Meir Panim’s Tiberias Free Restaurant not only provides warm meals, but the opportunity to socialize as well.
Three Sisters, 1992 by Vardi Kahana
Courtesy Andrea Meislin Gallery
Yehuda’s Family, 2007 by Vardi Kahana
Courtesy Andrea Meislin Gallery
Richard McBee is a painter and writer on Jewish Art. Please feel free to contact him with comments at
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
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Welcome to Food Talk, a new feature that will highlight food bloggers, those enterprising souls who always seem to come up with something new, creative and most importantly, delicious. If you are anything like me, many of the recipes you make are the ones that magically show up in your inbox one morning and if you get lucky, these new dishes fast become family favorites.
The wind whistled outside my house, as the lights flickered but thankfully didn’t turn completely off. Being in this situation reminded me of the terrible week and a half in late October when my family and community lost all electrical power due to Superstorm Sandy.
“Nechama Gitty Shapiro is leaving,” said the secretary, poking her head into the classroom. My classmates all turned towards me and whispered, “Where are you going?”
It is a rare season indeed when two major auction houses show not only resplendent offerings of Judaica, but also multiple examples of highly unusual and rare Jewish-themed fine art. That is indeed the case now both at Sotheby’s December 19th auction and the Bonhams recent December 10th auction.
The necessity of speaking up when you “have a hunch” applies even more when it comes to shidduchim. One little girl did just that – she said something – and I was fortunate enough to be in town for the very joyful, lively wedding that resulted from her speaking up.
Everything with my wife is an issue. If one of our young children spills something or accidentally breaks something, she screams uncontrollably. She is always angry and moody, which terrifies the children. I try to act lovingly toward her, but after an outburst she will often find a reason to blame me for what happened.
Lately, there has been a lot of talk the “spectrum” rather than autism specifically. In order to elucidate what is meant by the spectrum, I have put together a short guide to the different categories that fall under the term.
often find myself telling clients, “There is no such thing as emotions!” Then I wait for their reactions. My hope is that the client will challenge me, as obviously we all experience emotions. It’s the way we are wired.
Separation anxiety disorder is a condition in which a child becomes fearful and nervous when away from home or separated from a loved one – usually a parent or other caregiver – to whom the child is attached.
Mandela remained loyal to the rogue leaders and regimes that backed him through the many years he’d been imprisoned: Cuba’s Castro, Libya’s Khaddafi and the PLO’s Arafat.
Hebrew Academy (RASG) has announced that Ron Dermer, Israel’s ambassador to the United States, will be the keynote speaker at the Hebrew Academy Annual Event.
Chai Lifeline Southeast’s first venture into the art world, “Through the Eyes of Our Children,” an exhibit and sale at Gallery Art in Aventura, was part of the organization’s Chai Crafts program, an innovative art therapy endeavor sponsored by the Root Foundation.
This year was memorable for the energy of all the participants who, along with Avraham Fried and the members of his orchestra and the YBO Band, joyously sang and danced in the rain. Fried performed with chassidishe warmth and humor. The night was so meaningful and so mesmerizing, the audience didn’t want it to end.
The Preserve at Palm-Aire, a local senior living community, recently donated more than 180 eco-friendly, sturdy and reusable tote bags to the Broward County Jewish Family Services (JFS).
The fact that the Jewish Museum’s curator Susan Tumarkin Goodman presents these issues as the inescapable core of her exhibition demonstrates the courage to challenge her audience with deeply discomforting images and concepts.
Lynda Caspe’s current exhibition at the Derfner Museum is an extraordinary event. In this show of 12 bronze relief sculptures and 14 cityscape paintings we have the opportunity to see the full scope of her last six years of work that, as least with the sculptures, marked a radical change in subject matter and technique.
The philosopher Theodor Adorno famously wrote in 1949, “cultural criticism finds itself with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric.” This statement posited that the Holocaust exposed the unredeemable rotten underbelly of Western culture and therefore the very notion of creating beauty and sensitivity was at an insurmountable impasse. Alas, as cultural history has shown, he was wrong. Strikingly, it might be said that one of the few ways still provocatively available to speak about the Holocaust is in fact through poetry.
“Hyman Bloom: Paintings and Drawings (1940 – 2005),” currently at White Box (the cutting edge international art space on Broome Street), is a rare opportunity to observe the creative process of one of the most important practitioners of 20th century Jewish Art in America.
The “book” is a mighty big place these days and the current exhibition at MOBIA, “As Subject and Object: Contemporary Book Artists Explore Sacred Hebrew Texts,” is no exception. Highly mobile ebooks compete with online publications and traditionally bound volumes, scrolls, accordion-style tomes and folios that present equally exciting options for contemporary artists to interact with image and text in one unifying medium.
At the Chassidic Art Institute one artist, Harry McCormick, has rather amazingly fathomed the authentic heartbeat of the individual Jewish life. This exhibition, running until July 25, shows a mere 16 paintings, but six of them reveal a deeply perceptive and sensitive chronicle of Yiddishkeit.
Judaica Auctions and the exhibition that precede them at Kestenbaum & Company are always a cornucopia of aesthetic delights. The sheer variety and overall quality of the ceremonial objects and works of art make the exhibition and catalogue a museum-like experience. The current exhibition is no exception.
Whether it is the disastrous report of the 12 spies or the furious condemnation that doomed an entire generation to die in the wilderness, the Torah narrative in Bamidbar turns terribly grim after the glorious inauguration of the Mishkan in the second year after leaving Egypt. With this in mind, just imagine my surprise at an encounter with two artists who address these (and other Biblical) themes right around the corner.
Printed from: http://www.jewishpress.com/sections/one-family-photographs-of-vardi-kahana/2008/02/06/
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