have specialized in this particular line of work.

Based on the lives of four Palestinian women, “Miral” begins with the period just before Israel’s declaration of independence in 1948 and ends just before the signing of the Oslo accords in 1993.

The first woman is Miral’s mother, Nadia, who was battered and raped either by her uncle, husband, or boyfriend and then jailed by the Israelis for hitting an Israeli woman. Thereafter, Nadia commits suicide by walking into the sea. Miral’s father or stepfather puts her in an orphanage. (These facts are purposely vague, and therefore, presumably unimportant, certainly far less important in terms of trauma than the “Israeli occupation” or the all-powerful misery at the checkpoints.)

The second woman is Hind al-Husseini, (whose story is presented first), the founder of the Dar Al-Tifel home for Palestinian orphans; the third woman is Miral, raised in the orphanage and coming of age during the first Palestinian Intifada (1987-1993); the fourth woman, Fatima, is a female Palestinian terrorist who is serving three life sentences. Fatima blew up a movie theater somewhere in Israel but is presented as a sympathetic figure who worked as a nurse in a hospital for Arab soldiers injured in the 1967 Six-Day War.

The stories of the four women are only loosely and awkwardly connected; the film is not really “about” anything other than the evil and inhumanity of the “Israeli military occupation” which each of the women has faced. Fatima says: “The occupation is a monster which eats your soul.”

To recap: Miral’s mother Nadia is an alcoholic and the victim of sexual violence; she commits suicide by drowning herself in the Mediterranean. Miral’s adoptive father then dumps Miral in an orphanage. But none of this is called on to explain Miral’s pain and anger. Instead, the film depicts the evil Israeli occupation as the cause of all of Miral’s suffering.

Actually, the film doesn’t show Miral suffering very much at all (until she gets involved with terrorism, at which point she is savagely beaten in an Israeli detention center). She has a doting father, a romantic and sexy boyfriend, a nurturing educational environment, and the freedom to roam the beautiful Palestinian countryside.

Miral’s hatred of Israelis and Jews seems totally contrived.

Scenes that depict Israeli life (e.g., classic footage from Israel’s declaration of independence and the celebrations that followed, etc.) are in black and white. All the scenes depicting Palestinian life of any era are presented in lush and living color. Israelis – soldiers and civilians alike – are depicted as despicable, including an Israeli buffoon who drunkenly accosts Miral’s mother in a bar and an Israeli woman who calls her an “Arab whore.” All of the Palestinian characters are warm and physically beautiful.

At the end of the film Miral asks: Why can’t Israel/Palestine be like New York City? And this is the point. The main characters are not Arab Palestinians. They are brown people who think and talk like Americans and are masquerading as Palestinians. It is impossible to learn anything about Palestinian culture by watching “Miral” because the film’s entire point is to make viewers think Palestinians are “just like us.” Only the Israelis are different.

Reviews of “Miral” have been almost uniformly negative. Expecting that bad reviews might dog the film’s progress, and given the film’s enormous potential as propaganda both in the West and in the Islamic world, Schnabel’s publicists worked overtime, at least in the New York City area.

Thus, on March 23, two days before the film opened, an interview with the director; his girlfriend-author, Rula Jebreal; and the film’s leading lady, Freida Pinto, of Slumdog Millionaire fame, appeared on the front page of The New York Times Arts section. The nearly 2,000-word piece was illustrated with three photos.

On March 24 Schnabel was again interviewed by the Times, this time on the front page of the paper’s Style section. The 1,296-word piece displayed three (different) photos – including one of the director standing with Vanessa Redgrave, the great actress and notorious pro-Palestinian activist, who had a cameo appearance in the film.

About the Author: Dr. Phyllis Chesler is a professor emerita of psychology, a Middle East Forum fellow, and the author of fifteen books including “Women and Madness” (1972), “The New Anti-Semitism” (2003), and her latest, “An American Bride in Kabul” (2013). Her articles are archived at www.phyllis-chesler.com.


