After some fairly lean Oscar years, full or partial Members of the Tribe scored well at the 86th Academy Awards, though mainly in the less glamorous, behind-the-scenes categories.
Israeli-American producer Arnon Milchan, who is an acknowledged intelligence operative for Israel’s nuclear weapon program, shared in the celebration for best picture winner “12 Years a Slave” as one of the seven listed producers who won a golden statuette on Sunday night.
Woody Allen, a regular non-attending entry at the Oscars, failed to win the original screenplay trophy for his “Blue Jasmine.” However, the honor went to “Her” writer Spike Jonze, born Adam Spiegel and the son of a Jewish father.
Perhaps the most satisfying win of the evening, from a Jewish perspective, went to “The Lady in No. 6: Music Saved My Life.” The short documentary tells the story of 110-year old concert pianist and Holocaust survivor Alice Herz-Sommer, who died exactly one week before the award ceremony.
In his acceptance speech, director Malcolm Clarke lauded Herz-Sommer’s “extraordinary capacity for joy and for forgiveness…She taught everyone on my crew to be a little more optimistic and a little bit more happy.”
Mexican cinematographer Emmanuel Lubezki, born Emmanuel Lubezki Morgenstern, was the anticipated winner in the best cinematography category for his extraordinary work on the space cliffhanger “Gravity.”
Among the five finalists for best foreign-language film honors was the Palestinian entry “Omar,” while Israel’s choice, “Bethlehem,” was eliminated early on.
Both movies pit the Israel security services against Palestinian militants, with “Omar” predictably drawing a highly unflattering portrait of the Israeli agents.
However “Omar,” like Israel’s past 10 nominations, did not garner the top prize, which went to Italy’s “The Great Beauty.”
Editor’s note: What a loss that was! To give you an idea, here’s a segment from a review of Omar by Richard Falk, of all people:
“The wall reinforced by the Israeli security forces, portrayed as cunning and unscrupulous, with an occupiers’ fear and loathing for those who cower under the rigors of occupation, provides an unforgettable visual metaphor that captures the daily ordeal of the Palestinian people. In a subtle touch, the rope used by Omar throughout the film to avoid the checkpoints and overcome the separation of his home from that of Tarek and Nadia also conveys an understanding that the wall is much more about humiliation and land than it is about security.”
For the first time in recent memory, the host for the evening, Ellen DeGeneres, did not indulge in any Jewish jokes during the evening. On the other hand, the Academy reversed its long neglect of African-American talent by featuring numerous black entertainers, presenters, award winners and the Academy’s new president, Cheryl Boone Isaacs.
Two widely publicized movies based on the financial shenanigans of real-life Jewish con men, “American Hustle” and “The Wolf of Wall Street” left empty-handed.
In an interesting footnote, Isaacs announced that five billion movie tickets were sold worldwide in 2013.
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