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October 30, 2014 / 6 Heshvan, 5775
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Nobody Calls Me Chicken (Poop)
 
‘Small Improvement’ in Glick’s Condition but Still Life-Threatening

October 30, 2014 - 8:18 PM
 
Israel Recalls Ambassador from Sweden over Recognition of PA

October 30, 2014 - 8:06 PM
 
Organization of Major Jewish Organizations: Name Calling Not Productive

October 30, 2014 - 6:11 PM
 
MK Moshe Feiglin to Receive Permanent Security Detail

October 30, 2014 - 5:29 PM
 
Shots Fired at IDF From Syrian Border

October 30, 2014 - 5:12 PM
 
Abbas Declares Closure of Al Aqsa Mosque a ‘Declaration of War’

October 30, 2014 - 4:39 PM
 
Arab Rioters Injure Tourists in Jerusalem’s Old City

October 30, 2014 - 4:28 PM
 
Islamic Jihad: Yehuda Glick ‘Got What He Deserved’

October 30, 2014 - 4:03 PM
 
Cartoonist Turns Tables on Ha’aretz Anti-Netanyahu Pic

October 30, 2014 - 4:00 PM
 
Condition Update: Rabbi Yehuda Glick Takes Turn for Worse

October 30, 2014 - 3:51 PM
 
Islamic Jihad Terrorist’s Father, Brother Arrested

October 30, 2014 - 3:35 PM
 
Who is Really Inciting the Terrorism?

October 30, 2014 - 3:20 PM
 
Arabs Strike Tourist With Rocks at Kotel

October 30, 2014 - 2:29 PM
 
Arabs Rioting Near Terrorist’s House

October 30, 2014 - 2:17 PM
 
China and Israel Sharing Market Opportunities

October 30, 2014 - 2:03 PM
 
Netanyahu Blames PA Chairman ‘Abu Mazen’ for Shooting of Temple Mount Activist

October 30, 2014 - 1:07 PM
 
Disability Rights Org Dismayed by Diss from US Administration

October 30, 2014 - 12:37 PM
 
Iran Reports Sabotage Attempt on Nuclear Heavy Water Tanks

October 30, 2014 - 11:59 AM
 
Earlier Than Expected, Sweden Recognizes ‘Palestine’

October 30, 2014 - 11:04 AM
 
Yehuda Glick Medical Update (11:00AM)

October 30, 2014 - 11:03 AM
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Meir Panim with Soldiers 5774 Roundup: Year of Relief and Service for Israel’s Needy

Meir Panim implements programs that serve Israel’s neediest populations with respect and dignity. Meir Panim also coordinated care packages for families in the South during the Gaza War.



Arts
Finding of Moses (2012) 30 x 40 oil on canvas by John Bradford
Courtesy the artist
 

Posted on: February 1st, 2013

SectionsArts

John Bradford’s paintings span over 40 years of intensive exploration of the joys of the Biblical narrative. He has explicated its myriad passionate moments from almost every narrative in Genesis, Exodus, and Numbers to stories from Nach such as Ruth and Naomi, David and Bathsheba and Mordechai and Esther.

 

Posted on: January 27th, 2013

News & ViewsJewishAntisemitism

A panel of experts advised the Dutch government to return only one painting out of 189 claimed by relatives of a Holocaust-era art collector.

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Posted on: January 23rd, 2013

SectionsArts

Rock music festival Lollapalooza, which was scheduled to take place August 20-22 at Tel Aviv’s Yarkon Park, has been cancelled.

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Posted on: January 13th, 2013

SectionsArts

The Israeli former bodyguard of teen idol Justin Bieber reportedly sued the pop star for assault.

Solomon (2012) by David Gelernter
Courtesy Yeshiva University Museum
 

Posted on: January 11th, 2013

SectionsArts

The recent works of David Gelernter, artist, author and professor of computer science at Yale University, compel us to listen and really see. His statements in the gallery video are riveting and his images, especially the Kings of Israel series are revelatory. It is in the dialectic between these two distinct approaches that we can understand his insight into the past and be guided into a present appreciation of Jewish Art.

Manhattan Three Times (2007 – 2011), acrylic & thread on paper by Ben Schachter
Courtesy Yeshiva University Museum
 

Posted on: January 11th, 2013

SectionsArts

Jewish law prohibits carrying an object from a private domain to a public domain (or vice versa) or within a public domain on the Sabbath. One who intentionally carries, knowing the prohibition on the Sabbath is libel to the death penalty by a Jewish court. The creation of an eruv establishes, where possible, an extended private domain in which such carrying is permissible.

 

Posted on: January 7th, 2013

News & ViewsIsraelAliyah

The North American and English aliyah organization Nefesh B’Nefesh, the Jewish Agency, and the Jewish National Fund have teamed up with the Ort Braude Academic College of Engineering in Karmiel to feature the artwork of immigrants from English-speaking countries to northern Israel.

Matisyahu outside Jerusalem's Old City.
 

Posted on: December 30th, 2012

SectionsArts

Formerly Hasidic reggae star Matisyahu participated in a candid interview with CNN, discussing his departure from observant Jewish life and his connection to his religion.

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The Bride of Hoseashtein: Betrothal and Exile (2007) (24” x 36”), oil on canvas by Nahum HaLevi
Courtesy the artist
 

Posted on: December 27th, 2012

SectionsArts

The rather large grasshoppers all have different human faces. The trees have human bodies with branches sprouting out of their heads. The animals in the Peaceable Kingdom garden seated at Isaiah’s feet are painted purple, pink, blue and red. Welcome to the visionary world of Nahum HaLevi’s Latter Prophets.

Rabbi with Young Student, oil on panel by Isidor Kaufmann
Courtesy Sotheby’s
 

Posted on: December 13th, 2012

SectionsArts

Silence. There is an overwhelming silence that dominates the Isidor Kaufmann masterpiece, Rabbi with Young Student (catalogue #93) offered for sale at the Sotheby’s December 19th auction. Kaufmann’s most engaging paintings for me are the deeply psychological portraits, usually of Hasidic men, young women and youths. It is noteworthy that Kaufmann (1853 – 1921) and Freud (1856 – 1939) were contemporaries and both lived in Vienna during the same period.

guitargod[1]
 

Posted on: December 7th, 2012

SectionsArts

Heeb Magazine Publisher is looking to promote his tribute to his late brother and his fight with cancer.

The Miami Beach Eruv (1998) digital print on canvas by Mel Alexenberg
Courtesy the artist
 

Posted on: December 6th, 2012

SectionsArts

For most observant Jews, the eruv is invisible. Each week we prepare for Shabbos: ready our food, conclude our mundane affairs, shower, dress and put the house keys in our pocket and check the web that the local eruv is up. Unless there has been a storm or other physical disaster, we can assume everything is okay. Just like the Shabbos calm that descends for 25 hours, the eruv operates for us in the background: essential but unnoticed.

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Batya and Miriam (2012) Acrylic and collage on canvas by Joel Silverstein
Courtesy the artist
 

Posted on: November 23rd, 2012

SectionsArts

Joel Silverstein is a comrade-in-arms. We share many ideas about the creation and nature of contemporary Jewish Art, as well as a commitment to the growing Jewish Art community, exemplified by the Jewish Art Salon of which we are both founding members and curators. This exhibition of his recent work at the Kraft Center for Jewish Student Life at Columbia/Barnard gives us the crucial opportunity to examine the complex richness of his artwork.

