Meir Panim’s Tiberias Free Restaurant not only provides warm meals, but the opportunity to socialize as well.
Congregation Beth Shalom Rodfe Zedek
55 East Kings Highway, Chester, Connecticut
www.cbsrz.org – 860 526 8920
Two of Alan Falk’s biblical paintings immediately assault us aesthetically and thematically. Isaac Blessing Jacob (2009) and The Cry of Esau (2010) document the famous stolen blessing of Beraishis 27 and its consequences. The ancient Isaac is clad in a white nightshirt, raising his bony hands in blessing over his two sons. In one, Jacob has donned a curly-haired brown Afro deceitfully offering his blind father food, while in the other, Isaac’s trembling hands attempt to bless the hysterical Esau at his feet. The cartoonish figures are caught in a melodrama of high-keyed color and exaggerated gesture that casts the biblical tale into an unfamiliar and strange realm.
Alan Falk’s long and fruitful career has taken a complex course over the past 55 years in his search for the best way to comment on the endlessly fascinating human condition. His earlier paintings, probing the complexities of human interactions, were engaged with literal descriptions of various scenes of figures set alongside suburban swimming pools and bucolic seasides. Over time he became dissatisfied with the beautiful technique he developed because he felt it got in the way of the essence of what he was trying to express. Much experimentation ensued, in many different mediums, until over the last ten years, he developed a unique approach utilizing the Biblical narrative to fully explore not only the complexities of the human condition, but also the ramifications of spirituality implicit in a Jewish life.
The Binding of Isaac (2002) showcases Falk’s new style of simple bright color with pronounced outlines to present the startling image of the heavenly angel being simply another aspect of Abraham’s personality halting the sacrifice. The artist’s take on this archetypical story is not merely psychological; it also posits that it is the Divine aspect of Abraham who acts, pointing to the Heavens for authority and confirmation.
More recently his interpretation of the Four Passover Sons (2009) brings them firmly into contemporary Jewish society. The Wise Son is seen as a Holocaust survivor, his own parents who perished in the Old Country still present on the wall behind him. His wisdom is founded in the historical experience of the Jewish people. The Evil Son is a flashy businessman; expensive suit, cufflinks and big watch testifying to his wealth as much as the picture of the racehorse behind him. Noteworthy is the yellow Divine glow emanating from his face and hands, distorted by his garish expressions of success. The Simple Son is bound up in popular culture; a pin-up competes with a baseball picture and his New York Yankee yarmulke. He wants to participate but can only see the Seder through the icons of his time. Finally the Son Who Doesn’t Know How to Ask is at a loss, aimlessly typing on his computer, lost in a pixel maze of digital dots. It’s clear that we must address the Seder to him to help him find his moorings and bring him back to Jewish life.
The Four Passover Sons (2009),
oil on canvas by Alan Falk (Courtesy the artist)
Returning to the paintings we first encountered, we can understand Falk’s use of contemporary dress and comic book inspired sequential scenes to explore Isaac’s dilemma. In the first painting the intense red behind Isaac is his thought of Esau slaughtering his favorite meal while in the second painting the same intense red of Esau expresses not only his violent nature but also his devotion to his father. Isaac in these paintings seems to be caught in a surreal universe of deception and betrayal that he has no power over. His shaking hands and eyes rolled heavenward are perhaps the only rational response, far from a cartoonish fantasy. While we normally consider this episode as the stolen blessing, Falk’s paintings dramatically reorient us to understand that this is actually Isaac’s last test.
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
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Unfortunately, a map of the Middle East with no mention of Israel is nothing new… It is surprising however, that the world’s largest publisher of children’s literature, Scholastic Books, has joined in this trend.
About six months ago my parents and I started discussing ideas for a mitzvah project in honor of my bat mitzvah. I wanted to do something unique that would be meaningful to me and also do something that my friends could participate in. Immediately I thought of an organization called Sharsheret.
“I’m disappointed that the agreement reached with Iran leaves our unfulfilled our ultimate objective: a complete dismantling of Iran’s nuclear program and related activities.
