Chillul Tefila Bifarhesia, as well as halachicly challenged verbiage and dress, are external manifestations of a critical lack of personal yiras shomayim which has lethal consequences.
“Miriam M?rsel Nathan: Memory of a time I did not know…”
Curated by Steven Cushner
Through Dec. 17, 2010
Ann Loeb Bronfman Gallery, Washington D.C. JCC
1529 16th Street, NW, Washington, D.C.
In Italo Calvino’s short story “The Adventure of a Photographer,” part of his collection Difficult Loves (1985), the “non-photographer” and bachelor Antonino Paraggi, finds himself increasingly alienated from his married friends who go out with their families and cameras each Sunday and “come back as happy as hunters with bulging game bags,” their photographic catch of the day.
A philosopher by “mental attitude,” Paraggi loves discussing current events with his peers. He has no particular anemic reaction to the here and the now, but he annoys his more sentimental friends by insisting that photographing events-particularly when those photographs are staged-inevitably sacrifices the true present for the possibility of enjoying the photographs in the future.
Paraggi notes that photographing children is one of a parents’ first instincts. “Given the speed of growth, it becomes necessary to photograph the child often, because nothing is more fleeting and unmemorable than a six-month-old infant, soon deleted and replaced by one of eight months, and then one of a year; and all the perfection that, to the eyes of parents, a child of three may have reached cannot prevent its being destroyed by that of the four-year-old,” Calvino observes. “The photograph album remains the only place where all these fleeting perfections are saved and juxtaposed, each aspiring to an incomparable absoluteness of its own.”
This is precisely what confounds Paraggi, who cannot realize that his bachelorhood places him in far graver danger of being forgotten than his married peers playing the amateur photographer capturing their children.
Eventually, Paraggi takes the photographic plunge, but he decides his craft must represent a throwback. He scavenges for an old camera (the kind with a bulb to squeeze) and accessories in flea markets and other “cemeteries of objects no longer serviceable” and manages to create an anachronistic studio, where he photographs a particular model, who becomes his wife. In the end, Paraggi can find just one photographic project that is not contrived and staged-photographing a pile of torn-up staged photographs, a deconstructionist composition if there ever was one.
Portrait of Miriam M?rsel Nathan by David Nathan
Since photography was popularized in the early 19th century, it has had many opponents who, like Paraggi, have viewed it as a destructive medium. Several chassidic masters were rumored to have shunned having their pictures taken for fear of violating the Second Commandment, and there are Muslims today who make faces when posing for their driver’s licenses for similar reasons. But Jewish artist Miriam M?rsel Nathan, whose work is on exhibit at the Ann Loeb Bronfman Gallery in Washington, starts from the opposite premise.
Where Calvino was troubled by photography’s artificial response to life and prescribed destructive photography to overcome that design problem, M?rsel Nathan’s project starts with a single posed photograph of her aunt Greta and tries to create Greta’s world.
Miriam M?rsel Nathan. “Greta in green.” 30″ x 22″ monotype. 2008
M?rsel Nathan, a former director of the Washington Jewish Film Festival, created all the works in the Bronfman Gallery exhibition based on a series of pre-World War II family photographs she found in a small box. She has been fascinated by these pictures her entire life. “I have become an interpreter of these images, piecing together a story of people who look like me and my children and my grandchildren,” she says.
Making monotype prints of a photograph of her aunt Greta, M?rsel Nathan realized she had no idea what color dress her aunt was wearing in the black-and-white picture. “In fact, I didn’t know what colors she liked-a detail that points to a much larger issue, which is that I don’t know much about my aunt at all,” she says.
In a series of screen prints of the photograph-each of which includes a different colored dress-M?rsel Nathan imagines the content of the image in a manner reminiscent of Andy Warhol’s series on Marilyn Monroe, self-portraits and Campbell’s soup cans.
“The series of screen prints is of the same dress but in many different colors, as if to say to my aunt Greta-which of these do you like?” she says.
Miriam M?rsel Nathan. “Which One?” 15″ x 11
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at email@example.com.
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Nearly half a million of them fought in Red Army uniforms, under communist slogans but with a personal vengeance that was solely the result of Jewish experience. More than the “Greatest Generation,” they were the living superheroes hidden in plain sight.
It’s all over.
The orchestra is still, the lights are dimmed. Your simcha outfits hang in your closet, silent witnesses to a time you will treasure in your mind and heart forever.
After noticing that you can’t log into your computer, your pulse quickens as you are called into your supervisor’s office. S/he has some bad news. You are being laid off. You have 15 minutes to clean out your desk and surrender your cell phone before security escorts you out of the building. Job termination, especially in the corporate world, can be heartless.
I have always had a problem with the Omer. Doing the mitzvah of counting the Omer was of course pretty easy. Remembering to start the second evening of Passover and remembering to stop the day before Shavous took a little concentration but somehow I always managed. No, for me the nagging problem was always why was I doing this in the first place, other than the fact it was a biblical (according to the Rambam) commandment.
