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Tevye saw him when they reached the outskirts of the village. At first he wasn't sure, but when he saw Hava keep turning her head, his suspicions proved true. It was Hevedke Galagan, the Russian who had stolen his daughter, the gentile she was supposed to have left – he was following the procession of Jews as they made their way down the bumpy dirt road.
Elie Wiesel encapsulates the problem of Holocaust art by insisting that, "Auschwitz defies imagination and perception; it submits only to memory. It can be communicated by testimony, not fiction."