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

No Responses to “‘Miral’: When Good Publicity Trumps Bad Reviews”

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Aerial view of Yemenite Village of HaShiloach, Old City of Jerusalem and Mt. of Olives.
Jews to Double Presence in Old Yemenite Village of Shiloach, Silwan
Latest Indepth Stories
Arab children look at pictures of two of a kind - Arafat and Barghouti.

{Originally posted on author’s site, FirstOne Through} The town of Sayreville, New Jersey is in mourning. The superintendent of the town shut the high school’s football program for the rest of the year due to reports of sexual assaults made by upper classmen of the football team against the junior classmen. According to initial reports, […]

Jordan's King Abdullah

The Arab Spring has challenged Jordan with the task of gradual reform with regard to its monarchy.

The Kinneret/Sea of Galilee

Israel offered Syria the entire Golan Heights, only to find that the Syrians were demanding MORE!

Bibeye doctor

Israeli hasbara too can be described at best as pathetic, at worst non existent.

A ‘good news’ story from the Nepal avalanche disaster to warm your heart. Take out your Kleenex.

Journalists see the Israeli-Palestinian conflict as morality play: Israel=evil; Palestine=innocent

Warsaw Ghetto: At its height, the Nazis walled in some 500,000 Jews within the1.3 square mile area.

While police officers face dangers every day on the job, Jews also face danger in their daily lives.

Carter developed a fondness for Arafat believing “they were both ordained to be peacemakers by God”

If Hamas is ISIS, the world asks, why didn’t Israel destroy it given justification and opportunity?

That key is the disarming of Hamas and the demilitarization of Gaza – as the U.S., EU, and others agreed to in principle at the end of Operation Protective Edge.

We have no doubt there are those who deeply desire to present themselves as being of a gender that is not consistent with their anatomy, and we take no joy in the pain and embarrassment they suffer.

Does it not seem ironic that just on the day all of Israel is joyously celebrating another year of having concluded the public reading of the entire Pentateuch, we must mournfully and even tearfully commemorate the death of the individual who imparted to us God’s Torah in the first place?

Why is “Palestine” worthier of “statehood recognition” than ISIS, another terrorist gang seeking it?

More Articles from Dr. Phyllis Chesler
Murray Greenfield

Few of the volunteers were experienced sailors, (Greenfield had been in the Merchant Marine). Few were Zionists.

Dr. David Gutmann

Hundreds of boats tried to run the British blockade on the dangerous, open seas.

My good colleague Kay is wrong about the early demise of conspiracy theories and blood libels against the Jews.

“I am surprised those Zionists are not outside protesting,” says one woman.

“Miral” is a film that has garnered an inordinate amount of media attention. In interviews, the director, Julian Schnabel, defends his right to tell the Palestinian “narrative” for what he claims is the first time. He seems not to know that many others before him have specialized in this particular line of work.

Our beloved, miraculous Jewish state is under siege.

It was assumed that the ceaseless persecution of the Jews in exile would cease once we again had our own sovereign homeland, our own army, navy, and air force.

In 1947-1948 I lived in Boro Park where, against parental and rabbinic advice, I joined a Zionist group. By 1950 I was packing machine-gun parts for Israel in a home not far from the Young Israel. But what I did as a child does not compare to what my friend and colleague David Gutmann did for love of Zion at that very time on the dangerous open seas.

Reality has become somewhat Scandinavian. It grows dark early and it is bitterly cold here in New York City and over a good portion of our fair land. Our Prince of Peace (The Norwegian Nobel, not the noble variety) is not yet asking whether “to be or not to be.” Perhaps he is not entirely convinced that “that is the question.”

Printed from: http://www.jewishpress.com/indepth/opinions/miral-when-good-publicity-trumps-bad-reviews/2011/04/06/

Scan this QR code to visit this page online: