Eva Hesse Drawing
Through July 15, 2006
The Drawing Center
35 Wooster Street, New York
Eva Hesse: Sculpture
Through September 17, 2006
The Jewish Museum
1109 5th Ave. (at 92nd St.), New York
Eva Hesse, Repetition Nineteen III, 1968, latex and filler over canvas stuffed with polyethylene sheeting, rope and unidentified materials. The Museum of Modern Art, New York; Gift of Charles and Anita Blatt, 1969. © The Estate of Eva Hesse. Hauser & Wirth Zürich London. Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY.
Hesse’s “No Title” (1966), a black ink wash and pencil drawing, is one of many drawings on exhibit in the Drawing Center show. The image shows three circles – one large and two small. Each circle contains many circles that are increasingly smaller, which makes the work appear like tree bark rings. The forms seem to interact and play off each other, although they don’t touch, strictly speaking. Hesse writes of the absurdity of her circles, which seem to go on forever. “If something is absurd, it’s more absurd to repeat it.”
Eva Hesse, no title, 1966. Black ink wash and pencil, 11 3/4 x 9 in.
Collection of Tony and Gail Ganz, Los Angeles. © The Estate of Eva Hesse, Hauser & Wirth Zürich London.
Ruth and Wilhelm Hesse, Eva Hesse Tagebuch (Diary) 1, Hamburg, Passover 1936. Collection of Helen Hesse Charash; Ruth Marcus Hesse, “proud Mama with her two daughters,” Helen and Eva. The Hebrew headline reads, “This year we are slaves, next year we shall be free.” Wilhelm Hesse wrote, “Evchen’s [little Eva’s] first yom tov [holiday]. She doesn’t understand anything about it yet, but it concerns her that diet needs to be changed.” This is a rare entry, in that it was co-written by Wilhelm and Ruth Hesse. This was the last time Eva’s mother wrote in her tagebuch.
Menachem Wecker is a painter and assistant editor of B’nai B’rith Magazine in Washington, D.C. He welcomes comments at firstname.lastname@example.org
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at email@example.com.
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