Meir Panim delivers warmth, special care to families in need.
Poussin and Nature
The Metropolitan Museum of Art
Fifth Avenue and 82nd Street, New York; (212) 535 7710
Sunday, Tues-Thurs. 9:30a.m. – 5:30p.m.
Suggested Admission: Adults $20, seniors and students $15, children under 12 free.
Poussin (1594 – 1665) is considered one of the most influential artists of the 17th century.
Winter (The Flood); Detail of Man Praying (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
In a dramatic contrast, Summer, as represented by Boaz and Ruth, presents a beacon of well-reasoned hope. Here, the landscape is teeming with figures all working towards a successful harvest; cutting down the fully-grown wheat, gathering and binding the harvest and providing for the constant needs of the workers. No less than 14 figures are in the fields busy with the needs of sustenance deeply associated with the season of warmth and fertility.
The figures are divided into two groups; one including Boaz and the supplicant Ruth, seem to represent the peaceful efforts of individuals working harmoniously together. Opposite the diagonal empty space that moves from the foreground into the middle ground, seven others can be seen as potentially aggressive figures. The worker in the foreground with the spear is admonished directly by Boaz to provide a safe environment for the stranger Ruth.
Summer: Ruth and Boaz; (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Autumn (The Spies with the Grapes from the Promised Land); (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Winter (The Flood); (1660). Oil on canvas by Nicolas Poussin – Musee du Louvre, Paris, Departement des Peintures.
Every effort to utilize the boat resting near the craggy rocks is hopeless; a man desperately attempts to climb the slippery side, another fruitlessly attempts to push off, even as a woman reaches up with her child to save it, just out of reach from the man above. Even the man trapped in the boat about to be swamped at the falls, prays to a heaven that we know will ignore him. The only answer is a flash of lightning that portends even more rain. Every figure in this painting is seen literally reaching for something that is clearly unattainable.
Richard McBee is a painter and writer on Jewish Art. Please feel free to contact him with comments at firstname.lastname@example.org
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
Are we allowed to lie for shalom bayis? It would seem so, but what might be a healthy guideline for when it’s okay and when it’s not?
The connection between what I experienced as a high school teenager and the adult I am today did not come easy to me.
Isn’t therapy about being yourself; aren’t there different ways for people to communicate with each other?
Participating in ManiCures during the school day may feel like a break from learning, but the intended message to the students was loud and clear. Learning and chesed come in all forms, and can be fun.
Building campaign chairman Jack Gluck has led the effort over many years.
When using an extension cord always make sure to use the correct rated extension cord.
There was no question that when Mrs. Cohen entered the room to meet the teacher she was hostile from the outset.
Szold was among the founders and leaders (she served on its executive committee) of Ichud (“Unity”), a political group that campaigned against the creation of an independent, sovereign Jewish state in Eretz Yisrael.
My friend is a strong and capable Jewish woman, but she acted with a passivity that seemed out of character.
“If you don’t stand straight, you’ll never get a husband.”
“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.
A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.
Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).
Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.
Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.
Printed from: http://www.jewishpress.com/sections/poussins-bible/2008/04/30/
Scan this QR code to visit this page online: