Frederick Terna has a soft touch. His images are neither strident nor angry.
Pleasure and Meaning. In the visual arts they are equally essential.
One of Honore Daumier's greatest works shows a troubled man sitting at a window.
Look someone in the eye, and you immediately begin a narrative.
If the hills are alive with the sound of Julie Andrews' music, then Cantor Jacob "Jackie" Mendelson would have viewers believe that Brooklyn is once again to be alive with the sound of Chazzanut.
Space is created in the visual arts in a multitude of ways. Illusionistic space was invented in the Renaissance and continues to be depicted in contemporary realism.
The Temple gleams upon the horizon, a golden beacon signifying the finish line to the Jews' trek to serve G-d on the shalosh regalim.
The aesthetic buzzards have been following him disappointed for years.
The problem with G-d is His holiness.
In a sense, the history of the Jewish people is a history of installation art. The thunder and lightning, booming shofar and floral assortment at Sinai were intense aesthetic experiences.
Barely redeemed from Egypt, the Jewish people faced a terrible foe. Amalek attacked without warning, without reason.
With Pesach swiftly approaching, many are hyper-aware of all the cleaning and cooking implied in the festival.
Mincha is the most fragile of prayers. It is typically caught on the run, sandwiched between a hurried lunch and return to the ordeals of the workday.
There is something very Jewish about R. B. Kitaj's work.
Many mistranslate the word "midbar" as desert, whereas the word really carries more of a connotation for wasteland or wilderness, perhaps deriving from the root dever for "plague" or davar for "word" or "thing."
As one enters the theater, the stage is seen dominated by three levels of scaffolding that fills the entire proscenium behind a gray scrim.
The new face of Jewish pop music wears a black hat and jacket and a long beard.
Imagining the tempting aroma of pecan pie and fresh challah, the age-old rhythms of Southern Jewry unfold before our eyes in the seductively handsome exhibition of photographs, Shalom Y'all, currently at the Jewish Museum of Florida in Miami Beach.
Though first published in 1967, Marshall McLuhan's "The Medium is the Message: an Inventory of Effects" still remains the sourcebook on new media; its 160 pages of provocative text captivate the reader and prophetically forecasted the dominant role new media currently assumes.
Walking out of the U.S. Holocaust Memorial in Washington, D.C. the stench of mass murder was overpowering.