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August 24, 2016 / 20 Av, 5776

Posts Tagged ‘racist’

Analysis: Can Ha’aretz Be More Racist than Donald Trump? You Betcha

Friday, June 10th, 2016

Late last month, Republican presidential candidate Donald Trump was condemned universally, when everyone but Ann Coulter called him a racist and a bigot for suggesting federal Judge Gonzalo Curiel should have recused himself from the Trump University trial because his parents were born in Mexico, and he, Trump, as he so aptly put it, is “building a wall.” Trump went on to tell various reporters that although the judge was born in Indiana, he must be a Trump hater, on account of “I’m building a wall.” He also told one reporter that the same obligation to recuse themselves should also apply to Muslim American judges in Trump-related cases (the candidate generates thousands of them, literally).

The fact that both House Speaker Paul Ryan (R-Wisconsin) and Senate Majority Leader Mitch McConnell (R- Kentucky) called on their party’s nominee to tone down the racism should tell us just how much they loathed his outburst.

On Friday morning, Ha’aretz op-ed writer Uri Misgav, in reviewing the recent Supreme Court decision that sided with the Chief Rabbinate and against the AG in prohibiting “alternative” kosher certifications, wrote the following:

“The ruling was by a majority of two to one. The two judges who preserved the corrupting power in the hands of the Rabbinate were Rubinstein and Noam Sohlberg. Both wear a yarmulke, [and are] religious Orthodox, who grew up and developed on the high road of Religious Zionism. They put the cats in charge of the cream. This was a very strangely composed panel. In fact, it was so strange that it’s not strange at all: of course it was intentional. With the assumption that it’s better to let the religious handle these issues which are close to their hearts. Except that the logic should have been the complete opposite of that. There’s a clear conflict of interests here. At stake was the tension between state and religion. The secular judge, incidentally, had the minority opinion.”

The paragraph above is dripping bigotry, not only accusing supreme court judges of being unable to examine a case on its merits, suspending their personal views—which is something we expect of every judge in every trial—but that somehow the powers-that-be on the court assigned the two religious Orthodox judges because the case belongs in their ghetto. The root of Trump’s bigotry and the root of Misgav’s bigotry are the same: they both assume that judges belonging to the group they hate are inevitably partial, interested parties in the cases they try.

But then Misgav focuses on Judge Sohlberg, calling him a criminal, because he resides in Alon Shvut, at the heart of Gush Etzion, an area which even Misgav agrees will never be handed over to Arab rule, even as part of a two-state agreement. Writing for a newspaper that has printed many miles of allegations against rightwing activists and politicians who have threatened the Supreme Court for its unprecedented activism, Misgav actually exposed Sohlberg to prosecution by a European court as a war criminal. The scenario is simple: Judge Sohlberg lands in Brussels, someone on the same El Al flight identifies him and calls over the Gendarmes, showing them the English translation of Misgav’s attack, demanding that Sohlberg be taken into custody until the war crime charges against him are verified. Unrealistic? Probably, but when MK Moti Yogev (Habayit Hayehudi) last summer announced, “We have to take the blade of a D-9 [bulldozer] to the High Court of Justice,” Ha’aretz took his expression of rage at face value.

It appears Ha’aretz is willing to see Israeli high court justices’ lives be put in jeopardy just to advance the paper’s political ends. So much for tolerance and liberalism.

David Israel

Guggenheim Museum Website Calls Israel “Racist,” Falsely Claims it Censors Art

Thursday, May 26th, 2016

{Originally posted to the Elder of Ziyon website}

The famous Guggenheim Museum in New York has a blog that says it “tells the Guggenheim’s evolving story, and offers insights on visual culture, urbanism, and the global art world, along with regular discoveries from the archives.”

It recently posted this outrageous piece by Chen Tamir, called “Censorship in Israel:

Over the past two years, the arts in Israel have been increasingly threatened by censorship and draconian government funding proposals. Some see this as the beginning of a culture war not unlike the one endured by the United States during the 1990s, when politicians used arts funding reform as a political tool to curry favor with conservative constituents. Freedom of speech is not treated with the same reverence in Israel as it is in the States; the country was not founded on a constitution that privileges such liberty. (Indeed, there is no Israeli constitution, a fact that some would consider a root cause of its racist and lopsided legal system and civic infrastructure.) The state of stagnation and worsening division in Israel/Palestine further entrenches the occupation, allowing more settlements to be built and inflicting further oppression on Palestinians. The metanarrative in Israel is one of continuous existential fear and victimization, which leads to the increased justification of insularity and nationalism, and the silencing of opposition.

Tamir includes many half-truths and absurd exaggerations as well as a complete disregard for the definition of “censorship.”

The calls for and instances of censorship over the past two years have been both top-down (from government officials) and grassroots (by private citizens calling for the removal of artworks). Some individuals have taken matters into their own hands and established paramilitary organizations that spy on human rights activists and organizations, most notably the extra-political group Im Tirtzu, which recently published a blacklist of “moles”—cultural producers of all stripes who support leftist organizations that they perceive as anti-Zionist.

Im Tirtzu is paramilitary?

And why is art that defames a nation free speech, but compiling a list of people behind that art is “censorship?”

Here’s another example of “censorship”:

Artist-choreographer Arkadi Zaides was criticized for a video and dance work incorporating footage from B’Tselem’s Camera Project (through which cameras are given to Palestinians to document conflicts with the army and neighboring settlers). The Museum of Petach Tikva, which presented the work, was asked by the municipality to close the exhibition early following pressure from a “concerned citizen,” while the Ministry of Culture withdrew its funding from the show (although the exhibition remained open until its scheduled end date a few days after this incident).

So, not a single person was deprived of seeing the show. How is that censorship?

Further examples include the redirection of arts funding to things like the Zionist Art Prize, and right-wing Prime Minister Benjamin Netanyahu, acting as temporary Minister of Education, vetoing the 2015 candidate for the Ministry’s annual literature prize.

That is not censorship either.

Minister of Education Naftali Bennett and Minister of Culture and Sport Miri Regev have been responsible for a string of incidents of or attempts at censorship, ranging from the banning of books and plays to a withdrawal of state funding from Jaffa’s Elmina Theater unless its director, Norman Issa, reversed his refusal to perform in a settlement in the West Bank. Regev, who previously served as the chief censor of the Israeli army, recently treated the director of the Tel Aviv Museum of Art, Suzanne Landau (herself recently accused of self-censorship) to a surprise Friday-night phone call to ask about a work of art in a recent exhibition by Uri Katzenstein.

The only thing in this list that is actual censorship is the supposed “banning of books and plays.” Curiously, Tamir doesn’t mention their names, but almost certainly he is referring to the Education Ministry taking an anti-Israel novel off of its reading list as “banning,” which it isn’t. Almost certainly there has been no banning of any play as well.

It takes a while before we find out how Tamir defines “censorship”:  the refusal of a nation to fund art that directly attacks it.

Herein lies the crux of contemporary censorship: funding. As in the American Culture Wars, public funding is being manipulated to become a mechanism of censorship.

That is not censorship by any definition. Making it somewhat more difficult for an artist to make a living from public money is not censorship. I can make art if I want, but if the Guggenheim decides not to make an exhibition of my artwork and the government doesn’t fund me I am not being “censored.” If publishers aren’t interested in my poetry and the BBC refuses to air my play and MTV doesn’t want to air my music videos, I am not being “censored.”

The entire article is a string of lies that simply misuses the meaning of the word “censorship” to falsely paint Israel as a racist society.

The Guggenheim Museum should remove this article. Not because I support censorship – I emphatically do not – but because I do not believe that the museum should publish lies, fabrications and slander. Tamir has the full right to post her lies on her own website and the Guggenheim has the full right to reject publishing a litany of her lies and half-truths.

If supporters of the Guggenheim decide to withhold their funding to show their displeasure for the museum becoming a mouthpiece for anti-Israel propaganda, that isn’t censorship either.

Elder of Ziyon

Ethiopian-Israeli MK Slams Sterling in Letter to NBA’s Silver

Tuesday, April 29th, 2014

An Ethiopian-Israeli Knesset Member called racist statements attributed to Donald Sterling, the Jewish owner of the Los Angeles Clippers, “disgusting” in a letter to NBA Commissioner Adam Silver.

“As a Jew, as a citizen of a country founded on the ruins of racism in Europe, it hurt me to hear Mr. Sterling, especially on this painful day,” Yesh Atid MK Shimon Solomon wrote in a letter dated Monday, Holocaust Remembrance Day. “It is sad to see someone of the stature of Mr. Sterling, who instead of choosing to lead and influence to change and fight these incidents, chose to make racist statements, so pathetic and disgusting like the last uneducated person in society.”

Solomon also called on Silver and the NBA to take the team from Sterling, who referenced Ethiopian Jews in the rant attributed to him.

“The dismissal of Sterling from his position as owner of the NBA team will send a message loud and clear: ‘NBA will not tolerate racism, and racism will not be tolerated. There are more important things than the game itself.’ This message will go all over the world, and is an important step in the war against racism in our global village,” he wrote, also saying, “Now the responsibility to deliver the message, sir, is on you.”

The NBA is scheduled to address its investigation into Sterling’s comments in a news conference on Tuesday afternoon.

JTA

Arab Donald Duck Tweets for Israel to be ‘Demolished’

Wednesday, August 7th, 2013

An Egyptian radio host who identifies himself as the official voice of Donald Duck on Disney Middle East called on Twitter for Israel to be “demolished.”

The discussion that began Sunday on the Twitter feed of Wael Mansour continued on Tuesday.

“I truly wish #Israel is demolished, I hate Zionism, I have so much hate inside me with every single child they murder or land they seize!” Mansour tweeted Sunday. The tweet followed one that read: “I saw a video of Israeli soldiers brutally arresting a palestinian woman in front of her 3 children coz they seized her home & she objects!” which could explain his Twitter outburst.

Mansour responded to some critics by tweeting: “I don’t know why insulting #Israel & #Zionism is “Anti-Semitic”?! They are just a bunch of Polish/ Ethiopian immigrants roughly 70 years old” and “There are Jews who hate Zionism; does it make them Jews Anti-Jews?! Of course NO! We respect Jews & disrespect Zionism, there’s a difference.”

The Algemeiner called on Disney chairman Bob Iger, who is Jewish, to respond to the controversy. Disney owns the rights to Donald Duck.

Contacted directly via Twitter by the Algemeiner, Mansour told the paper, “The Zionist entity is a racist entity by definition, performing crimes of hate by the power of its criminal law. I stand firm by what I said.”

Mansour said Egypt “dictates an overwhelming Islamic sentiment that happened normally. On the other hand, the Zionist entity is a bunch of immigrants stealing lands and creating a state based on a racist difference.”

JTA

Printed from: http://www.jewishpress.com/news/breaking-news/arab-donald-duck-tweets-for-israel-to-be-demolished/2013/08/07/

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