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The Celebrate Israel Festival on May 31 at Pier 94, slated to be the largest gathering to date of Israeli-Americans in New York.



Arts
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Posted on: January 4th, 2012

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“Despite the fateful part he played in Judah’s history, Nebuchadrezzar [Nebuchadnezzer is sometimes referred to this way] is seen in Jewish tradition in a predominantly favorable light,” wrote Henry W. F. Saggs, the late Assyriologist, toward the end of his Encyclopedia Britannica entry on Nebuchadrezzar II (c. 630—c. 561).

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Posted on: December 29th, 2011

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Ludwig Blum (1891 – 1974) was a deeply complex artist who walked the fine line between pure aesthetics and a radical artistic view of the Zionist enterprise. He clearly loved to paint, make beautiful images and provide aesthetic pleasure.

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Posted on: December 22nd, 2011

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Mark Podwal is a busy, busy man. When I wrote that in these pages in September 2010 it is now clear I didn’t know the half of it…witness his current exhibition at Yeshiva University Museum.

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Posted on: December 15th, 2011

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Just because the miracle of Chanukah defied physics doesn’t mean illustrations and illuminations of the Temple and Tabernacle menorahs haven’t grappled with the physics of flame orientation.

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Posted on: December 8th, 2011

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Something serious is going on here…regarding Jewish women. Sotheby’s current auction of Judaica is a concise offering of 106 items that provides a tantalizing glimpse into Jewish art and image making over the last 500 years.

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Posted on: November 30th, 2011

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It’s hard to imagine an authentic Chagall painting or drawing that isn’t important, particularly to people who care about Jewish art.

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Posted on: November 24th, 2011

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ense, along with the voluminous Oral Tradition in the Talmud, its commentaries and elaborations, make the Jewish artist the richest creative person imaginable.

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Posted on: November 16th, 2011

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Although it’s the Hebrew month of MarCheshvan—known as “mar” or bitter, because it’s devoid of holidays, unlike the preceding month which has the High Holidays and Sukkot, and the next month which ushers in Chanukah—that’s not why I’ve been thinking about hell (gehinnom in Hebrew) a lot lately.

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Posted on: November 12th, 2011

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The midrashic world is a dangerous place to inhabit. It delves into our sacred texts to fathom their deeper meanings, solve vexing textual and conceptual problems and, finally, make sense of the holy words in contemporary terms. Midrash is passionate and deeply creative, like the current midrashic paintings of Brian Shapiro.

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Posted on: November 2nd, 2011

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One of the most iconic works of art I have ever seen is Japanese painter and printmaker Katsushika Hokusai’s c. 1831-1834 Cresting Wave Off the Coast of Kanagawa.

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Posted on: October 26th, 2011

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Our encounters with the Divine are precious moments of personal religiosity. We believe that when we pray we are speaking directly to God and that at that moment we are in the Divine presence. And yet we are seldom conscious of the awe and fear we should also feel.

 

Posted on: October 18th, 2011

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In some ways, Sukkot is the most contemporary of holidays. Many pay good money and invest a lot of time and effort to obtain a beautiful etrog-indeed its biblical name is "fruit of the beautiful tree"-and the most visually appealing lulav, hadasim and aravot. There are various schools of thought on whether to refrigerate or not to refrigerate, to wrap in aluminum foil or wet paper towel, all with the goal of preventing the four species from spoiling and jeopardizing their smell and visual appearance. There is no specific requirement that the schach covering the sukkah be alive-indeed it cannot be made of something still attached to the ground-but the entire atmosphere of Sukkot is one of growth, natural living, and disengaging from our comfort zone. Indeed, it is on the extended Sukkot holiday that a prayer is offered for rain, the source of life.

 

Posted on: October 18th, 2011

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In some ways, Sukkot is the most contemporary of holidays. Many pay good money and invest a lot of time and effort to obtain a beautiful etrog-indeed its biblical name is "fruit of the beautiful tree"-and the most visually appealing lulav, hadasim and aravot. There are various schools of thought on whether to refrigerate or not to refrigerate, to wrap in aluminum foil or wet paper towel, all with the goal of preventing the four species from spoiling and jeopardizing their smell and visual appearance. There is no specific requirement that the schach covering the sukkah be alive-indeed it cannot be made of something still attached to the ground-but the entire atmosphere of Sukkot is one of growth, natural living, and disengaging from our comfort zone. Indeed, it is on the extended Sukkot holiday that a prayer is offered for rain, the source of life.

 

Posted on: October 18th, 2011

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In some ways, Sukkot is the most contemporary of holidays. Many pay good money and invest a lot of time and effort to obtain a beautiful etrog-indeed its biblical name is "fruit of the beautiful tree"-and the most visually appealing lulav, hadasim and aravot. There are various schools of thought on whether to refrigerate or not to refrigerate, to wrap in aluminum foil or wet paper towel, all with the goal of preventing the four species from spoiling and jeopardizing their smell and visual appearance. There is no specific requirement that the schach covering the sukkah be alive-indeed it cannot be made of something still attached to the ground-but the entire atmosphere of Sukkot is one of growth, natural living, and disengaging from our comfort zone. Indeed, it is on the extended Sukkot holiday that a prayer is offered for rain, the source of life.

 

Posted on: October 16th, 2011

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Just look at the expression on Yonah's face. It combines fear and incomprehension at his terrible punishment of floating in the belly of the great fish. So too Noah peering out of the ark, perched on the edge of understanding that there might be a future for mankind. Both works point to the genius of Leonard Everett Fisher as an artist and interpreter of biblical narrative.

 

Posted on: October 16th, 2011

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Just look at the expression on Yonah's face. It combines fear and incomprehension at his terrible punishment of floating in the belly of the great fish. So too Noah peering out of the ark, perched on the edge of understanding that there might be a future for mankind. Both works point to the genius of Leonard Everett Fisher as an artist and interpreter of biblical narrative.

 

Posted on: October 16th, 2011

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Just look at the expression on Yonah's face. It combines fear and incomprehension at his terrible punishment of floating in the belly of the great fish. So too Noah peering out of the ark, perched on the edge of understanding that there might be a future for mankind. Both works point to the genius of Leonard Everett Fisher as an artist and interpreter of biblical narrative.

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Posted on: October 14th, 2011

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Just look at the expression on Yonah’s face. It combines fear and incomprehension at his terrible punishment of floating in the belly of the great fish.

 

Posted on: October 5th, 2011

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The blast of the shofar ends one of the most dramatic scenes in "The Dybbuk," directed by Sidney Lumet, in which a rabbinical court excommunicates a dybbuk, while the same sound of the shofar opens the "Sholom Aleichem" story of Bontche Schweig, announcing the Job-like character's arrival in heaven.

 

Posted on: September 21st, 2011

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It's easy to understand why artists have painted the navi Yonah early and often. There is no character more interesting than the man who, though blessed with the gift of prophecy, failed to grasp the responsibility he was charged with, literally turned his back on his divine mission and ran away, only to be devoured alive by a fish. After what must have seemed an eternity to the son of Amitai-in reality just three days and three nights-the fish, obeying a Divine commandment, vomited Yonah onto dry land.

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