King Saul, King of Spades by Arthur Szyk
Heroes of Ancient Israel: Playing Card Art published by Historicana
 

Posted on: November 23rd, 2012

SectionsArts

Arthur Szyk (1894; Lodz, Poland – 1951; New Canaan, USA) was a driven man determined to serve his people through his art. A passionate supporter of Jabotinsky’s Revisionist Zionists from at least the mid-1930’s, Szyk’s art almost always had a political edge. As we noted on these pages arch 12 & 19 2010, the Szyk Haggadah (1934 -1936) was originally an explicitly anti-Fascist creation. Therefore the recent publication by Historicana of “Heroes of Ancient Israel: Playing Card Art of Arthur Szyk” is notable for its lack of overt political content. Indeed, its strength lies in a subtler affirmation of Jewish sovereignty and wisdom.

Tripartite Mahzor (14th century) “King Girded With Might”
Courtesy Bodleian Library & Jewish Museum
 

Posted on: November 9th, 2012

SectionsArts

In the eyes of the ram lies the artist’s commentary on the Rosh Hashanah piyyut “The King Girded with Strength.” From the Tripartite Mahzor (German 14th century), this illumination simultaneously echoes the piyyut’s praise of God’s awesome power and expresses the terror of actually being a sacrifice to God. The ram is but a reflection of Isaac. It is all in the eyes.

Tripartite Mahzor (14th century) “King Girded With Might”
Courtesy Bodleian Library & Jewish Museum
 

Posted on: November 9th, 2012

SectionsArts

In the eyes of the ram lies the artist’s commentary on the Rosh Hashanah piyyut “The King Girded with Strength.” From the Tripartite Mahzor (German 14th century), this illumination simultaneously echoes the piyyut’s praise of God’s awesome power and expresses the terror of actually being a sacrifice to God. The ram is but a reflection of Isaac. It is all in the eyes.

Dalia Shusterman and Perl Wolfe -- Bulletproof Stockings
 

Posted on: October 28th, 2012

SectionsArts

Rocking custom sheitels and opaque tights, and walking the sidewalks of Crown Heights, Brooklyn, Dalia Shusterman and Perl Wolfe have the Hasidic world talking – and singing along to the tunes of their Hasidic alternative rock girl band, Bulletproof Stockings.

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King David (1957) hand-colored etching by Marc Chagall
Courtesy Haggerty Museum of Art, Gift of Patrick and Beatrice Haggerty
Marc Chagall © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris.
 

Posted on: October 25th, 2012

SectionsArts

Chagall’s reputation needs no burnishing and yet refinements are always welcome. Indeed the Nassau County Museum of Art has mounted a wonderfully extensive survey of Chagall’s works with a unique emphasis on his 1957 Bible series of hand-colored etchings that significantly casts many aspects of his work as uniquely Jewish. Amid the complexity of Chagall’s entire oeuvre, this is deeply significant in the exhibition history of non-Jewish institutions.

Dancing in the Rain, (30 x 24), Oil on linen by Rosa Katzenelson
Courtesy Hadas Gallery
 

Posted on: October 25th, 2012

SectionsArts

Passion of belief can certainly lead to passion of expression, especially for an artist. Rosa Katzenelson’s paintings and digital artwork, currently at the Hadas Gallery in Brooklyn, could easily define the very essence of religious expressionism. As a Chabad devotee, every aspect of her work exudes a passion for both the chassidic subjects she depicts and the visceral act of making a painting. Nonetheless, upon closer inspection her work yields considerably more complexity.

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Abba Hilkiah’s Wife (2012) thread on silk organza by Jacqueline Nicholls
Courtesy JCC Manhattan
 

Posted on: October 14th, 2012

SectionsArts

Jacqueline Nicholls, a Jewish artist from England, presents us with a formidable challenge. Namely, what is the role of a contemporary Jewish Woman artist and how does one confront patriarchal dominance? She presents her response to both queries in her current exhibition at the JCC Manhattan, beautifully curated by Tobi Kahn and organized by Tisch Gallery director Megan Whitman. The results are breathtakingly forceful, subtle and insightful.

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