web analytics
September 19, 2014 / 24 Elul, 5774
At a Glance
Sections
Sponsored Post
Apartment 758x530 Africa-Israel at the Israel Real Estate Exhibition in New York

Africa Israel Residences, part of the Africa Israel Investments Group led by international businessman Lev Leviev, will present 7 leading projects on the The Israel Real Estate Exhibition in New York on Sep 14-15, 2014.



Home » Sections » Arts »

Silverstein’s Heroes


Jo-El/Jore-El (2013) 48” x 60” acrylic on canvas, by Joel Silverstein
Courtesy the artist

Jo-El/Jore-El (2013) 48” x 60” acrylic on canvas, by Joel Silverstein Courtesy the artist

Hadas Gallery, Rohr Center at the Pratt Institute
541 Myrtle Avenue, Brooklyn, New York 11205
718 866 6815
March 23 – May 16, 2014: Open by appointment

“Every Philosophy resolves itself into autobiography in the end” – Friedrich Nietzsche

House of El, 2013, 75” x 45” acrylic on canvas and panel, by Joel Silverstein Courtesy the artist

House of El, 2013, 75” x 45” acrylic on canvas and panel, by Joel Silverstein
Courtesy the artist

Exactly how is an aspect of Jewish identity expressed in the mid-20th century phenomena of comic book Superheros?  Aside from the ethnic background of Superman’s creators, Jerry Siegel and Joe Schuster – Depression-era Jews – and the fact that his Kryptonian name, Kal-El, becomes the Hebrew “voice of God,” what else is there?  Many have seen multiple Jewish echoes, not the least of which may be his quasi-messianic role in upholding Truth, Justice and the American Way.  Joel Silverstein dares to explore the social and personal ramifications of Superman in his current exhibition, “Jo-El/Jore-El: Superheroes, Autobiography and Religion” currently at the Hadas Gallery.

Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009). Here the personal expands to include his family who, “morph into superheroes… to pose authentic questions about the self; the act of living a heroic life in the modern world.”  Central to this approach is the artist’s constant realization that, in spite of our best efforts, we live in a profoundly unredeemed world, tragically alienated from both God and our positive social roles.

Jo-El/Jore-El establishes the basic pictorial premise of the artist dressed in a Superman costume, bearded and incongruously wearing his own glasses, posed before a dual motif of Greco-Roman wall painting and a floating pulp fiction image of “The Shadow.”  This painting operates as a formal classic portrait, stipulating the inherent contradictions between a Brooklyn Jew pretending to be a superhero, the overbearing Greek pictorial tradition he has inherited as an artist and the goyish pulp know-it-all character who proclaims: “Who knows what evil lurks in the heart of men? The Shadow knows!”  The irony is that of course no one but God “knows.”

Julie as Wonder Woman (2013) 26” x 40” acrylic on paper, by Joel Silverstein Courtesy the artist

Julie as Wonder Woman (2013) 26” x 40” acrylic on paper, by Joel Silverstein
Courtesy the artist

In House of El, 2013 the worrisome paradox is pursued with a dual depiction of the artist in the lower right in “normal” garb, while in the center he is about to rip off his everyday shirt, revealing himself as a superhero, sporting a classically yeshivish black fedora.  Surfacing here is the Talmudic scholar within the artist’s personality, seemingly essential to performing his salvational work for mankind. The ethos of Hope and Power begin to be played out amid the vicissitudes of a fragile identity in an oppressively secularized world, a personality embedded in transition.

For Silverstein “superheroes [operate] not simply as powerful or mythological beings like Hercules, but as avatars and harbingers of the metaphysical moral order. They more closely resemble the prophets and angels of the Hebrew Bible than the brawling heroes of the Greco-Roman universe.”  And just as the Biblical prophet rails against societal evil and disobedience, tragically ignored and reviled, so does the specter of the Jewish Superhero artist. Gentlemen, Krypton is Doomed expresses an inherent pessimism; the artist as Superman slumped back under an onslaught of beautifully painted flowers and Michelangelo’s Moses towering with his goyish horns.  Even the Superman costume is compromised with ill-fitting boots revealing the artist’s all-too-human feet sticking out beneath.

