Join Meir Panim’s campaign to “light up” Chanukah for families in need.
Poussin and Nature
The Metropolitan Museum of Art
Fifth Avenue and 82nd Street, New York; (212) 535 7710
Sunday, Tues-Thurs. 9:30a.m. – 5:30p.m.
Suggested Admission: Adults $20, seniors and students $15, children under 12 free.
Poussin (1594 – 1665) is considered one of the most influential artists of the 17th century.
Winter (The Flood); Detail of Man Praying (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
In a dramatic contrast, Summer, as represented by Boaz and Ruth, presents a beacon of well-reasoned hope. Here, the landscape is teeming with figures all working towards a successful harvest; cutting down the fully-grown wheat, gathering and binding the harvest and providing for the constant needs of the workers. No less than 14 figures are in the fields busy with the needs of sustenance deeply associated with the season of warmth and fertility.
The figures are divided into two groups; one including Boaz and the supplicant Ruth, seem to represent the peaceful efforts of individuals working harmoniously together. Opposite the diagonal empty space that moves from the foreground into the middle ground, seven others can be seen as potentially aggressive figures. The worker in the foreground with the spear is admonished directly by Boaz to provide a safe environment for the stranger Ruth.
Summer: Ruth and Boaz; (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Autumn (The Spies with the Grapes from the Promised Land); (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Winter (The Flood); (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Every effort to utilize the boat resting near the craggy rocks is hopeless; a man desperately attempts to climb the slippery side, another fruitlessly attempts to push off, even as a woman reaches up with her child to save it, just out of reach from the man above. Even the man trapped in the boat about to be swamped at the falls, prays to a heaven that we know will ignore him. The only answer is a flash of lightning that portends even more rain. Every figure in this painting is seen literally reaching for something that is clearly unattainable.
Richard McBee is a painter and writer on Jewish Art. Please feel free to contact him with comments at email@example.com
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
Dr. Lowy believed passionately in higher education for both men and women and would stop at nothing to assist young students in achieving their educational goals.
The special charm of these letters is their immediacy and authenticity of emotion and description.
Why is there such a steep learning curve for teachers? And what can we, as educators and community activists, do better in the educational system and keep first-year teachers in the job?
Teachers, as well as administrators, must be actively involved in the daily prayers that transpire at a school and must set the bar as dugmaot ishiot, role models, on how one must daven.
Often both girls and boys compare their date to their parents.
We love the food, the hotels, and even the wildlife. We love the Israelis.
Few traces remain of the glory days of Jewish life in the kingdoms of Sicily and Naples, but the demise wasn’t due to the eruption of nearby Mount Vesuvius. Rather it was a manmade volcano called the Edict of Expulsion from Spain – and not even an invitation to return in Shevat of 1740 could […]
Garbage in your streets, my city
Wind-blown litter, lonely men
I love you in your blazing heat
my aching feet
dragging in your streets.
These monsters constantly attack
When we dare to try to fight back
With so many new cases of ADHD reported each year, it is important to help children learn how to sit still.
“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.
A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.
Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).
Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.
Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.
Printed from: http://www.jewishpress.com/sections/poussins-bible/2008/04/30/
Scan this QR code to visit this page online: