The Amulet, The Temple, The Disfigured Book, and The Butterflies: The Art of Yona Verwer, Robert Kirschbaum, David Friedman, and Joel Silverstein
Tzelem: Likeness and Presence in Jewish Art
Hung May 17, 2009
Curated by Joel Silverstein and Richard McBee
Stanton Street Synagogue
180 Stanton Street, New York
Joel Silverstein. “Hail.” Acrylic on wood, 40″ x 40″.
In my previous column, I cited what I see as feminist trends in contemporary Jewish art, which surfaced in the Stanton Street Synagogue show. The four artists featured in this column have quite different approaches to very divergent subject material. But what seems to tie them together is their willingness to experiment with collage. Though a lot of deep thinking and careful techniques clearly informed the works, there is also a great playfulness in butterfly plagues and in amulets bearing American symbols to protect synagogues.
Menachem Wecker welcomes comments at email@example.com. He is a painter and writer, residing in Washington, D.C.
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at firstname.lastname@example.org.
If you don't see your comment after publishing it, refresh the page.
Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.
If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.