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The Jewish Children’s Museum
792 Eastern Parkway, Brooklyn, N.Y. 11213
The installation-like approach to the exhibition is its strongest and most innovative element, and shows great potential in considering ways to represent the Holocaust. However, it is only partially successful, and comes at a price. The large size of the photographs, and their free mounting on boards rather than on the walls, helps integrate the space, and also subliminally echoes the shapes of the tombstones that appear in several photographs, subtly conveying the suggestion of a graveyard. On the other hand, some of the photographs lose quality with the enlargement, and the tilt of the boards causes disturbing reflections on several of the pieces, giving a sense of haphazardness. In addition, the music, taken from Schindler’s List, is very theatrical, and instead of making the imagery more immediate, actually serves to create a distance from the act of witnessing, reinforcing the feeling that this is a story, rather than a reality. Nevertheless, Gati’s ambitious first exhibition shows he is dealing seriously and thoughtfully with both his subject matter, and his viewers.
Batnadiv HaKarmi Weinberg holds a masters in comparative literature, and has lectured at various institutions of higher learning in Israel, including the Hebrew University of Jerusalem. She is currently working towards a masters of fine arts at the New York Studio School.
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The musical production was beautifully performed by the middle school students.
Greige offered a post of her own. She said, “I was very cautious to avoid being in any photo or communication with Miss Israel.” She contends that she was photobombed.
In the introduction to the first volume, R. Katz discusses the Torah ideal, arguing that the Torah’s laws are intended to craft the perfect man and are not to be regarded as ends unto themselves.
A highlight of the evening was the video produced by the Kleinman Family Holocaust Education Center on the legendary Agudah askan Reb Elimelech (Mike) Tress, a true Jewish hero.
Until recently his films were largely forgotten, but with their release last year on DVD by Re:Voir Video in Paris they are once again available.
Though the CCAR supported the Jewish right to emigrate to Eretz Yisrael, it strenuously objected to defining Palestine as the Jewish homeland.
“Well, you are also part of this class! If someone drills a hole in the boat, the boat will ultimately sink, and even the innocent ones will perish as well. The whole class must be punished!”
I find his mother to be a difficult person and my nature is to stay away from people like that.
Here are some recipes to make your Chag La’Illanot a festive one.
Does standing under the chuppah signal the end of our dream of romance and beautiful sunsets?
We aren’t at a platform; we are underground, just sitting there.
Sotheby’s recent annual auction of Israeli art was given an extra dimension this year with a large selection from the Phoenix Insurance Company, Ltd.’s collection – one of the largest, most comprehensive collections of Israeli art in the world, spanning from the founding of the Bezalel Academy of Art and Design in Jerusalem in 1906 through to the present day. The selection at Sotheby’s did not include this entire range. It was limited to smaller, more accessible works (there were no purely conceptual works, for example), and contained almost no sculpture, with the notable exception of Israel Prize-winner Danziger’s brass Chariot.
More than half a century has passed since the Holocaust. As the number of survivors dwindles, even as the amount of documentation grows, there has been a shift in focus from recording the facts to working out how we can relate to these facts. As the generation of eyewitnesses passes, we are entering an era that must deal with the problem of memory without access to direct experience. Yad VaShem’s recent refurbishment is a manifestation of this shift, and the new focus can be felt across the spectrum.
Printed from: http://www.jewishpress.com/sections/as-memories-fade-photos-testify-2/2009/12/16/
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