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Nearly six and a half centuries before McDonald's first introduced its iconic logo designed by Jim Schindler, artists had already invented the double-humped shape. The Flemish painter Michiel van der Borch's 1332 manuscript illustration "Moses receives the Tables of the Law" shows a haloed prophet, his hair twisted into horns, carrying his staff and wearing a red robe as he reaches out to receive the Ten Commandments from God. Hundreds of medieval manuscript illuminations, as well as dozens of paintings by Chagall, feature the same rounded layout.
All Jewish Art depends upon the choice of subject as the primary vehicle to elicit meaning. Style, composition, form and innovation operate in the context of the theme drawn from Jewish texts, commentaries, Midrashim and history. For the artist, that initial choice inevitably influences the artistic agenda of what follows. In the Sarajevo Haggadah, one of the most treasured masterpieces of the Jewish people, the artist's choice of Biblical passages molded the intellectual shape and tone of this 14th Century Catalonian masterpiece.