web analytics
August 29, 2014 / 3 Elul, 5774
At a Glance
Sections
Sponsored Post
Jerusalem Mayor Nir Barkat (L) visits the JewishPress.com booth at The Event. And the Winners of the JewishPress.com Raffle Are…

Congratulations to all the winners of the JewishPress.com raffle at The Event



Home » Sections » Arts »

Marc Chagall At TEFAF Maastricht

Weck-042012-FrontPg

But of course, not every Chagall acrobat has biblical or religious significance, as one is reminded by Chagall’s “Autour de l’equilibriste,” which was on view at TEFAF at Connaught Brown. Chagall, after all, was “mesmerized” by the traveling circus troupes in Russia, and he regularly attended circuses in Paris after he moved there in 1924. Chagall created a series of 19 gouache paintings of clowns, acrobats, dancers, and horse writers for the dealer Ambroise Vollard, and referred to the circus characters as “tragically human,” according to the gallery.

But even in this work, Chagall couldn’t resist inserting the figure of the bride, walking a tight rope. And immediately to the right of the bride, a figure hoists up a ladder beneath an acrobat, who grasps the hand of an acrobat with wings. A simple explanation might be that the ladder is intended to reach the acrobat in the swing. But is it too much of a stretch to suggest that this might be another Jacob’s ladder, particularly when one considers the acrobat-angels, as well as the fact that the top of the ladder doesn’t rest on anything at all but the air?

Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blog.chron.com/iconia, welcomes comments at mwecker@gmail.com.

Full disclosure: This writer’s trip to TEFAF was funded, in large part, by the Netherlands Board of Tourism & Conventions, which, however, had no role whatsoever in or oversight over this article.

About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at mwecker@gmail.com.


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

No Responses to “Marc Chagall At TEFAF Maastricht”

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Jewish Comedienne Joan Rivers gives an impromptu speech on why Hamas should be wiped out.
Joan Rivers in Critical Condition
Latest Sections Stories
Itzhak Perlman and Cantor Yitzchak Meir Helfgot together in concert.

Almost immediately the audience began singing and clapping and continued almost without stop throughout the rest of the concert.

Mordechai-082214-Armoire

As of late, vintage has definitely been in vogue in the Orthodox community.

Einhorn-082214-Water

Stroll through formal gardens, ride mountain bikes, or go rock climbing.

As they fall upon us we go
To the WALL.

One minute you’re shaving shwarma off a pit, then the shwarma guy tells you he read a (fake) WhatsApp that the boys are dead.

I probe a little deeper and Shula takes me into the world of phantom pains and prosthetic limbs.

This went on until she had immersed eighty times, and then Hashem at last took pity upon her.

Because Menachem lives in Israel, he can feel the ruach in the air.

Perhaps you can reach a compromise during this news frenzy, whereby you will feel more comfortable while he can still follow the latest events.

Leon experienced the War of Independence from a soldier’s perspective, while remaining true to his Jewish ideals and beliefs.

Chabad of Arizona centers recently hosted an evening of remembrance to mark the 20th yahrzeit of the Lubavitcher Rebbe.

More Articles from Menachem Wecker
Menachem Wecker

The exhibit, according to a statement from guest curator Michele Waalkes which is posted on the museum website, “examines how faith can inform and inspire artists in their work, whether their work is symbolic, pictorial, or textual in nature. It further explores how present-day artwork can lead audiences to ponder God, religious themes, venerated traditions, or spiritual insights.”

Weck-051812

It all started at an art and education conference at the Yeshiva University Museum. When one of the speakers misidentified a Goya painting at the Frick Collection, both the gentleman sitting next to me and I turned to each other and corrected the error simultaneously.

One of my favorite places when I was growing up in Boston was the used bookstore on Beacon and St. Mary’s streets. Boston Book Annex could play a used bookshop on television; it was dimly lit and cavernous, crawling with cats, and packed with a dizzying array of books, many of which sold three for a dollar. But used bookstores of this sort, however picturesque and inviting, are a relatively modern phenomena. In the Middle Ages, for example, I would never have been able to afford even a single used book unless I had been born into an aristocratic family. (Full disclosure, I was not.)

Jewish medals, several with Hebrew inscriptions and provocative imagery, were among the gems at The European Art Fair (TEFAF) in Maastricht, Netherlands, as I wrote in these pages two weeks ago. Another mini-trend at the fair, which will interest Jewish art aficionados, was an abundance of works by Marc Chagall.

It’s virtually impossible to ignore the financial aspects of TEFAF Maastricht, the annual arts and antiques fair in the historic city about two hours south of Amsterdam. More than 250 dealers from nearly 20 countries sell their wares—which span from Greek and Roman antiquities to contemporary sculptures—in the halls of the Maastricht Exhibition and Congress Centre, whose corridors are adorned by nearly 65,000 tulips.

Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture.

The whole idea of an artful pushka (tzeddakah or charity box) is almost a tease, if not an outright mockery. Isn’t there something pretty backward about investing time and money in an ornate container to hold alms for the poor?

Located about nine miles north of Madrid, the Palacio Real de El Pardo (Pardo Palace) dates back to the early 15th century. Devastated by a March 13, 1604 fire that claimed many works from its priceless art collection, the Pardo Palace and its vast gardens were used as a hunting ground by the Spanish monarchs.

Printed from: http://www.jewishpress.com/sections/arts/marc-chagall-at-tefaf-maastricht/2012/04/19/

Scan this QR code to visit this page online: