Latest update: November 20th, 2011
Although it’s the Hebrew month of MarCheshvan—known as “mar” or bitter, because it’s devoid of holidays, unlike the preceding month which has the High Holidays and Sukkot, and the next month which ushers in Chanukah—that’s not why I’ve been thinking about hell (gehinnom in Hebrew) a lot lately. In fact, I co-wrote an e-book recently with New York-based lawyer and author Joel Cohen called Gehinnom: A Conversation in Hell. (The book, which is available for free download at www.joelcohengehinnom.com, is a work of fiction, or creative non-fiction. The characters come from the Bible: Cain, Korah, Saul, Balaam, Miriam. But the dialogue is imagined.)
The characters in the book cling in death to the same philosophies and self-awareness (or lack thereof) that they embodied in life. One by one, the characters enter a conversation in “a dark, dank, forgotten cave,” where they have to trust each other’s disembodied voices, since they cannot see each other. The characters (with the exception of Miriam and a young man who later surfaces) team up on one another and expose jealousies, hatred, self-righteousness, and a confusing—and thus, distinctly human!—blend of emotions. Of course, the lines the characters deliver have little to do with what the figures might actually have believed and felt, and everything to do with what Cohen and I believe they might have believed. For such is the stuff of art, and the majority of the artistic canon is fictive—even the works that purport to be “realistic.”
Surely, one can imagine countless works of Christian art that depict demons torturing lost souls, grim reapers with scythes, and flaming depictions of hell. It’d be foolish to suggest that Jewish art has anywhere near such a prominent tradition of depicting gehinnom, and it’s not my intention to do so here. But many readers of this column probably have a pretty good sense that the Christian apocalyptic traditions of representing demons and eternal punishment for sinners have their origins in Jewish texts.
Some of the Jewish sources include the Mishnah in Gemara Sanhedrin (10:1), which addresses the statement that “everyone in Israel” has a portion in the World to Come. If the Mishnah goes out of its way to specify that everyone “in Israel” has a portion in heaven, surely there must be some who have no portion, the rabbis argue, so they compile a list: those who deny the resurrection of the dead, those who say the Torah isn’t divinely delivered, and those who are apikorsim, or heretics. Rabi Akiva adds that those who read “sfarim chitzonim”—“outside” books—also have no heavenly portion, nor do those who whisper (incantations) over a wound. Finally, Abba Shaul adds that those who recite God’s name as written also will not merit eternal reward. The Mishnah also adds a list of particular individuals and groups who have no heavenly portion, including the kings Jeroboam, Ahab, and Menashe (though Rabi Judah says Menashe was forgiven and did merit reward), Balaam, Doeg (who killed 85 priests), Ahithophel (who led Absalom astray, to say the least), and Gehazi, who disobeyed Elisha.
There are also chassidic traditions surrounding gehinnom. The Apta Rebbe (Rav Avraham Yehoshua Heshel of Apt, 1748-1825) famously said that as a sinner he’d be sent to gehinnom, but being unable to endure the sinners, God would have to send them out. His idea was to ensure that he’d be the only one there, a strategy that the Ropshitzer Rebbe—Rav Naftali Zvi of Ropshitz, 1760-1827—also embraced. The latter figured that gehinnom empties out during the Shabbat, and that any sinner who had visited the Rebbe’s house on Shabbat while alive, ought to be able to visit his table in heaven. And what a foolish man the Rebbe would be to let the sinner be returned to gehinnom at nightfall, the Ropshitzer Rebbe said.Menachem Wecker
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at firstname.lastname@example.org.
If you don't see your comment after publishing it, refresh the page.