Meir Panim’s Tiberias Free Restaurant not only provides warm meals, but the opportunity to socialize as well.
Mark Podwal is a busy, busy man. He has spent the last 38 years making every conceivable kind of art: innumerable paintings, 28 illustrated books written by him and Elie Wiesel, Harold Bloom and Francine Prose, children’s books, haggadot, ceramics and graphic works. Dubbed the “Master of the True Line” by author Cynthia Ozick, his pro-Israel cartoons and drawings have been featured on the Op-Ed pages of the New York Times since 1972. Lately his passion for the Jewish community in Prague has expressed itself in a book, Built by Angels: The Story of the Old-New Synagogue and a documentary film House of Life: The Old Jewish Cemetery in Prague narrated by Claire Bloom. His art is found in the Metropolitan Museum of Art, Victoria and Albert Museum, Fogg Art Museum and Library of Congress. The Forum Gallery in New York has represented him since 1977. He also happens to be a Board certified Dermatologist. What is easily most remarkable about this breathless list of accomplishments is that his artwork has consistently focused on Jewish legend, history and tradition.
In one of his earliest Jewish works, Podwal used the words of the Prophet Jeremiah to illustrate Lamentations (1974) in a series of searing images delineating the tragedies of Jewish history that the prophet foretells. Podwal’s signature style is already evident; a powerfully simple line combines with acidic social commentary to bring an ancient text into contemporary consciousness. The frontispiece is a line drawing that copies the well-known Baroque arch and framing columns of countless copies of the Talmud and sacred texts. On the pediment “Echah” is inscribed with “Kinot for Tisha b’Av” in Hebrew in the empty archway. A lone noose hangs above the inscription, wrenching us from ancient history to modern day persecutions.
So too the verse “The adversary has spread out his hand upon all her treasures. For she has seen that the heathen have entered into her sanctuary.” (1:10) Podwal keeps us in the present, depicting two Nazi storm troopers marching off with the Temple menorah found on the Roman Arch of Titus. Similar in sentiment, but somehow more vicious, is the illustration from chapter 5:1-2 where we see the Roman Capitoline Wolf (symbol of the founding of Rome) staring defiantly at us and ironically crowned with a 18th century Polish Torah crown, grasping an ornate menorah in its savage teeth. For Podwal Rome continues to oppress well after its own demise.
And then there was “Schmuel the Shoemaker.” In You Never Know: A Legend of the Lamed-vavniks (1998), written by Francine Prose. The notion of holiness hidden in our midst is lovingly explored in this Eastern European Jewish tale. Podwal’s illustrations are uncharacteristically restrained. The hero is seen most poignantly as a humble man hidden in the purple of shadows, contemplating what the needs of his little town are. Nonetheless, this simple pious Jew who simply wished to help his fellow man saved his entire town from disaster. We are urged by his illustrations to reflect upon the subtle notion of how simple kindness can engender great blessings.
The legend of the king of the demons, Ashmedai, dominates the last quarter of the book with some of Podwal’s best images propelling the story. The wicked Ashmedai is seen as a grumpy gremlin, adorned with enormous bat wings and little white horns. After he steals the king’s ring and therefore his power, we see him transformed as a look-alike King Shlomo and the real king reduced to wandering the world as an impoverished vagrant. Even though he finally regains his magic ring and his rightful throne, the king is chastened, filled with a new kind of wisdom.
Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
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Unfortunately, a map of the Middle East with no mention of Israel is nothing new… It is surprising however, that the world’s largest publisher of children’s literature, Scholastic Books, has joined in this trend.
About six months ago my parents and I started discussing ideas for a mitzvah project in honor of my bat mitzvah. I wanted to do something unique that would be meaningful to me and also do something that my friends could participate in. Immediately I thought of an organization called Sharsheret.
“I’m disappointed that the agreement reached with Iran leaves our unfulfilled our ultimate objective: a complete dismantling of Iran’s nuclear program and related activities.