With the semi-mourning period of Sefira behind us, and the festival of Shavuot as well (as evidenced by the tightness of our clothing due to over-indulging in irresistible versions of cheesecake that is an integral component of celebrating our receipt of the Torah), our community can look forward to participating in joyous engagement parties and weddings.
Dear Dr. Yael:
Do you really believe that the Internet is the reason why the divorce rate is so high among young couples? This may be so in some cases, but what about the fact that many singles are pressured to get married at a young age despite not having any idea what they are looking for in a mate? And add to that the fact that many are pressured to make a decision about marriage after dating for a very short period of time.
From the moment they stand under the chuppah, newlyweds have two years to enjoy the special bliss that new love brings. This new finding, reported by the New York Times, is based on a study undertaken by American and European researchers. 1,761 people who got married and stayed married over 15 years were followed. The research shows that after two years the couples moved into a more companionable state in their relationships.
Shel Silverstein’s 1974 poem “Where The Sidewalk Ends” is intended to paint a magical picture of a world of peace and serenity far away from the “black and dark streets.” At the time, perhaps the end of the sidewalk was a place that was “measured and slow.” Today, however, for many parents, where the sidewalk ends can feel like a scary place.
The next chapter of the award-winning novel.
Florida is famous for sparkling water. We have the beautiful Atlantic Ocean and Gulf of Mexico surrounding our coast. We have bays, lakes, canals and, of course, an incredible abundance of swimming pools in homes, resorts, apartment complexes and city parks.
The buzz is back as Camp Gan Israel Florida Overnight gears up for another fantastic summer, CGI Florida style. What makes CGI Florida so different from all the other overnight camps? It’s all in the details.
Leah Katz, a TeenZone camper at Oorah’s TheZone summer camp and an 11th grader at Midwood High School, read her winning essay about how TheZone changed her views on Judaism at the Jewish Heritage Awards Ceremony held at Brooklyn District Attorney Charles Hynes’s office in April. The purpose of the Jewish Heritage Essay Contest is to acquaint public school students with Jewish history and customs and to help foster a deeper understanding of Jewish culture. The contest is open to students of all ethnic and religious backgrounds. Leah’s essay is reproduced in full below.
Moshe Sharett, the head of the Jewish Agency’s Political Department, visited Egypt in 1945. In Cairo he met a most remarkable young woman, a beautiful journalist who was the darling of Egyptian high society – from high-ranking military brass, to culture icons and Muslim sheikhs, to the court of King Faruk.
The two proceeded to talk about everyday things and surprisingly her mother-in-law did not find anything else to criticize. This occurred a few more times, with my client changing the topic every time by complimenting her mother-in-law or mentioning something positive about her.
It all started at an art and education conference at the Yeshiva University Museum. When one of the speakers misidentified a Goya painting at the Frick Collection, both the gentleman sitting next to me and I turned to each other and corrected the error simultaneously.
One of my favorite places when I was growing up in Boston was the used bookstore on Beacon and St. Mary’s streets. Boston Book Annex could play a used bookshop on television; it was dimly lit and cavernous, crawling with cats, and packed with a dizzying array of books, many of which sold three for a dollar. But used bookstores of this sort, however picturesque and inviting, are a relatively modern phenomena. In the Middle Ages, for example, I would never have been able to afford even a single used book unless I had been born into an aristocratic family. (Full disclosure, I was not.)
Jewish medals, several with Hebrew inscriptions and provocative imagery, were among the gems at The European Art Fair (TEFAF) in Maastricht, Netherlands, as I wrote in these pages two weeks ago. Another mini-trend at the fair, which will interest Jewish art aficionados, was an abundance of works by Marc Chagall.
It’s virtually impossible to ignore the financial aspects of TEFAF Maastricht, the annual arts and antiques fair in the historic city about two hours south of Amsterdam. More than 250 dealers from nearly 20 countries sell their wares—which span from Greek and Roman antiquities to contemporary sculptures—in the halls of the Maastricht Exhibition and Congress Centre, whose corridors are adorned by nearly 65,000 tulips.
Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture.
The whole idea of an artful pushka (tzeddakah or charity box) is almost a tease, if not an outright mockery. Isn’t there something pretty backward about investing time and money in an ornate container to hold alms for the poor?
Located about nine miles north of Madrid, the Palacio Real de El Pardo (Pardo Palace) dates back to the early 15th century. Devastated by a March 13, 1604 fire that claimed many works from its priceless art collection, the Pardo Palace and its vast gardens were used as a hunting ground by the Spanish monarchs.
Red By John Logan; directed by Robert Falls; starring Edward Gero and Patrick Andrews Jan. 20 – March 11, 2012 Arena Stage, 1101 6th Street, SW, Washington, D.C. http://www.arenastage.org One morning, Ken, Mark Rothko’s studio assistant, comes into the studio to fulfill his daily duties of stretching and priming his employer’s canvases. When he [...]
Printed from: http://www.jewishpress.com/sections/arts/the-adventure-of-a-jewish-photographer-miriam-mrsel-nathans-photo-paintings/2010/10/13/
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