Kindergarten children celebrated the coming holiday of Shavuot which starts Saturday night. The holiday stresses the ancient commandment of bringing agricultural gifts to the holy Temple, along with commemorating the giving of the Torah on Mount Sinai.Yori Yanover
Posts Tagged ‘Mount Sinai’
Max Ferguson: Painting My Father April 15–June 29, 2012 Hebrew Union College Museum One West 4th Street (between Broadway and Mercer) http://maxferguson.com/
Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture. Viewers are literally obstructed in their attempt to “enter” the image, as Ferguson has cropped out the foreground and filled it with the deli counter. Yet every detail—from the hanging meats and the scales to the portrait of the man behind the counter and the ceiling tiles—is so carefully and lovingly rendered that one can’t help but want to linger despite the blocked entrance and lack of firm ground to stand upon.
Less well-known, but arguably even more visually arresting is Ferguson’s 2005 painting, My Father in Katz’s,which is part of his upcoming solo show at Hebrew Union College that opens next month. In the painting, Ferguson’s father, Richard (1912-2005), who wears a flat cap, sits alone at a table eating a sandwich. A Dr. Brown’s cream soda (with straw), ketchup and mustard containers, and a salt shaker look up at him from the table, and Ferguson, who cleverly scrawls his signature into the wall in the bottom left corner, captures an impressive array of textures. Ferguson finds common elements in the textures, though, and one of the wall patterns (which isn’t unlike a snake’s scaly skin) is echoed in the jacket Ferguson’s dad wears. It’s a cliché, to be sure, but the work is so realistic that one can practically smell the food.
Even from a cursory glance at Ferguson’s personal website, it’s easy to see that he takes Jewish images seriously, since one of his headings under “portfolio” is devoted to Jewish works. They include Ratner (1996), a deli which is no longer in operation; Schapiro (1996), the no longer operating wine store on Rivington Street; Bagel Bakery (1998); Schindler (1995),which shows the marquee of the since closed Art Greenwich theater; Yonah Schimmel (1992), a knish bakery that is still in operation; Torah Scribe (1993), which depicts a bearded scribe writing a Torah scroll; and Matzo Bakery (1992). Works in other sections of the site—such as the drawing Butcher Shop (2003) and the oil painting Jerusalem Fish Vendor (2004)—could also appear in the section on Jewish art.
“Despite spending so much time in Jerusalem, I continue to paint primarily New York-themed imagery,” the artist notes in the Hebrew Union College press release. “I don’t want anyone ever saying about me, ‘Oh, I didn’t know he was Jewish.’ With my Ellis Island name, people often assume I am not.” Ferguson adds that the exhibit, of 30 paintings he made of his father over three decades, coincides with what would have been his father’s 100th birthday.
Not all of the images of Ferguson’s father scream their faith as loudly as the other Jewish subjects. Saturday Night/Sunday Times, strictly speaking, has nothing Jewish about it, but the full-length portrait of Ferguson’s father receiving change from a street newspaper vendor after purchasing a New York Times certainly represents a New York ritual that will speak to many Jewish viewers. Ferguson often seems to treat props as seriously as he does figures, and this piece is no exception. The stacked copies of New York Daily News, Newsday, and New York Post are rendered with as much careful attention to detail as the texture of the figure’s skin.
Though it’d be a stretch (particularly in the absence of any indication on Ferguson’s part) to suggest that the artist was drawing upon a visual tradition of Annunciations or angelic appearances, it is interesting to note that the cropping of the newspaper seller’s arm—coupled with the spotlight that illuminates the two figures—conveys something more otherworldly than a simple monetary transaction.
My Father on Fifth Avenue, by comparison, is hardly otherworldly. In the painting, Ferguson’s father, clad in comfortable shoes and a striped shirt, sits on a park bench reading the newspaper. Fallen leaves litter the ground at his feet, and the stone wall behind his back is an abstract mosaic of gray stones—perhaps the way one might envision the parted Red Sea. Many of Ferguson’s paintings, including this one, evoke the work of Edward Hopper, whose figures are often lonely and forlorn. But though Ferguson’s father sits alone without another soul in sight, he is so engrossed in his newspaper that he doesn’t seem to mind.Menachem Wecker
The big 7-8 day Holiday is approaching. The one that seems to get people more uptight than happy (as they should be –Rambam, Laws of the Holidays, 6:17), to the extent that when you are actually brave enough to utter the word “PESACH,” it often feels like you’ve put people on edge.
These less than “30 days before the Holiday” offer us an opportunity to evaluate the above phenomenon, which seems to be more and more commonplace in our times.
It amazes me that Pesach comes just a month after Purim. More than anything, what makes Purim unique is that it is a day in which the edict that “one should become inebriated on Purim till one doesn’t distinguish between the curse of Haman to the blessing of Mordechai” proclaims it a day in which…everything goes, in which one has very loose – to non-existent – borders regarding what is permitted and what is forbidden. In a word, it’s a day in which the word “fear” seems to be put into a drawer for 24 hours, as we permit ourselves to do things otherwise unthinkable – in terms of what we wear, what we say, which jokes we crack, and of course, how much alcohol we allow ourselves to consume.
And then, right after the hangover passes, the costumes are put away for next year, and the last cookie from the “Mishloach Manot” is eaten, we get…fearful and nervous; just 30 days to clean the house, buy the (new and expensive) groceries, and cook for Pesach!
From too much courage to neurotic fear, and all this in two months!
Leaving aside how much one needs to clean for Pesach and how crazy one must get (based on the Torah’s dictates, without the “extra’s” of cleaning the windows as well…), I’d like to comment on just one point – the “fear” of it.
I believe that something has crept into the Religious Jewish community over the last few years that shouldn’t be there – our fear of holiness. Let’s introduce it with the following episode, usually read right after Purim in the weekly Torah reading (except in a leap-year). The Jewish people have just been forgiven for the elevated sin of the Golden Calf, and Moshe is coming down Mount Sinai…with one small change to his face:
29. And it came to pass when Moses descended from Mount Sinai, and the two tablets of the testimony were in Moses’ hand when he descended from the mountain and Moses did not know that the skin of his face had become radiant while He had spoken with him 30. that Aaron and all the children of Israel saw Moses and behold! the skin of his face had become radiant, and they were afraid to come near him.31. But Moses called to them, and Aaron and all the princes of the community returned to him, and Moses would speak to them…..
Reading these verses, I would have thought it wonderful – the people behold Moshe looking holier than ever, and thus maintain their distance, knowing that they are not on the level. After all, we don’t just barge into a shul, open the ark and greet the Torah Scrolls with a “Hello Mate…,” nor do we ascend the Temple Mount without proper preparations! And so, the Jewish people recognize Moshe’s new, elevated radiance/holiness and keep their distance from his holiness.
But then we get to Rashi’s read, which offers a radically different interpretation:
and they were afraid to come near him: Come and see how great the power of sin is! Because when they had not yet stretched out their hands to sin [with the golden calf], what does He say? “And the appearance of the glory of the Lord was like a consuming fire atop the mountain, before the eyes of the children of Israel” (Exod. 24:17), and they were neither frightened nor quaking. But since they had made the calf, even from Moses’ rays of splendor they recoiled and quaked. (from Sifrei Nasso 11, Pesikta d’Rav Kahana, p. 45)
What forces Rashi to see the above in negative terms rather then the positive? Why not just applause the people for their reverence of holiness?
Seems to me that Rashi wants to give us a message: We dare not stay away from holiness. Quite the contrary – we should embrace it and try to get a “piece of it.”
Our Torah is full of commands to “be holy” (Vayikra 11:43-44, 19:2, 20:7), or “to be for me holy” (20:26)! Moreover, when the Torah commands that we shall go to “the place” in order to sacrifice and more, it adds the edict that “you shall inquire after His dwelling and come there” (Devarim 12:5). The Ramban explains (ad-loc) that “the reason for ‘you shall inquire after his dwelling’ is that you shall come from afar, and ask: ‘where is the house of God,’ and say to each other: ‘Let us ascend and go to the mountain of God to the house of the God of Jacob.'” In other words, according to this interpretation, we should not only be holy but should actually pursue it, seek it out, and make “an issue” of asking people how we can arrive at holiness.Rabbi Yehoshua Grunstein
A Moriah is now an old hand at Jewish narrative. Between 2004 and 2007 he completed the amazing task of illuminating four of the
Avner Moriah, the well-known Israeli artist, has illuminated the Book of Genesis. No small feat, he has conjured images for all the major narratives as well as alluding to other analogous stories throughout the Torah. He sees the first book of Torah as nothing less than “a poem,” a minimalist text that yields an unending series of explorations of the mysteries and conundrums of the human condition. While this is hardly the first nor largest of his explorations of biblical and Jewish narrative, it is easily the most ambitious.
Moriah is now an old hand at Jewish narrative. Between 2004 and 2007 he completed the amazing task of illuminating four of thefive megillot. His 2004 Hagaddah is highly praised and sought after as a modern masterpiece of Jewish illumination. “Resplendent colors from Egyptian and Assyria wall paintings small human and animal figurines of the early Bronze age” grace this contemporary addition to hagaddot artwork.
He inaugurated his visual Torah studies in 2001 with an enormous multipaneled oil on canvas measuring overall 12 feet by 12 feet at the Jewish Theological Seminary. Gathering at Mount Sinai (2001) is emblematic of almost all of Moriah’s subsequent biblical art. At first he depicts the specific events of the text, often including much of the text itself, in a somewhat literal and historic manner, symbolically approximating ancient Hebrew and Egyptian costume and setting. The composition centers on a 6′ X 6′ square depicting 36 episodes that he has distilled from the Sinai narrative, combining to create an image of the mountain itself. This central panel is surrounded by 12 square paintings, each simultaneously depicting one of the Ten Commandments, one of the plagues, one relevant midrashic tale, and a section devoted to each of the 10 martyrs murdered in the Hadrianic persecutions. Two other panels are devoted to the Burning Bush and events in Moses’ earlier life. The resulting artwork presents no less than a visual Torah, echoing the holy text in its complexity and contextualizing its Jewish history and thought.
Moriah was born in Jerusalem and continues to live and work there. Anticipating his diverse approach to art making, he got his BFA at Bezalel Academy of Art and then came to America and earned a MFA at the world-renowned Yale University Graduate School of Art. His current art exhibits a unique blend of Middle Eastern sensibility of color and strangely primitivefiguration combined with post-Modern use of text and composition.
His earlier works include a series of paintings onIsraeli Soldiers (1981-1987); a Shoah Series (1998); Expulsion (from Spain) Series (1990); War of Independence Series (1997) and the Landscapes of Israel paintings (1980 to present). This last ongoing series is very dear to Moriah who sees painting the Holy Land of Israel as a kind of sacred obsession. Traveling the length and breadth of Israel in his specially out fi tted van that was a portable studio, he encountered what he saw as the “source of humankind” in the unique light and topology of Israel’s African rift landscapes. Much to our loss, he has been forced to abandon this intimate encounter with the Land since the 2001 intifada made such a project a danger to his personal safely.
Avner Moriah’sIlluminated Genesis contains images on almost every page of the Torah’s epical first book. The originals are done in watercolor and gouache on paper. While that one-of-a-kind handmade Chumash is not for sale, a limited edition of 100 copies is available from artworksisrael.com.
This methodology is not mechanically imposed on the Torah, rather it is utilized only when the artist feels it will enlarge and elucidate the narrative. As one can see in many other pages fromGenesis such as The Covenant and The Flood, the main story is allowed to prevail in all its imaginative glory. And not surprisingly the creation of an illuminated Torah produces many stand alone works of art. Jacob’s Dream imagines the fabled ladder being composed of the angels themselves while the image of Hanoch (Enoch) Walking with God depicts a heavenly hand scooping up the saintly Hanoch.
Avner Moriah has carved out an odd corner in the cultural life of contemporary Jewish art. His passion for the – at times harsh – realities of 20th century Jewish history along with the glories of Israeli landscape has mysteriously morphed into a equally fervent obsession with sacred Jewish texts, commentary and narrative. In recent years he has spent most of his creative time immersed in ancient tales peopled with pious and paradoxically primitive Jews, a fabric of life that unmistakably also summons many aspects of 21 st century life. His aesthetic and intellectual approach is totally unique, combining ancient and modern without missing a heartbeat. I can’t wait for the next four books of the Torah to issue forth from his brush.
Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org.Richard McBee
Many parents admit they yell too much, but do not know how to avoid exploding when irritated. It takes effort and discipline to defeat any addiction, whether it’s overeating or cigarette smoking and the screaming addiction is no different. Thankfully, when we really want to grow spiritually, we are given Heavenly guidance.
To get their needs satisfied, children have only five tactics: get mad, bad, sad, sick or crazy. It is up to parents to be role models and show them more mature ways to cope with life’s frustrations and losses. The following will help:
1. Get adequate sleep. People are more irritable and aggressive when sleep-deprived. With less than seven hours sleep, the body produces stress hormones that cause you to be agitated and make it difficult to control your harmful impulses.
2. Avoid junk foods. Sugar gives a short-term lift, but robs the body of essential B vitamins, weakening the nervous system. More than 150 mg. of caffeine a day (about 2 cups of coffee) reduces calcium, which is nature’s tranquilizer.
3. Dispute the toxic beliefs. Violence feeds on lies, like:
“Screaming reduces stress by letting off steam. So it’s really a good thing to scream at them.”
“Parenting tips are for normal children; mine are not normal; they are wild, defective and bad.”
“Screaming is the only way to get them to behave.”
“I can’t help it. They make me scream. I can’t control myself when I’m nervous.”
“Wimpy parents who don’t hit end up with spoiled brats who walk all over them.”
“I got hit and it didn’t harm me.”
Replace these beliefs with spiritual truths:
“They’ll mimic my behavior, leading to more abuse. Screaming is ona’as devarim, as destructive as eating traif.”
“Every act of patience will come back ten-fold when they are older! If I scream, I teach my children that screaming is the way to solve problems. I can train them to be disciplined only if I am disciplined.”
“If I were given $1million each time I refused to yell, I wouldn’t yell! In fact, I’d beg them to misbehave so that I could earn more. This proves that I can be disciplined if I focus on spiritual rewards.”
“I can be firm and set limits without violence.”
“It did harm me! That’s why I lack self-control today and have such low self-esteem!”
4. Thank them for irritating you. Critical parents send the message that, “Messes and mistakes are dangerous.” The thought of danger produces stress hormones that weaken the nervous system, making it more difficult to be disciplined. Train yourself to think, “My children are my personal trainers. All irritations are Hashem’s way of forcing me to be self-disciplined.” Practice in your imagination. Imagine a child misbehaving, like mashing banana into his hair, hitting a sibling or being insolent. Imagine saying, “Thank you for giving me another opportunity to improve my middos.” It sounds crazy, but it works! The words push you out of your lower brain and into your upper brain.
5. Separate yourself from the child. If you feel like you are a nuclear reactor about to spew toxic radioactivity, get away. Do not talk, as you are likely to say things you will regret. Go to another room, close the door and take slow deep breaths until you are calm.
6. Recognize trivialities. You can hear about a plane crash, God forbid, and feel nothing, yet get frantic because the floor is filthy. Ask yourself is it ikar or tafel?
Ikar refers to events which are life-changing, truly dangerous or of lasting significance, such as birth, death, marriage, major illness, abuse, etc.
Tafel refers to events that are uncomfortable, inconvenient and irritating, but with no lasting scars: minor physical pain, mood swings, delays, cancellations, traffic, things that break, wear out, fade, get stained or lost, shrink, appliances that break-down, clothing issues (unless it’s immodest), food issues (cold/hot, salty/spicy, fancy/plain, etc.), appearance (weight, hair, etc.), social snubs and slights to one’s honor, minor monetary losses and minor embarrassments.
Most of life’s irritations and frustrations are trivialities, although your initial response may be, “This is awful! I can’t stand it!” Saying the word “triviality” signals your brain to “work it down” and avoid the drama, anger, blame, guilt and fear which do nothing but elevate cholesterol level, raise blood pressure and create more inner anguish. Saying “triviality”does not mean that we ignore the problem, but that we handle it as calmly and as effectively as possible.
To help keep trivialities in the realm of tafel, think of a ruler with calibrations from 1 to 10, with 10 a true disaster and anything in the area of 1 to 5 as a triviality. Use the ruler to measure your level of sadness, frustration, anger, etc. Remember, trivialities often don’t feel trivial at first. Take 3 seconds to measure. And never tell others that their “10” is only a “1.” This is insulting and alienating. For example, when my daughter complained that her son, almost three, is not yet toilet trained, I wanted to say, ‘It’s a triviality.’ Boruch Hashem, I didn’t! For her, it is a major event, as it affects whether he will be accepted into a cheder and impacts on her self-esteem as a mother. I did say that anger will make him more tense and delay the training process. And I showed her a one-day training plan.
Do not trivialize issues affecting your mental or emotional well-being:
“My eight year old told me that his teacher slapped him for not having his finger on the word. Some parents might ignore this behavior, but I was determined to speak up about it.”
Just as we avoid bal tashchis, not wasting food or damaging a physical object for no reason, we must try not waste our emotional energy on anything that is not eternal. “I saw the effect of teaching my children to recognize trivialities. My ten year old got a pair of gold earrings for her birthday and lost one within a week. Yet she was able to say, ‘It felt like a 10, but I know it’s really a triviality.’ I hugged her and told her that this was a big victory.”
Put up signs on the fridge that say: “Material losses are trivialities. We fix or forget it. We do not get upset about anything that has no eternal value.”
7. Do not extrapolate into the future. Often, what bothers us most is not what the child is doing now but our fear of how it will affect his future:
“If he’s wetting the bed now, it means he’s a total failure.”
“If she’s such a slob now, she’ll never get a shidduch, and if she does, she’ll be a terrible wife.”
“If he’s not getting good marks now, he’ll be a total failure as a human being.”
Put the future in a box labeled “Hashem’s business.” Our business is helping them develop good middos right now. We don’t know when the seeds we plant will sprout.
8. Reward good behavior. Many mothers hate good-behavior charts and prizes, but children need to see tangible rewards as much as adults need a paycheck. Talk the victory language even if you are feeling down – and especially when you are feeling down! Children need love most when they are least lovable. And we do, too!
Spiritual tests don’t look like Mount Sinai experiences with thunder and lighting and major miracles. The smallest irritation is an opportunity to develop our “soul powers”: kindness, self-control, compassion, determination, gratitude, humility, self-sacrifice and faith. Think of which middos you might use when:
The baby-sitter doesn’t show up: ______________
Your child loses his library book: _____________
Your child flunks a test: ________________
Your child is chutzpadik: ________________
Your child whines, “She hit me”: __________________
The children are fighting again: ___________________
Your child doesn’t want to get up in the morning: _____________
Be grateful for the opportunity to come closer to Hashem by working on your middos.
“I often told my children that the harder it is to do a mitzvah, the bigger the reward. It’s like firecrackers going off in shomayim [heaven]. One day, my seven-year-old said, ‘Since you told us about the firecrackers in shomayim, I now want to do only mitzvos the whole time.’ Then he gave me $1.00 from his own money for tzdakah.”
Have in mind at all times that your acts of self-control, usually unseen and unappreciated by anyone other than G-d, will be rewarded!
My KIDS TOOL KIT is now available. It contains rulers to measure difficulties, points to encourage behavioral change, COPING CARDS to transform pain into spiritual victories and other helpful tools for parents. Call Perl Abromowitz, 718-640-1878. Or order from www.miriamadahan.com or email@example.com.Miriam Adahan
Franz Kafka, Mount Sinai
Most perplexing of all, and most difficult to accept, will be a final awareness that Sinai’s summit can never be fully accessible, that all roads, even the best among them, will be temporary, and that the “smooth road,” while indispensable, will also remain, always, only partially navigable.
LOUIS RENÉ BERES, the author of many books on international relations and international law, was educated at Princeton (Ph.D., 1971). His work on security matters is well-known to Israel’s political, military, academic and intelligence communities. Professor Beres was born in Zurich on August 31, 1945, the son of Austrian Jewish refugees in Switzerland. He is Strategic and Military Affairs columnist for The Jewish Press.Louis Rene Beres
Prophecy is being fulfilled before our eyes.
In the End of Days, after the Children of Israel have returned to their land, the children of Ishmael [the Muslim world] and the children of Esau [the Western Nations] will unite to attack Jerusalem. They will form a world coalition against the tiny nation of Israel. But something will go wrong with their plan. The religious beliefs of the children of Ishmael and the children of Esau will clash, and the two nations will collide and destroy each other. This is what is referred to as the War of Gog and Magog. Following this cataclysmic conflict, the Final Redemption of the Jewish People will occur with the coming of Messiah the Son of King David.” [Malbim on Ezekiel 32:17, from the Introduction to my book 2020 Vision]
We are seeing the “world coalition” forming and we can well imagine what the next steps will be. Perhaps the only comfort in this difficult world is that all the events we are witnessing have been predicted by our prophets. What else gives one the strength to endure what would otherwise be unendurable?
We are in the middle of Sefirah. Why have terrible things – including the decimation of the 24,000 disciples of Rabbi Akiva – happened to the Children of Israel during Sefirahs haOmer? And what happened on the thirty-third day of the Omer to turn them around?
According to Book of Our Heritage, during the period of Sefirahs haOmer “man’s future sustenance is on the line” because it is the period of harvest. “Will he be blessed with plenty or cursed by famine?…. Because this is a period of judgment that lasts for fifty days, the trepidation accompanying these days is great.”
But this is not the only cause of trepidation. Sefirah is the period during which, in biblical times, we marched from Egypt to Mount Sinai, attempting during these seven weeks to eradicate the terrible effects of long-term immersion in Egyptian immorality and idolatry. That’s not so easy. We have only to look at ourselves, immersed as we are in Western culture, to understand how the Jews could have felt that it was natural to live in the Egyptian culture. Only very few, apparently, felt they were completely out of place, and thus only one in five left Egypt.
This is the frightening aspect of both Sefirah and our current exile. Even those who did leave Egypt found it difficult to disentangle their souls from poison of exile: “We remember the fish that we ate in Egypt the cucumbers, melons, leeks onions and garlic” (Numbers 11:5).
During Sefirah there is a titanic spiritual battle over which way to go: backward toward Egypt or forward toward Mount Sinai and Hashem’s Torah. Apparently the turning point occurred on Lag B’Omer. Was it coincidence that Rabbi Shimon bar Yochai was niftar on that day? Was it coincidence that on that day the Zohar was revealed? What is it about Lag B’Omer?
We say in the Shema, “do not follow after your heart and after your eyes after which you stray “It seems the heart is the leader in going astray. If our heart is focused on Torah, we are safe, and all follows the direction of the heart. If it is focused on material objects, we are in danger, and our eyes and all our other limbs follow it to dust and destruction, God forbid.
As our rabbis tell us, “Rachmana liba ba’ei” – God desires the heart(Rashi on Sanhedrin 106b). Sefirah is forty-nine days. The gematria of “lev tov,” a good heart, is forty-nine. (The word “lev” (heart) is thirty-two (lamed-beis) and the word “tov” (good) is seventeen (tes-vov-beis). The first thirty-two days of Sefirah seem to focus on the battle for the heart. It is still in danger, pulled back by the lure of Egypt. Which way will we go? Will we in fact go forward toward Mount Sinai and a life of sanctity? Or will we return to the bottomless pit of Egypt?
On the thirty-third day, apparently, the issue was decided in favor of “tov” because in fact we went onward to Mount Sinai. Thus, the last seventeen days of Sefirah seem to reflect the gematria of “tov.” We took the good course. We seem to have felt the pull of Torah drawing us forward.Roy S. Neuberger