Southern NCSY will be holding a leadership training Shabbaton at the Young Israel of Bal Harbour December 6 and December 7. Rabbi Steven Weil, executive vice president of the Orthodox Union, will be the special guest speaker.
Is there a beginning and an end to the universe? What role can medical breakthroughs play in conception or genetic engineering? Can science help us pinpoint the end of human life? Does the soul emanate from the brain or vice-versa?
Last month’s column sketched the myriad of social programs in which the Orthodox American communal worker and leader Adolphus S. Solomons (1826-1910) was involved. Adolphus married Rachel Seixas Phillips (1828-1881), a descendant of colonial patriot families and together they had eight daughters and a son.
This year’s parade, the 87th annual extravaganza of marching bands, floats, and giant balloons, featured something really unique and different: a balloon/float of a large blue dreidel.
He strengthened his resolve
Knew his life he would lose,
But when the king uttered the words
With great pride he refused.
Just like you
I too have a soul
A soul that is G-dly
Just like you.
Now my friend
I ask you,
Am I different from you?
It’s not Chanukah without latkes! That’s true; but don’t make the same boring latkes this year. Go for something healthier, more vibrant, and flavorful.
Each year at our family Chanukah party, we try to introduce a new activity, to keep things fun and exciting for the children and adults alike. Last year’s addition – a huge hit – was a menorah-making contest.
Prof. Malka Schaps was born Mary Kramer, a Protestant, in Cleveland, Ohio. When she was sixteen, she started questioning the rationale of moral conduct: Why be good?
The fact that the Jewish Museum’s curator Susan Tumarkin Goodman presents these issues as the inescapable core of her exhibition demonstrates the courage to challenge her audience with deeply discomforting images and concepts.
Lynda Caspe’s current exhibition at the Derfner Museum is an extraordinary event. In this show of 12 bronze relief sculptures and 14 cityscape paintings we have the opportunity to see the full scope of her last six years of work that, as least with the sculptures, marked a radical change in subject matter and technique.
The philosopher Theodor Adorno famously wrote in 1949, “cultural criticism finds itself with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric.” This statement posited that the Holocaust exposed the unredeemable rotten underbelly of Western culture and therefore the very notion of creating beauty and sensitivity was at an insurmountable impasse. Alas, as cultural history has shown, he was wrong. Strikingly, it might be said that one of the few ways still provocatively available to speak about the Holocaust is in fact through poetry.
“Hyman Bloom: Paintings and Drawings (1940 – 2005),” currently at White Box (the cutting edge international art space on Broome Street), is a rare opportunity to observe the creative process of one of the most important practitioners of 20th century Jewish Art in America.
The “book” is a mighty big place these days and the current exhibition at MOBIA, “As Subject and Object: Contemporary Book Artists Explore Sacred Hebrew Texts,” is no exception. Highly mobile ebooks compete with online publications and traditionally bound volumes, scrolls, accordion-style tomes and folios that present equally exciting options for contemporary artists to interact with image and text in one unifying medium.
At the Chassidic Art Institute one artist, Harry McCormick, has rather amazingly fathomed the authentic heartbeat of the individual Jewish life. This exhibition, running until July 25, shows a mere 16 paintings, but six of them reveal a deeply perceptive and sensitive chronicle of Yiddishkeit.
Judaica Auctions and the exhibition that precede them at Kestenbaum & Company are always a cornucopia of aesthetic delights. The sheer variety and overall quality of the ceremonial objects and works of art make the exhibition and catalogue a museum-like experience. The current exhibition is no exception.
Whether it is the disastrous report of the 12 spies or the furious condemnation that doomed an entire generation to die in the wilderness, the Torah narrative in Bamidbar turns terribly grim after the glorious inauguration of the Mishkan in the second year after leaving Egypt. With this in mind, just imagine my surprise at an encounter with two artists who address these (and other Biblical) themes right around the corner.
Printed from: http://www.jewishpress.com/sections/arts/alan-falks-lessons/2011/08/17/
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