Southern NCSY will be holding a leadership training Shabbaton at the Young Israel of Bal Harbour December 6 and December 7. Rabbi Steven Weil, executive vice president of the Orthodox Union, will be the special guest speaker.
Is there a beginning and an end to the universe? What role can medical breakthroughs play in conception or genetic engineering? Can science help us pinpoint the end of human life? Does the soul emanate from the brain or vice-versa?
Last month’s column sketched the myriad of social programs in which the Orthodox American communal worker and leader Adolphus S. Solomons (1826-1910) was involved. Adolphus married Rachel Seixas Phillips (1828-1881), a descendant of colonial patriot families and together they had eight daughters and a son.
This year’s parade, the 87th annual extravaganza of marching bands, floats, and giant balloons, featured something really unique and different: a balloon/float of a large blue dreidel.
He strengthened his resolve
Knew his life he would lose,
But when the king uttered the words
With great pride he refused.
Just like you
I too have a soul
A soul that is G-dly
Just like you.
Now my friend
I ask you,
Am I different from you?
It’s not Chanukah without latkes! That’s true; but don’t make the same boring latkes this year. Go for something healthier, more vibrant, and flavorful.
Each year at our family Chanukah party, we try to introduce a new activity, to keep things fun and exciting for the children and adults alike. Last year’s addition – a huge hit – was a menorah-making contest.
Prof. Malka Schaps was born Mary Kramer, a Protestant, in Cleveland, Ohio. When she was sixteen, she started questioning the rationale of moral conduct: Why be good?
The fact that the Jewish Museum’s curator Susan Tumarkin Goodman presents these issues as the inescapable core of her exhibition demonstrates the courage to challenge her audience with deeply discomforting images and concepts.
Lynda Caspe’s current exhibition at the Derfner Museum is an extraordinary event. In this show of 12 bronze relief sculptures and 14 cityscape paintings we have the opportunity to see the full scope of her last six years of work that, as least with the sculptures, marked a radical change in subject matter and technique.
The philosopher Theodor Adorno famously wrote in 1949, “cultural criticism finds itself with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric.” This statement posited that the Holocaust exposed the unredeemable rotten underbelly of Western culture and therefore the very notion of creating beauty and sensitivity was at an insurmountable impasse. Alas, as cultural history has shown, he was wrong. Strikingly, it might be said that one of the few ways still provocatively available to speak about the Holocaust is in fact through poetry.
“Hyman Bloom: Paintings and Drawings (1940 – 2005),” currently at White Box (the cutting edge international art space on Broome Street), is a rare opportunity to observe the creative process of one of the most important practitioners of 20th century Jewish Art in America.
The “book” is a mighty big place these days and the current exhibition at MOBIA, “As Subject and Object: Contemporary Book Artists Explore Sacred Hebrew Texts,” is no exception. Highly mobile ebooks compete with online publications and traditionally bound volumes, scrolls, accordion-style tomes and folios that present equally exciting options for contemporary artists to interact with image and text in one unifying medium.
At the Chassidic Art Institute one artist, Harry McCormick, has rather amazingly fathomed the authentic heartbeat of the individual Jewish life. This exhibition, running until July 25, shows a mere 16 paintings, but six of them reveal a deeply perceptive and sensitive chronicle of Yiddishkeit.
Judaica Auctions and the exhibition that precede them at Kestenbaum & Company are always a cornucopia of aesthetic delights. The sheer variety and overall quality of the ceremonial objects and works of art make the exhibition and catalogue a museum-like experience. The current exhibition is no exception.
Whether it is the disastrous report of the 12 spies or the furious condemnation that doomed an entire generation to die in the wilderness, the Torah narrative in Bamidbar turns terribly grim after the glorious inauguration of the Mishkan in the second year after leaving Egypt. With this in mind, just imagine my surprise at an encounter with two artists who address these (and other Biblical) themes right around the corner.
Printed from: http://www.jewishpress.com/sections/podwals-books-2/2010/09/07/
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