The Gates of Paradise have arrived in New York, and anyone interested in experiencing one of the great masterpieces of the Early Italian Renaissance cannot afford to miss this current exhibition at the Metropolitan Museum of Art. The works represent a crowning achievement of Western civilization in their beauty, excellence of execution and meaningful subjects. And while deeply influenced in style by the Renaissance notion of Greek ideal beauty and form, the themes of the ten original panels are firmly rooted in the Jewish Bible. The subject of the panels here, “The Creation of Adam and Eve,” “David Beheading Goliath” and especially “Isaac and Esau,” present a complex and nuanced rendering of the narratives that, upon closer reading, yield an especially interesting understanding of the text; picking out a uniquely feminine narrative within the nominally male account.
Richard McBee is a painter and writer on Jewish Art. Please feel free to contact him with comments at email@example.com.Richard McBee
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
If you don't see your comment after publishing it, refresh the page.