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When the sons of Jacob went to Egypt for food they became victims of a cruel ruse. As we recently read in the weekly Torah portion, when the provisions the brothers had acquired were loaded on horse and wagon for the return trip to Canaan, the Egyptian viceroy's cup was stealthily planted into the sack of the youngest, Benjamin.
A blue-skinned woman with at least one wing carries a caged dove in her right hand and has just released a golden bird from her other hand. Her hair is covered by a shawl that rests over a curved dagger (like the Yemenite jambiya) with a sheath decorated with the stars and stripes of the American flag. A corner of the shawl becomes a pair of tzitzit whose strings are wrapped around a lion's arms and midsection, perhaps restraining it. The woman, who represents a self-portrait of the artist Siona Benjamin, stands on a white ball, which unravels to reveal not string but floral patterns that border the painting. Beneath her yellow skirt, the woman wears striped pants that evoke either the uniform of a prisoner or a concentration camp inmate.
QUESTION: If the fast of Tisha Be'Av (the ninth day of Av) concludes the mourning period for the destruction of the Temple, why do we wait until the fifteenth of Av to rejoice? Is there a distinct significance to this date? Please discuss this in your insightful column.Sara Gutman(Via E-Mail)
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