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The Pianist (Part II)

War, terrorism and genocide are not mutually exclusive. Now, as certain portions of the Arab/Islamic world openly declare genocidal intentions against Israel (a war of extermination is plainly a genocidal war under international law), some progressive Jews are proudly leading various rallies and/or publications for peace - a peace that could only be fashioned upon a new generation of Jewish corpses. Here, in the United States, and regrettably, also in Israel, Jewish university professors are all-too typically the leaders in organized campus protests (1) against an alleged Israeli "occupation," and (2) for expanded Palestinian "rights."

The Pianist (Part I)

On its surface, The Pianist is "merely" the true tale of a great Jewish musician (Wladyslaw Szpilman) caught up in the unfathomable depths of Nazi occupation and terror. More profoundly, of course, it is a disturbing visual microcosm of the generic human struggle between good and evil, a titanic struggle that is sometimes utterly clear, but at other times also distressingly "gray." The Nazis in Poland were monsters, to be sure, but what are we to say about the others, including many Jews, who became actual and collaborative perpetrators in every corner of the Holocaust Kingdom? What pertinent lessons can we learn from this 2002 film for Jewish, and especially Israeli, preservation in our own perilous time?

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Printed from: http://www.jewishpress.com/indepth/columns/louis-bene-beres/the-pianist-part-ii-2/2010/08/04/

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