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Crossing Borders: Masterpieces from the Bodleian Library

In the eyes of the ram lies the artist’s commentary on the Rosh Hashanah piyyut “The King Girded with Strength.” From the Tripartite Mahzor (German 14th century), this illumination simultaneously echoes the piyyut’s praise of God’s awesome power and expresses the terror of actually being a sacrifice to God. The ram is but a reflection of Isaac. It is all in the eyes.

Crossing Borders: Masterpieces from the Bodleian Library

In the eyes of the ram lies the artist’s commentary on the Rosh Hashanah piyyut “The King Girded with Strength.” From the Tripartite Mahzor (German 14th century), this illumination simultaneously echoes the piyyut’s praise of God’s awesome power and expresses the terror of actually being a sacrifice to God. The ram is but a reflection of Isaac. It is all in the eyes.

The Physics Of Flame Combustion

Just because the miracle of Chanukah defied physics doesn’t mean illustrations and illuminations of the Temple and Tabernacle menorahs haven’t grappled with the physics of flame orientation.

Why Are Artists So Fascinated By The Branch Over The Prophet Yonah’s Head?

It's easy to understand why artists have painted the navi Yonah early and often. There is no character more interesting than the man who, though blessed with the gift of prophecy, failed to grasp the responsibility he was charged with, literally turned his back on his divine mission and ran away, only to be devoured alive by a fish. After what must have seemed an eternity to the son of Amitai-in reality just three days and three nights-the fish, obeying a Divine commandment, vomited Yonah onto dry land.

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Printed from: http://www.jewishpress.com/sections/arts/crossing-borders-masterpieces-from-the-bodleian-library/2012/11/09/

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