These 20 or so paintings, all created specifically for this exhibition, explore many themes that confront today’s Jew, artist and ordinary person who realizes that he or she does not quite possess “superpowers.”  Superman in Exile, 2013, is a 16 foot long epic that depicts the artist and his wife wandering beneath the elevated “F” Train, juxtaposed with a bound Harry Houdini, master Jewish escape artist, in an urban dystopia complete with vistas of Prague and the artist’s very own backyard cemetery. Julie as Wonder Woman is a thoughtful and tender portrait of the artist’s wife, here wearing half of the artist’s eyeglasses with him faded into the background and yet always observing from afar.

The quest for a Jewish vision of substance and meaning is one that inevitably encounters frustration and reversals.  This seems to be especially true on many levels for the Jewish artist. The appropriation of Superman into a Jewish superhero seems deeply appropriate for us, as Silverstein heroically states in his catalogue essay: “As the shirt comes off, our confidence and creativity are revealed by the letter “S” on a yellow chevron, cape fluttering behind us. We are born aloft, anew, and ever young. This exhibition is thereby dedicated to all those who engage in the never-ending battle, despite evil in the world and getting up for work.”

About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at rmcbee@nyc.rr.com


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

One Response to “Silverstein’s Heroes”

  1. Until now, I never took Superman as anything other than an extremely overpowered superhero with no real challenges or challengers. Thanks to the understanding you and Mr. Silverstein have given me, I see him more as an ideal than just a superhero, powerful or not. And the world has always needed strong ideals more than superheroes or gritty characters, although if Superman were to be real, I would not complain or say that he did not have any challenges before him. He'd be taking care of business, and that business is good.

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Protest rally against Metropolitan Opera staging Death of Klinghoffer on 9/22 at 4:30 pm at the Met.
For Grass Roots Klinghoffer Protest 9/22, Jewish Establishment MIA
Latest Sections Stories

Three sets of three-day Yomim Tovim can seem overwhelming – especially when we are trying to stay healthy.

Plotkin-092614

Is a missed opportunity to do a mitzvah considered a sin?

Teens-Twenties-logo

The sounds and scents of the kitchen are cozy, familiar, but loud in the silence.

Baim-092614-Plate

Everyone has a weakness. For some people it is the inability to walk past a sales rack without dropping a few hundred dollars. For others, it’s the inability to keep their house organized.

His entire life was dedicated to Torah and he became a pivotal figure in the transmittal of the Oral Torah to the next generation.

When you don’t have anyone else to turn to… that’s when you’re tied to Hashem the closest.

While we all go to restaurants for a good meal, it is dessert, that final taste that lingers in your mouth, that is the crown jewel of any dining experience and Six Thirteen’s offerings did not disappoint.

Today, fifty years and six million (!) people later, Israel is truly a different world.

There will always be items that don’t freeze well – salads and some rice- or potato-based dishes – so you need to leave time to prepare or cook them closer to Yom Tov and ensure there is enough room in the refrigerator to store them.

In Uzbekistan, in the early twentieth century, it was the women who wore the pants.

This is an important one in raising a mentsch (and maybe even in marrying off a mentsch! listening skills are on the top of the list when I do shidduch coaching).

While multitasking is not ideal, it is often necessary and unavoidable.

More Articles from Richard McBee
Jerusalem to Jericho Road: photograph by Chanan Getraide
“Chanan Getraide Photographs”: 2004 exhibition at Hebrew Union College Museum

“We are living in a Golden Age of Jewish Art, but don’t know it.”

McBee-062014-Outside

He refuses to flinch from our painful history, perhaps finding a kind of solace in the consistency of irrational enmity directed against us.

“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.

A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.

Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).

Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.

Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.

Bradford has opted to fully exploit the diverse possibilities of the physical surface by concentrating on the three-dimensional application of paint (impasto) and other material.

Printed from: http://www.jewishpress.com/sections/arts/silversteins-heroes/2014/03/21/

Scan this QR code to visit this page online: