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“The Scream,” a unique and evocative painting by Norwegian artist Edvard Munch (1863-1944), sold recently at Sotheby's for nearly $120,000,000. The price was attributed to its being the last of four editions still in private hands and the fact that it has been an icon of Western culture for over a century. The colors are vivid, the mood is stark, and the being on the bridge is overwhelmed by his surroundings. It captures a man alone in a world awry.
Pastor Hagee, I once heard you say at a fundraiser in Jerusalem: “Don’t tell me you love me, show me you love me.” Now I say that very phrase back to you - Don’t tell me you love me, show me you love me by harnessing the power of CUFI and Christian Zionists to defend Jerusalem from bad US policy.
We have to believe in the superiority of our Western values. If we do not, we will not be prepared to defend them. That is why we have to end the biggest disease in the world today, the cultural relativism which posits that all cultures are equal. Our Judeo-Chrisitian, humanist civilization is more free, more democratic, more tolerant than any civilization the world has ever seen. We should not be afraid to say so.
Ironically the same quote by art critic Robert Hughes cited in my May 20th review "Chagall and the Cross" namely that Marc Chagall was the "quintessential Jewish artist of the twentieth century," is applicable in our consideration of Chagall's images for his graphic masterpiece, The Bible. Except here it illuminates the truth: his greatness as a Jewish artist is founded on his lifelong obsession with the Torah. No matter how far he strayed from his Jewish roots, even his late-in-life dalliance with Judeo-Christian universalism as surveyed in that review, nothing could compromise his amazing insights and comprehension of the Torah narratives.