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Two weeks ago, a complaint was filed with the Israel Police Commissioner by a group of Temple organizations, regarding revelations about Waqf work at the Dome of the Rock, which includes laying scaffolding, tools and debris on top of the sacred Foundation Stone, the Even Shtiya, which is the "rock." On Thursday the police admitted that the Muslim Waqf has been conducting infrastructure work at the the foundation stone for more than six years.
Some people don’t realize that Mashiach’s coming is a process that evolves over time. These people want everything to be finished at the start. They say that when Mashiach comes and does all the work of rebuilding the Land of Israel, and gathers all of the exiled Jews to Israel, and fights the wars of Hashem, and rebuilds the Beit HaMikdash, then they will come on aliyah. First, everything has to be perfect. First, the Mashiach has to do all the work.
Each detail in the Torah is laden with meaning. Surely the service vessels of the Temple had great importance and consequence over and above their routine service. In the description of the menorah that stood in chamber outside the Holy of Holies, Rabbi Avigdor Miller, zt”l, found layer upon layer of meaning.
One of the aspects of the biblical construction narratives - both those about the Tabernacle in the wilderness in Exodus, and in 1 Kings about Solomon's Temple in the Holy Land - that most troubled and confused me when I was young was the aesthetic status of the structures.
In 1393, two years after the worst pogroms in Spanish history, the Jewish artist Abraham de Salinas accepted a commission to paint a New Testament-themed retablo, a work placed behind a church altar, for the cathedral of San Salvador. Another Jewish artist, the silversmith Bonaf?s Abenxueu (sometimes referred to as Bonaf?s Abenxueu), created the frame for the retablo.
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