The L.A. Story
Hebrew Union College – Jewish Institute of Religion Museum
One West 4th Street, New York, NY 10012;
212 824 2205
Monday-Thursday, 9 a.m.-5p.m.; Friday, 9 a.m.-3 p.m.
Free Admission (Photo ID required)
Holocaust Survivors: The Indestructible Spirit, 2007, Digital photograph by Bill Aron
Jew in the Desert [detail] (1981-85), Printed metal collage; 84′ X 141″ by Tony Berlant
Collection of Peter Gould
This trepidation with traditional Jewish subjects is surely both geographical and generational. Culturally New York and its environs have lived through the Jewish rejection of the Old World and rampant assimilation by modernity for the last 70 years. Slowly but surely, the younger Jewish world is setting about to reclaim its awesome heritage, demanding that it can coexist creatively with modernity (and post modernity). In the last decade, there is a sense of a new entitlement of traditional Jewish culture; Jewish music and literature in resurgence, painting exhibitions such as the recent “Scenes from the Bible” in New York (reviewed here two weeks ago) are only a few examples of a cultural swing not afraid to be too Jewish. Most importantly there is the growing promise that in this process both traditional subjects and modernity will be fundamentally transformed into a dynamic and new Jewish culture, benefiting all Jews in the East, West and beyond.Richard McBee
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
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