Archaeologists from the Israel Antiquities Authority (IAA) have unearthed a huge wine press and a ceramic model of a church dating back to the 5th and 6th centuries, the early-Byzantine period.
The huge wine press, the size of a football field, consists of three components, IAA archaeologist Dr. Rina Avner explained.
“A large treading floor paved with ceramic tiles was discovered in the center in which there is a press bed of a screw used to press grapes. Three vats into which the must flowed were revealed along the western side of the treading floor. The collecting vats were carefully designed with slots in their sides that allowed the liquid to flow in a controlled manner and they were treated with hydraulic plaster so as to prevent the must from seeping into the ground.”
The wine was fermented and made into quality wine through the use of compartments around the treading floor. In the second stage the grape remnants were pressed a second time by means of the screw situated in the center of the treading floor, from which plain wine was prepared that was referred to in rabbinic sources as paupers’ wine, she added.
The ceramic model of a church was a rare archaeological discovery and was unearthed near the wine press.
“This object is a kind of clay box that has an accentuated and decorated opening in its broad side,” said Dr. Avner.
“Floral decorations and crosses appear on the other three sides. The roof of the model is fashioned in the shape of a sloped tile roof, and in its four corners are four decorative knobs meant to accentuate the corners. On the top of the roof a large loop handle, also flanked by crosses, was attached for holding or suspending the object. The variety of decorations and building-like features of the object suggest this is a miniature model of a church.”
The model is one of several objects that were used as ritual objects that were hung or placed inside buildings. An oil lamp inserted into it through the decorated opening illuminated the inside of the model.
“Since the crosses also served as narrow openings, the light was disseminated via them and shadows of crosses were projected onto the walls of the building where the object was placed,” she said.
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