web analytics
October 20, 2014 / 26 Tishri, 5775
At a Glance
Sections
Sponsored Post
Meir Panim with Soldiers 5774 Roundup: Year of Relief and Service for Israel’s Needy

Meir Panim implements programs that serve Israel’s neediest populations with respect and dignity. Meir Panim also coordinated care packages for families in the South during the Gaza War.



Home » Sections » Arts »

Jacqueline Nicholls: New Works


Abba Hilkiah’s Wife (2012) thread on silk organza by Jacqueline Nicholls
Courtesy JCC Manhattan

Abba Hilkiah’s Wife (2012) thread on silk organza by Jacqueline Nicholls Courtesy JCC Manhattan

JCC Manhattan
334 Amsterdam Avenue at 76th Street: Laurie M. Tisch Gallery
Call for hours
Through November 1 – www.jccmanhattan.org; 646-505-4444
Jacquelinenicholls.com

Jacqueline Nicholls, a Jewish artist from England, presents us with a formidable challenge. Namely, what is the role of a contemporary Jewish Woman artist and how does one confront patriarchal dominance? She presents her response to both queries in her current exhibition at the JCC Manhattan, beautifully curated by Tobi Kahn and organized by Tisch Gallery director Megan Whitman. The results are breathtakingly forceful, subtle and insightful.

For Nicholls a Jewish woman must be armed with a deep and abiding knowledge of Torah, Tanach and Talmud, hand in hand, if she so chooses, with an artistic immersion in what has been called the Feminine Crafts, i.e. the fabric arts and traditional “Women’s Work.” This Jewish artist affirms that she must be especially articulate in Jewish texts to practice a “counter-voice to turn the narrative” and indeed that is what she does both in her choice of subject and exposition thereof. Her explorations are exhilarating.

The exhibition has three components: “Gather the Broken,” meditations on the Omer; “The Kittel Collection,” studies of a ritual garment and “Ghosts & Shadows,” considerations of women in Talmud.

The series of 49 omer meditations explore the multiple aspects of loss that the days between Passover and Shavuos engender. As an aspect of the semi-mourning that the omer demands, Nicholls looked to the minutia of her daily existence for inspiration. Her emphasis on that which is broken reflects, “only by acknowledging the broken, imperfect aspects of daily life [can]… creativity and a new life can be revealed.” This new and renewed life is of course accomplished on Shavous in the acceptance of the Torah at Sinai. This year she created a series of small drawings, one on each day of the Omer and posted on her blog, accompanied by the poetic commentary of Amichai Lau-Lavie. The strength of these drawings, aside from the pure skill of her draftsmanship, is that Nicholls manages to totally personalize the obsessive ritual of omer counting in a way that internalizes both the ritual and the meaning of each individual day even while making a unified work of art. This asserts a uniquely Jewish notion that from brokenness creativity arises.

The kittel is a ritual garment that cloaks us in white in the effort to convince ourselves that we can actually be “white,” as Isaiah (1:18) proclaims that; “Come, now let us reason together, says Hashem. If your sins are like scarlet they will become white as snow.” So too are the other times when we use the kittel – to bury, to marry, to pray on Yom Kippur or lead the congregation on momentous occasions. We don the costume of purity in the effort to become pure. In a similar manner Nicholls has created a series of 10 garments based on the kittel template to explore how a garment can be used to transform meaning and identity in the Jewish tradition.

The “Shame Kittel” is little more than a simple apron, stained black at the bottom edge and discolored a sickly yellow up around the neck. Buried in the yellow is an array of epithets used against the Jews by anti-Semites of all ages. What Nicholls is affirming is that an important part of Jewish identity is never forgetting what those who hate us say about us. Nonetheless a number of the other kittels are more positive, especially the “Majestic Kittel” and the “New Kittel.” The latter offers its seams stitched in gold and an embroidered label in gold with the Shehechayanuprayer, emphasizing our thankfulness to God for giving us new and beautiful things to wear.

Mourning Kittel (2012) cloth, wire by Jacqueline Nicholls
Courtesy JCC Manhattan

Perhaps the most moving kittel is the “Mourning Kittel,” as it transforms the shirt of mourning into a lurid expression of mourners’ emotions. Not surprisingly one of the sleeves is shredded from a frenzy of kriah, the mourners’ ritual tearing of garments. The collar is high and closed tight by a dense coil of metal wire around the neck, deeply expressive of the choking pain of loss. Finally in the center of the ragged garment, somewhere between the chest and stomach, the seams come together to form a hollow that sinks into the interior of the garment. It is as if this is where the pain of bereavement has burrowed into the very substance of the mourner. The symbolic power of this garment is awesome.

About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at rmcbee@nyc.rr.com


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

One Response to “Jacqueline Nicholls: New Works”

  1. A beautiful review of Jacqueline Nicholls' new work. We are honored to have her as a part of Women of the Book.

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Will MK Hanin Zoabi risk her head and agree to fly to Syria to prove her point?
Arab MK Zoabi Says IDF ‘Worse than’ ISIS
Latest Sections Stories

Sadly, there are mothers who, due to severe depression are unable or unwilling to prepare nourishing food for their children.

Michal had never been away from home. And now, she was going so far away, for so long – an entire year!

Though if you do have a schach mat, you’ll realize that it cannot actually support the weight of the water.

Social disabilities occur at many levels, but experts identify three different areas of learning and behavior that are most common for children who struggle to create lasting social connections.

Sukkot is an eternal time of joy, and if we are worthy, of plenty.

Two of our brothers, Jonathan Pollard and Alan Gross, sit in the pit of captivity. We have a mandate to see that they are freed.

Chabad of South Broward has 15 Chabad Houses in ten cities.

Victor Center works in partnership with healthcare professionals, clergy, and the community to sponsor education programs and college campus out reach.

So just in case you’re stuck in the house this Chol HaMoed – because there’s a new baby or because someone has a cold – not because of anything worse, here are six ideas for family fun at home.

We are told that someone who says that God’s mercy extends to a bird’s nest should be silenced.

Our harps have 22 strings. This gives musicians a wide musical range and yet stays within Biblical parameters.

More Articles from Richard McBee
Jerusalem to Jericho Road: photograph by Chanan Getraide
“Chanan Getraide Photographs”: 2004 exhibition at Hebrew Union College Museum

“We are living in a Golden Age of Jewish Art, but don’t know it.”

McBee-062014-Outside

He refuses to flinch from our painful history, perhaps finding a kind of solace in the consistency of irrational enmity directed against us.

“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.

A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.

Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).

Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.

Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.

Bradford has opted to fully exploit the diverse possibilities of the physical surface by concentrating on the three-dimensional application of paint (impasto) and other material.

Printed from: http://www.jewishpress.com/sections/arts/jacqueline-nicholls-new-works/2012/10/14/

Scan this QR code to visit this page online: