web analytics
July 26, 2014 / 28 Tammuz, 5774
Israel at War: Operation Protective Edge
 
 
At a Glance
Sections
Sponsored Post
IDC Advocacy Room IDC Fights War on Another Front

Student Union opens ‘hasbara’ room in effort to fill public diplomacy vacuum.



Home » Sections » Arts »

Podwal’s Books

Podwal’s Books

Illustrated Books by Mark Podwal
Markpodwal.com

 


Mark Podwal is a busy, busy man.  He has spent the last 38 years making every conceivable kind of art: innumerable paintings, 28 illustrated books written by him and Elie Wiesel, Harold Bloom and Francine Prose, children’s books, haggadot, ceramics and graphic works. Dubbed the “Master of the True Line” by author Cynthia Ozick, his pro-Israel cartoons and drawings have been featured on the Op-Ed pages of the New York Times since 1972.  Lately his passion for the Jewish community in Prague has expressed itself in a book, Built by Angels: The Story of the Old-New Synagogue and a documentary film House of Life: The Old Jewish Cemetery in Prague narrated by Claire Bloom.  His art is found in the Metropolitan Museum of Art, Victoria and Albert Museum, Fogg Art Museum and Library of Congress.  The Forum Gallery in New York has represented him since 1977.  He also happens to be a Board certified Dermatologist.  What is easily most remarkable about this breathless list of accomplishments is that his artwork has consistently focused on Jewish legend, history and tradition. 


In one of his earliest Jewish works, Podwal used the words of the Prophet Jeremiah to illustrate Lamentations (1974) in a series of searing images delineating the tragedies of Jewish history that the prophet foretells.  Podwal’s signature style is already evident; a powerfully simple line combines with acidic social commentary to bring an ancient text into contemporary consciousness.  The frontispiece is a line drawing that copies the well-known Baroque arch and framing columns of countless copies of the Talmud and sacred texts.  On the pediment “Echah” is inscribed with “Kinot for Tisha b’Av” in Hebrew in the empty archway.  A lone noose hangs above the inscription, wrenching us from ancient history to modern day persecutions.


 



The Heathen Have Entered the Sanctuary (1974) drawing by Mark Podwal

Courtesy The Book of Lamentations – The National Council on Art in Jewish Life


So too the verse “The adversary has spread out his hand upon all her treasures. For she has seen that the heathen have entered into her sanctuary.” (1:10) Podwal keeps us in the present, depicting two Nazi storm troopers marching off with the Temple menorah found on the Roman Arch of Titus.  Similar in sentiment, but somehow more vicious, is the illustration from chapter 5:1-2 where we see the Roman Capitoline Wolf (symbol of the founding of Rome) staring defiantly at us and ironically crowned with a 18th century Polish Torah crown, grasping an ornate menorah in its savage teeth. For Podwal Rome continues to oppress well after its own demise.


In 1984 Podwal created A Jewish Bestiary: A Book of Fabulous Creatures Drawn from Hebraic Legend and Lore. It is a remarkable transformation of a medieval Christian tradition tracing its roots to Greek, Roman, Egyptian and Indian literature. A bestiary is a natural history of animals that expounds a moral lesson.  Podwal’s choices are revealing of his deep and passionate love of Torah, Talmud and later commentaries. His purpose in illuminating these animals is to “perpetuate their ancient enchantment.”  Using midrashic sources he proceeds to visually elucidate the purpose of the ant, serpent, fox, the dove and the lion among the other 25 animals he illustrates.  For the ram, seen entangled on a menorah-like bush, its role is explicated in the Akeidah and its horns; “the left one was sounded after the Revelation on Mount Sinai, the other to proclaim the advent of the Messiah.”

 

 


King Solomon Wandering (1999) gouache and colored pencil painting by Mark Podwal

Courtesy King Solomon and His Magic Ring by Elie Wiesel – Greenwillow Books

 

 

While the ostrich is kind of funny, a big bird with a talis covering its comic small head, the gnat is most revealing.   This species had a specific historical role to play in the retribution of the especially evil Titus who violated the Temple well beyond God’s furious command of destruction.  The tiny gnat flew into Titus’s nose and then to his brain, torturing him for seven years until he died of its incessant buzzing.  Podwal’s simple drawing of the triumphant Roman, his head replaced by a single gnat, proclaims how justice was done by this lowly insect.

 

 


The Gnat (1984) drawing by Mark Podwal

Courtesy A Jewish Bestiary – The Jewish Publication Society

 

And then there was “Schmuel the Shoemaker.” In You Never Know: A Legend of the Lamed-vavniks (1998), written by Francine Prose.  The notion of holiness hidden in our midst is lovingly explored in this Eastern European Jewish tale.  Podwal’s illustrations are uncharacteristically restrained.  The hero is seen most poignantly as a humble man hidden in the purple of shadows, contemplating what the needs of his little town are.  Nonetheless, this simple pious Jew who simply wished to help his fellow man saved his entire town from disaster.   We are urged by his illustrations to reflect upon the subtle notion of how simple kindness can engender great blessings.


In some ways Podwal seems to be most at home with demons.  His illustrations for the award winning children’s book King Solomon and His Magic Ring (1999), written by Elie Wiesel, takes us into the totally magical world of King Shlomo (Solomon).  In this delightful retelling of many midrashim the fabled King Shlomo seemed to know everything and had intimate access to God Himself who gave him a magic ring extending his authority over all spirits, demons and animals in the universe.  The demons and animals were totally under his control, seemingly happy to do his bidding.  We see two winged demons happily perched atop the humps of a passing camel and are told that some of the animals actually lined up outside the royal kitchen eagerly waiting to be served as the king’s dinner!

 

 



Schmuel the Shoemaker (1998) gouache and colored pencil painting by Mark Podwal

Courtesy You Never Know by Francine Prose – Greenwillow Books

The legend of the king of the demons, Ashmedai, dominates the last quarter of the book with some of Podwal’s best images propelling the story.  The wicked Ashmedai is seen as a grumpy gremlin, adorned with enormous bat wings and little white horns.  After he steals the king’s ring and therefore his power, we see him transformed as a look-alike King Shlomo and the real king reduced to wandering the world as an impoverished vagrant.  Even though he finally regains his magic ring and his rightful throne, the king is chastened, filled with a new kind of wisdom.


Podwal’s latest book collaboration, Fallen Angels (2007) is with noted author Harold Bloom and examines the recent fascination with angels, especially those that might be called fallen out of heavenly favor.  This distinctly non-Jewish idea is developed by Bloom into the notion that in some fundamental way we are all fallen angels.  Podwal explicates the Jewish expression of this in his illumination of Good and Evil.  The top of a Torah scroll is seen; complete with mantle, yad and etz chaim, and one of the staves is wrapped with an entangled snake.  This at first shocking notion that the Torah could contain both good and evil slowly resolves itself as we ponder the reality of our sacred covenant.  Isaiah said it best, quoting God: “I form light and create darkness, I make peace and create evil (45:7).”  How can such things be contained in one Torah, authored by one God?  That is of course the fundamental tenet of our affirmation of faith, the proclamation of the Shema

 



Good and Evil (2007) gouache and colored pencil painting by Mark Podwal

Courtesy Fallen Angels by Harold Bloom – Yale University Press

 

 

Through a lifetime of drawings and artwork, thinking and considering things Jewish, Mark Podwal’s love of the Torah and the Jewish people rings loud and clear.  The struggle with the sufferings, contradictions and conundrums of heaven and earth cannot help but color his clever and perceptive images.  His subjects include angels, demons, lamed-vavniks, golems, dybbuks and the messiah, all of which betray a fascination with the edges of reality, striving to visualize that which is not quite there.  Once he is done with them, we have peeked around the corner of our consciousness and come back a bit wiser. 

 

Richard McBee is a painter and writer on Jewish Art. Contact him at rmcbee@nyc.rr.com

About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at rmcbee@nyc.rr.com


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

No Responses to “Podwal’s Books”

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
John Kerry
Entire Israeli Cabinet Rejects Kerry’s Proposed Ceasefire, Talks Continue
Latest Sections Stories
Respler-072514

The real solution to bullying is to empower the bullied child.

Schonfeld-logo1

Time outs increases compliance and positive behavior far more than other forms of discipline

Schild-Edwin

Interestingly, sometimes people who have a very high self-awareness may experience intense reactions to circumstances that others might respond to more mildly.

“You Touro graduates are automatically soldiers in [Israel’s] struggle, and we count on you,” Rothstein told the graduates.

The lemonana was something else. Never had we seen a green drink look so enticing.

On his marriage, he wrote: “This is what I believe: something of the core, of the essence of this meaningful and life-affirming Judaism will not be absent from our home” (1882).

With the recent kidnapping by the Hamas and the barbaric murder of three children – Gilad Shaar, Eyal Yifrach and Naftali Frankel, we believe that the best answer to honor the memory of those murdered is to continue building those very communities – large and small – that our enemies are trying to destroy.

Written entirely through Frayda’s eyes, the reader is drawn by her unassuming personality.

Adopting an ancient exegetical approach that is based on midrashic readings of the text, thematic connections that span between various books of the Bible are revealed.

While Lipman comes from an ultra-Orthodox background and is an Orthodox rabbi, he offers a breath of fresh air when he suggests that “polarization caused by extremism and isolationism in the religious community may be the greatest internal threat to the future of the Jewish people”

The Joys of Yiddish, Leo Rosten defines a mentch as “someone to admire and emulate, someone of noble character.”

Certainly today’s communication via e-mail, Facebook, Twitter and the like, including the ubiquitous Whatsapp, has reduced the need to talk with people and communicate at length.

More Articles from Richard McBee
McBee-062014-Outside

He refuses to flinch from our painful history, perhaps finding a kind of solace in the consistency of irrational enmity directed against us.

With Without (2011) Performance, digital print by Ken Goldman
Courtesy The JCC in Manhattan

“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.

A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.

Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).

Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.

Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.

Bradford has opted to fully exploit the diverse possibilities of the physical surface by concentrating on the three-dimensional application of paint (impasto) and other material.

The ostensible outsider frequently has the privilege of seeing the exclusive inner sanctum with fresh and unbiased eyes. Artists’ initial encounters with the Talmud are equally blessed.

    Latest Poll

    Do you think the FAA ban on US flights to Israel is political?






    View Results

    Loading ... Loading ...

Printed from: http://www.jewishpress.com/sections/podwals-books-2/2010/09/07/

Scan this QR code to visit this page online: