Close your eyes, breathe in deeply, now exhale slowly… That was easy, wasn’t it? Not for everyone…
My Space on 7th, Non-juried,
Group Exhibition, 50 Local Artists
406 7th Street NW 2nd Floor, Washington, DC
Marilyn Banner’s encaustic painting “Listening” (2008) at first appears to be ironically titled. One would expect a painting with that name to be calm and pretty, with pastel colors and an aura that would be compatible with a hospital’s waiting room. Instead, “Listening” is a very dramatic work, with thick paint, bold strokes, and text that seems cut violently into the surface in some areas, and smeared elsewhere almost to erasure.
“Listening” 2008. Encaustic on wood, 12×12.” Courtesy of Marilyn Banner.
As Banner describes it, she created the work while listening to a “beautiful” tune, “In the Garden of Shechina” by songwriter Hannah Tiferet Siegel. Then, in residence at the Virginia Center for Creative Arts for the eighth time, Banner wrote the text of the first two verses of Siegel’s song onto “Listening,” which is one of 24 pieces of hers that recently hung at the Touchstone Gallery in Washington. Siegel’s verses read as follows:
Born from the earth
Breathed by the air
Healed in the water
Kindled with prayer,
I walk through the fiery sword of truth
With all my heart.
I am the Tree of Life
In the Garden of Shechina
Singing a psalm of wonder and love
Ki hi m’kor habracha [because it is the source of blessing].
After examining the text, viewers can begin to approach the work with a different sort of listening – perhaps the kind the prophet Elijah came to practice.
In the Book of Kings I (Chapter 19), just after he defeated the prophets of Baal on Mount Carmel when a divine fire came down to consume his sacrifice and just after he prophesized that rain would finally come to the famine-struck region, Elijah found himself fleeing for his life from Ahab and his wife Jezebel. In the desert, Elijah grew so hungry that he was ready to give up his life, much as Jonah had desired when the sun bore down too heavily on him outside Nineveh. But an angel directed Elijah to eat, and he then encountered the Divine Presence on a mountain.
Like much of the prophetic experience, Elijah’s encounter with G-d carried a strong aesthetic component. First a powerful wind struck the mountains and decimated the rocks. Then, an earthquake struck, after which a fire appeared and scorched whatever had survived the wind and the quake. But, the Torah explains, G-d was not in the wind, the rocks, or the fire. Instead, G-d’s voice came in a form that was not pretentious and dramatic: a “kol d’mamah dakah,” a thin, soft voice.
Elijah came to see that divinity and greatness were not necessarily embedded in loud noise (neither rock concerts nor construction workers’ drilling seem to have a monopoly on theology). It is possible to “listen” to Banner’s painting and hear a soft, beautiful song emerge even from the expressionistic and stormy surface.
In fact, even Banner’s materials involve a complicated process that is both bold and soft.
Encaustic paintings are very different from standard oil paintings, in which the artist simply puts brush to canvas and adds marks. Encaustic, which is an ancient technique that has often been employed in a religious context, essentially involves taking wax, often beeswax, with pigments mixed into it and layering it on the canvas.
The painter also uses damar (sometimes called dammar gum), a resin binding agent that hardens the materials and holds them together. The wax, the brushes, the paint, and the surface must remain warm throughout the process, and the layers of paint must be close to 200 degrees to “stick” to the other layers. Given the elaborate technique, Banner not only included the song text in her work, she actually wrote it into wax.
“Serious” Encaustic on wood, 12×12.” Courtesy of Marilyn Banner.
Over e-mail, Banner elaborated on the series. “It is about connection to the earth and spirituality, as you can probably tell,” she said. “I may have written out the whole poem in there, but as I work kind of in a trance, I don’t really remember. Whatever came out of my hand is what’s in there, some buried, some visible. It was as if my heart was singing it and the words just went into the paint.” She added that “it’s one of those things that when a group sings together, you’re on another plane.”
Banner is not just an artist who paints music. She is also co-founder and co-director of Washington “Musica Viva,” a musical, poetic, and visual art performance series, which she began in her studio in Kensington, Maryland. She was also the regional coordinator of the national organization, No Limits for Women in the Arts, as well as a board member of the DC board of the Women’s Caucus for Art.
“Blue Sound” 2005. Encaustic on panel, 11×14.” Courtesy of Marilyn Banner.
