Close your eyes, breathe in deeply, now exhale slowly… That was easy, wasn’t it? Not for everyone…
Mirta Kupferminc is an artist who has made her artistic mission a search for meaning in a world profoundly unstable, problematic and filled with the terrors of memory not entirely her own. As the child of Holocaust survivors, uprooted from Europe and transplanted in Argentina, one prevailing motif for her is that of a witness to the Holocaust one generation removed. A prominent text panel quotes Saul Sosnowski: ” to be a witness who loves unconditionally; daring to judge G-d over Auschwitz and find him guilty; and pray to him still, even there, even in Auschwitz.”
Under the watchful guidance of director Jean Bloch Rosensaft and the curatorial skill of Laura Kruger the Hebrew Union College Museum presents Wanderings: Works by Mirta Kupferminc delving into the artist’s exploration of the quest for Divine knowledge, the Holocaust, and the mysteries of memory.
Mirta Kupferminc is a complex artist tackling some of the most vexing questions facing Jews today. The quest for the Divine, to draw close and attempt to achieve understanding is fraught with fear and trepidation. G-d is a burning fire and still a constant temptation. He is our obsession. And yet we cannot forget the Holocaust itself, how it has profoundly dislocated us in both our relationship with our G-d we incessantly seek and our essential uprootedness whether we are in the Diaspora or even in our precious Land of Israel. Staring into the abyss these are the subjects Kupferminc faces. She does not blink even as we must.
Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
We studied his seforim together, we listened to famous cantorial masters and we spoke of his illustrious yichus, his pedigree, dating back to the famous commentator, Rashi.
Jews who were considered, but not ultimately selected, include Woody Allen, Saul Bellow, David Ben-Gurion, Marc Chagall, Anne Frank, and Barbra Streisand.
Cantor Moti Boyer came from the East Coast to support the event.
Personally I wish that I had a mother like my wife.
What’s the difference between the first and second ten-year-old?
What makes this diary so historically significant is that it is not just the private memoir of Dr. Seidman. Rather, it is a reflection of the suffering of Klal Yisrael at that time.
Rabbi Lau is a world class speaker. When he relates stories, even concentration camp stories, the audience is mesmerized. As we would soon discover, he is in the movie as well.
Each essay, some adapted from lectures Furst prepared for live audiences, begins with several basic questions around a key topic.
For the last several years, four Jewish schools in the Baltimore Jewish community have been expelling students who have not received their vaccinations.
“We can’t wait for session II to begin” said camp director Mrs. Judy Neufeld.
“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.
A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.
Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).
Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.
Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.
Printed from: http://www.jewishpress.com/sections/kupfermincs-wanderings/2009/10/21/
Scan this QR code to visit this page online: