Got that pioneering spirit? You’re invited to help build Israel’s periphery by planting roots in southern soil with Nefesh B’Nefesh.
The illustrator stands in an oft-denigrated position, scorned by modernists and traditional purists alike. For both schools of thought the sublime of art cannot be rendered literal. On the other hand, illustrators are curiously accepted if not celebrated by those in a postmodern disposition. In the last twenty years or so a creative relationship to text, narrative or non-visual motifs has gained legitimacy if not primacy in the visual arts. Under the watchful guidance of director Jean Bloch Rosensaft and the curatorial skill of Laura Kruger, the Hebrew Union College Museum casts one of its current exhibitions into this ideational fray. “Isaac Bashevis Singer and his Artists”is in its curious way an exposition on the illustrational as a contemporary motif.
Irene Lieblich (1923 – 2008) was a survivor who took up painting at the age of 48 and, through an exhibition of her work, became friends with Singer after which she illustrated two of his books, A Tale of Three Wishes (1976) and The Power of Light: Eight Stories for Hanukkah (1980). All of her 13 illustrations shown exhibit a folk-art charm that reflects both Singer’s and her roots in Eastern European pictorial traditions. Three shtetl children witnessing an angel driving a chariot through the sky before a chorus of angels, can be summoned by her as easily as a young boy and girl emerging from a manhole in war-torn Warsaw. Her “Partisans in the Forest” is especially affecting. In a wintery scene a group of Jews huddle around a makeshift menorah while two play with a dreidel on a tree stump, surrounded by armed partisans anxiously guarding the evening ceremony. The simple composition slowly reveals first courageous piety, then childish playfulness and finally the deadly seriousness of their guards. Jewish faith at work.
The roster of artists who illustrated Singer’s books is extremely diverse. Some shared his Jewish Eastern European background and most are professional illustrators. Yet among these are well-known artists in their own right: Roman Vishniac (1897-1990), noted documentary photographer of Eastern European Jews in A Vanished World (1947) became friends with Singer and permitted the use of his works in Singer’s A Day of Pleasure: Stories of a Boy Growing Up in Warsaw (1969). Raphael Soyer (1899-1987) was a close friend known internationally as an American Social Realist painter from 1930 – 1950. His illustrations here of flying demons, nudes and fantastic figures are especially revealing exceptions to his normally dour painting style. Another international artist, Larry Rivers, illustrated a deluxe edition of Singer’s The Magician of Lublin with a signature drawing of a contemporary man donning tefillin - simple, modern and disarmingly convincing.
“Isaac Bashevis Singer and his Artists” similarly sweeps us up in the creativity and passion of the master Yiddish writer’s texts. Curator Laura Kruger is careful to always provide the textual references, either summaries or the short stories themselves, so that the images live and breathe within the very texts they emanate from. Once joined together they nurture and complement each other like an old married couple; one starts a sentence and the other finishes it. By doing so she insists that at least in this framework, text and image are inseparable and that like all good commentary next to its source, make both even more a joy to behold.
Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
No tweets found.
Rewind sixty years to 1953.
Television was considered kosher by most and featured the likes of Desi Arnaz, Lucille Ball, Jack Benny, George Burns, Red Buttons, Perry Como, Arthur Godfrey, Clayton Moore as The Lone Ranger, Dinah Shore, Red Skelton, Danny Thomas, Jack Webb as Joe Friday on “Dragnet” and many others who provided great memories.
Yet all are part of one neshamah, planted in rich, verdant soil, determined to grow. May our garden continue to produce a glorious assortment of flowers and trees, each attached firmly to its roots. Our diverse southern vegetation flourishes and grows into different trees, flowers, and fruits, and a rainbow of glorious shades and hues appears. Yet each shoot is rooted in the same soil, stretching its branches and blossoms heavenward in an endless pursuit of growth and connection to the One above.
This past Lag B’Omer, we were blessed to make our first upsherin, where we celebrate our son’s first hair cut. It’s a wonderful milestone that mimics the three years that we refrain from plucking a tree’s first fruits and symbolizes the entry of the child into the world of Torah learning. It’s a clear sign to everyone; this boy is no longer a baby.
Although there are more direct and faster routes to Beer Sheva and Eilat and all the sites and towns in-between, the Basor River is one of the beauties of the Negev that defiantly justifies a diversion.
The importance of death customs has been ingrained in me since birth. When I served as a shomeret for my grandmother, I was instructed not to eat, drink or perform a mitzvah in the same room. In the shock of death, it seemed rather inane to be told it would be considered mocking the dead. My grandmother was gone; she couldn’t do those things because she didn’t exist anymore, a fact that still makes me tear up.
I would have to say that one of the most annoying things about having a newspaper advice column, aside from all these people writing to me and asking for advice, is that they frequently don’t tell me WHY they’re asking.
Rav Yosef Shalom Elyashiv zt”l, who passed away on 28 Tammuz, (July18) this year at age 102, spent all of his days and most of his nights learning Torah. He was the paramount leader of our generation, and inspired tremendous awe and reverence in everyone who knew him. Now, every woman has the stunning opportunity to do something in his memory. A Sefer Torah is being written in his memory and women around the world have the chance to dedicate a letter.
Due to her family situation, it is understandable that she will have more responsibilities than other girls her age, but she would benefit from having some free time and receiving more appreciation for her hard work.
For children, summer means outdoor sports, picnics, and of course, no school! Teachers and students work hard all year long – and everyone deserves a break from education over the summer. However, this two-month break can often have some pretty devastating consequences.
It was only after we celebrated the great news that we were expecting twins that we saw the first sign of problems. First of all, my wife was losing, not gaining weight, even as the babies continued to grow normally. Soon after, routine blood work revealed that my wife was suffering from gestational diabetes.
Rabbi Pinchas Gruman is the new rav of the Minyan at Aish Tamid.
One of the most respected Torah figures in Los Angeles, Rabbi Gruman has been described as “The Los Angeles link in the mesorah of the yeshiva world” by Rabbi Nachum Sauer. As a talmid in Lakewood in the 1950s, Rabbi Gruman received semicha from Rav Aaron Kotler, zt”l, and Rav Moshe Feinstein, zt”l. Soon after, he moved to Los Angeles.
Whether it is the disastrous report of the 12 spies or the furious condemnation that doomed an entire generation to die in the wilderness, the Torah narrative in Bamidbar turns terribly grim after the glorious inauguration of the Mishkan in the second year after leaving Egypt. With this in mind, just imagine my surprise at an encounter with two artists who address these (and other Biblical) themes right around the corner.
I have always had a problem with the Omer. Doing the mitzvah of counting the Omer was of course pretty easy. Remembering to start the second evening of Passover and remembering to stop the day before Shavous took a little concentration but somehow I always managed. No, for me the nagging problem was always why was I doing this in the first place, other than the fact it was a biblical (according to the Rambam) commandment.
The megillahs beg to be illustrated. Each is associated with a notable holiday and each presents an idiosyncratic view of Jewish history and experience. Those that are not overtly narrative cry out to be narrated while the others present the most compelling stories imaginable. Song of Songs is scandalous until tamed by rabbinic interpretation; Koheles equally assaults a pious worldview, Eichah tears our hearts out, while Esther fills us with fear and pride. And finally Ruth causes us to examine the very foundations of the Messiah. Alas, their pictorial history is uneven.
Michael and Judy Steinhardt are putting their magnificent Judaica collection up for sale at Sotheby’s in New York on April 29. The results of 44 years of diverse collecting will be on view from Wednesday April 24 and simply must be seen by anyone interested in Jewish visual and material culture.
Two masters of modern photography are on view at the International Center of Photography; Chim (Szymin) aka David Seymour and Roman Vishniac. They are both Jewish and just happen to bring astute but radically different visions to Jewish photographic subjects. These brilliant, exhaustive exhibitions help us examine the fundamentals of what it means to create a Jewish Art in photography.
There is a special class of Jewish artists who toil in the rich fields of Tanach and Jewish practice for years and years, quietly establishing a foundation of visual and intellectual markers for generation of artists to come. Ruth Weisberg is clearly one of these founders. Her seminal work articulates an approach to the Jewish narrative deeply informed by a Jewish feminism.
A Documentary Produced and Edited by Avi Angel Based on “Three Mothers for Two Brothers” by Izhak Weinberg 54 minutes: Quad Cinema March 1 – 7; soon on Amazon and iTunes What is your earliest memory? Itzik Weinberg’s earliest memory may be of him and his younger brother, Avner, fleeing the invading Germans in Cracow, [...]
Bezalel, oh Bezalel, what company you keep! Your parsha, Ki Sisa, takes us from humble devotion to God’s commandments to the utter collapse of Israel’s faith. God-inspired creativity morphs into pernicious communal idolatry that expresses gnawing doubt and a desperate need for the mechanics of teshuvah. Yet in the midst of tragedy, drama and redemption, one quiet man and his assistant, Bezalel and Oholiab, were chosen by God to become the alleged ancestors of all Jewish artists.
Printed from: http://www.jewishpress.com/sections/singers-artists/2009/12/02/
Scan this QR code to visit this page online:
No related posts.