“Blue Sound” swaps the performer for four cellos (one in relief). Banner has “written” the words “The Sound” over two of the instruments, and about 10 scores of sheet music are visible in the background. The forms of the scores mirror the strings on the cellos, and the entire surface of the paintings seems like it could yield a sound if it were plucked or played.
“Dance of Joy” 2006. Encaustic on wood, 9×11.” Courtesy of Marilyn Banner.
For more information on Marilyn Banner and her work, visit her website, http://marilynbanner.com/.
MENACHEM WECKER welcomes comments at email@example.com. He is a painter and writer, residing in Washington, DC.
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at firstname.lastname@example.org.
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
On November 22, 1963, Abraham Zapruder created one of the most famous, and valuable, pieces of film and became forever linked with one of the greatest American national tragedies when he stood with his camera on an elevated concrete abutment as President John F. Kennedy’s motorcade passed through Dealey Plaza in Dallas. Exhibited here is […]
“Worrying is carrying tomorrow’s load with today’s strength – carrying two days at once. It is moving into tomorrow ahead of time. Worrying doesn’t empty tomorrow of its sorrow, it empties today of its strength.” – Corrie ten Boom I’ve been thinking a lot about worrying. Anxiety is an issue close to my heart – […]
Upon meeting the Zionist delegation, General Wu, a recent convert to Christianity, said, “You are my spiritual brothers.
With the assistance of Mr. Tress, Private Moskowitz tried tirelessly to become an army chaplain.
Dr. Yael Respler is taking a well-deserved vacation this week and asked Eilon Even-Esh to share some thoughts with her readers in her stead.
A dedicated scholar, educator and mother, Dr. Lowy was the guiding light of TCLA since its inception and the entire Touro community mourns her passing.
It’s ironic that when we hear about Arab extremists attacking and killing Jewish settlers, there is quiet from these same left wingers.
It is well known that serving olives with alcoholic drinks enhances their flavor, but you have to know what you’re doing.
All of us wish to act in kind, compassionate and intelligent ways. We all wish to build character.
The exhibit, according to a statement from guest curator Michele Waalkes which is posted on the museum website, “examines how faith can inform and inspire artists in their work, whether their work is symbolic, pictorial, or textual in nature. It further explores how present-day artwork can lead audiences to ponder God, religious themes, venerated traditions, or spiritual insights.”
It all started at an art and education conference at the Yeshiva University Museum. When one of the speakers misidentified a Goya painting at the Frick Collection, both the gentleman sitting next to me and I turned to each other and corrected the error simultaneously.
One of my favorite places when I was growing up in Boston was the used bookstore on Beacon and St. Mary’s streets. Boston Book Annex could play a used bookshop on television; it was dimly lit and cavernous, crawling with cats, and packed with a dizzying array of books, many of which sold three for a dollar. But used bookstores of this sort, however picturesque and inviting, are a relatively modern phenomena. In the Middle Ages, for example, I would never have been able to afford even a single used book unless I had been born into an aristocratic family. (Full disclosure, I was not.)
Jewish medals, several with Hebrew inscriptions and provocative imagery, were among the gems at The European Art Fair (TEFAF) in Maastricht, Netherlands, as I wrote in these pages two weeks ago. Another mini-trend at the fair, which will interest Jewish art aficionados, was an abundance of works by Marc Chagall.
It’s virtually impossible to ignore the financial aspects of TEFAF Maastricht, the annual arts and antiques fair in the historic city about two hours south of Amsterdam. More than 250 dealers from nearly 20 countries sell their wares—which span from Greek and Roman antiquities to contemporary sculptures—in the halls of the Maastricht Exhibition and Congress Centre, whose corridors are adorned by nearly 65,000 tulips.
Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture.
The whole idea of an artful pushka (tzeddakah or charity box) is almost a tease, if not an outright mockery. Isn’t there something pretty backward about investing time and money in an ornate container to hold alms for the poor?
Located about nine miles north of Madrid, the Palacio Real de El Pardo (Pardo Palace) dates back to the early 15th century. Devastated by a March 13, 1604 fire that claimed many works from its priceless art collection, the Pardo Palace and its vast gardens were used as a hunting ground by the Spanish monarchs.
Printed from: http://www.jewishpress.com/sections/listening-to-the-paints-music-marilyn-banners-encaustics/2008/08/06/
Scan this QR code to visit this page online: