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December 10, 2016 / 10 Kislev, 5777

Posts Tagged ‘JCC’

Helping The Jews Of Marine Park

Wednesday, July 14th, 2010

During the day, Shea Rubenstein works in real estate development. In the evenings he helps run the Jewish Community Council of Marine Park, an organization he helped establish, to meet the needs of the local community, as its executive vice president.


The Jewish Press: How long ago did you start this organization?


Shea Rubinstein: This organization started about two years ago. Over time, we have focused more on understanding the needs of our community and have developed different programs. I would say that Marine Park is the fastest-growing Jewish community in the world. Seven years ago, there were 50 families in Marine Park; now, we have over 1,000 frum, Shomer Shabbos families, almost all between the ages of 25 and 35. We have 14 shuls and three yeshivos within the district, ken yirbu.


      We saw an opportunity to create achdus; it’s a small community, outside Flatbush and Midwood, with a younger crowd with similar mindsets. Baruch Hashem, other organizations have been extremely helpful to us in the past. They are dealing with a big workload by representing their own communities. I figured, let’s use the same model.


That’s how a few individuals – Shua Gelbstein, Jeff Leb, Yossi Sharf and myself – decided to create this JCC of Marine Park. Each of us has our own area of expertise. Shua Gelbstein, who’s a practicing attorney, is our legal mind, Yossi Sharf our financial whiz who serves as our treasurer, and Jeff Leb is our political strategist who knows local, City, State and Federal Government like the back of his hand. We all brought different ideas to the table and the JCC of Marine Park was formed.


Of course, we went to the rabbanim. Here we have 14 rabbanim, a Vaad HaRabbanim of Marine Park, and we work closely with them through that vehicle. We come up with ideas, and they give us their da’as Torah. They guide us on how to create achdus, and have our community prioritize issues, rather than relying on neighboring communities.


Where is Marine Park?


Marine Park begins after Midwood, at Nostrand Avenue, and continues until Flatbush Avenue, and from Kings Highway until Ave U. Mill Basin, Gravesend and   Flatlands are a few different neighborhoods that border us. Even though we call ourselves JCC of Marine Park, we represent a lot of people in the 20’s and 30’s.


Tells us how you operate.


            We have about 25 volunteers and a call center. People call with any issue, social services, or in need of some of the other projects we’ve developed. Volunteers take those phone calls and either they answer the questions, send them the paperwork or set up appointments for them with caseworkers or local organizations, when necessary.


Do the volunteers work home?


We have an office on Flatbush Ave and volunteers who get together at night, and work from their homes or offices. You phone the call center and tell them, for instance, “I need health insurance.” They’ll put you on hold and connect your call through to a woman who helps people with health insurance, HEAP, Medicaid and food stamps. She’s a volunteer.


Let’s say you need a job; they’ll refer you to someone like me. Some people will call because they’re in too high a bracket to qualify for Medicaid or food stamps, but they need money; they cannot sustain themselves. The rabbanim take care of qualifying a person for a project we came up with, called Project Mazon.


What is Project Mazon?


Tomchei Shabbos is an amazing organization that does fantastic things. Some people, though, might not be utilizing this wonderful organization. Many of the families in our community suffer in silence – they would rather starve than get a food delivery to their door. Their needs are different in that they have young families. They also need formula and diapers. For these reasons, we began Project Mazon.


            We try to get everybody in the community to sign up, to donate five dollars a week via their credit card. They either go to ProjectMazon.org, on the web, or they’ll call our office and give their information. We charge their credit card  $5 or $10 a week, but the minimum is $5 a week, which is equivalent to a sandwich and a coffee. The money goes into one pot, one bank account.


Then, in order to qualify, any rav in the community has the ability to sign somebody up. So if somebody feels they need it, or if a rav feels that somebody in his shul needs help, he calls one central person. He gives him only the person’s phone number and the grocery where they shop. From that week on, every Thursday morning, there’s a $50 credit in that person’s account, so they can purchase without anyone knowing. They prioritize their own shopping list and buy things that they really need for their family.  It’s all done anonymously so that people feel comfortable about accepting help. No one in the JCC knows who the recipients are; only the rabbanim know. Obviously, we all trust the rabbanim to qualify the people.


           We worked it out with the kosher groceries in Marine Park, and in the high 20’s and 30’s for now. It takes 10 people giving $5 a week to help one family. So if we opened it up to the entire public, the system would be overwhelmed. I spoke about this recently at the Agudah Convention, and encouraged other communities to each start its own “Project Mazon” to support those who are struggling in their own communities. We have a standing offer to assist any organization that would like to start a similar program in its community with organizational support.


You have two big events coming up for Project Mazon. Can you tell us about those?


Yes, We do have two big events coming up for Project Mazon. The first event is coming up in less than two weeks. On July 21, 2010 – the day after Tisha B’Av is our Second Annual Project Mazon – Glatt Mart Barbeque. It starts at 7:00 p.m. and will be in a large tent at the playground of PS 240 – at 2500 Nostrand Avenue, between Avenues K and L, and it features the delicious meats of Glatt Mart and the wonderful talents of the renowned mentalist Shimi Illuzini. It is the only fundraising event of the year for Project Mazon and we encourage everyone to attend and help support your friends and neighbors who are in need of assistance.


The second event that we are running concurrently is our Project Mazon Raffle where you can win a free two-year car lease for a new Honda Insight! This is sponsored by Plaza Auto Mall car leasing. We are having the raffle is September, IY”H. One ticket is $36 and 4 tickets are $100.


You can find out more about the Barbeque and the Car Raffle at www.ProjectMazon.org, www.KosherQ.org, or email info@jccmp.org.

Avi Spitzer

Kosher Tidbits from around the Web – November 5, 2007

Monday, November 5th, 2007

Across the Atlantic, Scotland‘s only kosher restaurant, L’Chaim, is getting high praise for its latkes and chopped liver.
Conversation over this past week was about “Exit” the new energy drink being marketed to Charediim in Israel.  Under the strictest of supervision, this Red Bull-like drink, will, according to the company’s owner, give energy to those who spend their days enveloped in learning and their nights dancing at Simchas.
Another topic of discussion is the new Kosher Dunkin Donuts which has opened in Staten Island.  Located a block from the JCC, it is under the supervision of Rabbi Mehlman.

And finally, did you know that glue on Israeli stamps is kosher?

Chumi Friedman

Dedication Of Jewish Community Center

Wednesday, July 11th, 2007

        Whenever I go to Poland it is for a specific occasion. This last trip was to cover the laying of the foundation stone of the Museum of Jewish History, the Krakow Jewish Cultural Festival and the weddings and bar mitzvah of my friends in Warsaw. In evidence of the growing maturity of the Jewish community in Poland, it seems that not a day goes by without an activity worthy of a story. There are exhibit openings, film festivals, semachot, recitals and visits by dignitaries. Over the next few weeks, I will be writing about some of these events.


         Mr. Sigmund Rolat, of N.Y., has been a great supporter of Jewish causes in Poland for many years. He has contributed generously to the Jewish Festival in Krakow, as well as the museum in Warsaw, but he reserves his greatest efforts for his hometown, Czestochowa. Over the years he has cleaned up the cemetery, which had been described as a jungle, and made great strides in building bridges between the Jewish and non-Jewish communities through supporting cultural projects inspired by Jewish rituals and symbols.


         On June 28, once again, he was at the forefront of Jewish activity in his hometown. He brought in two busloads of visitors to Czestochowa for the dedication of a Jewish Community Center. Most were in Poland for either the museum event or the festival.     Present were Mr. Sigmund Rolat; Chief Rabbi Of Poland Rabbi Michael Schudrich; Mr. Tad Taube of the Taube Family Foundation; Theodore Bikel; noted professor Michael Berenbaum; along with many local officials including the city mayor.



Mr. Sigmund Rolat speaking to the people gathered at the JCC in Czestochowa. (L-R) Mr. Soigmund Rolat; Mr. Tad Taube; Mayor of Czestochowa Tadeusz Wrona; Israeli Ambassador to Poland David Peleg; and Theodore Bikel.



         We began the day with an hour-and-a-half ride from Krakow, which provided the participants time to schmooze together. On arrival in Czestochowa we drove around as Mr. Rolat led a tour of the former Jewish sites in the city. At the JCC Rabbi Michael Schudrich affixed a mezuzah to the door, and Theodore Bikel treated the group to an impromptu mini-concert.


         After the ceremony the group ate lunch, kosher food from Warsaw provided by  Rabbi Schudrich. Afterwards, those interested visited the famous Jasna Gora sanctuary, while others chose a more detailed tour of the city.


         The Yiddish Theater of Warsaw came to Czestochowa and gave a fantastic performance, a medley of Yiddish and Polish songs that awakened genetic memories, and even songs we couldn’t understand, sounded like long-forgotten lullabies.



Rabbi Michael Schudrich and Mr. Sigmund Rolat, affixing the mezuzah to the doorpost of the JCC in Czestochowa.



         The final event of the day was a buffet at the atelier of one of Poland’s most famous contemporary artists, Tomasz Setowski.


         While the JCC contains little Jewish material, the few remaining Jews in Czestochowa now have a place to gather, a place they can call their own and develop as needed. A big Yashar Koach to Mr. Rolat for all his continuing efforts on behalf of  the Jewish Community in Czestochowa and Poland in general.

Shmuel Ben Eliezer

Jewish Women Artists Talk About Their Work (Part Five)

Wednesday, April 18th, 2007

          For the past four weeks, this column has attended to the exhibit “Words Within” of works by members of the Jewish Women Artist’s Network at the Columbia/Barnard Hillel (through March 28). In part five, three more artists discuss their work as Jewish women artists.



Permission To Use Hebrew Letters


         When Marilyn Banner showed “some rather radical and ‘unpalatable’ work” in D.C. (she lives in Maryland), she shocked her viewers and had to “clean up [her] act.” She remembers people responding with an “underlying anti-Semitism, as if the work had been done by a ‘dirty Jewish woman artist’.”


         But with her work currently on exhibit in three different “Jewish” venues, Banner not only identifies as a Jew, a female and an artist, but at the moment, she is feeling “very much like a Jewish woman artist.”


         Over the past two decades, Banner never gave much thought to Jewish culture or heritage, she told The Jewish Press. “I cut Hebrew letters out of steel because I responded so strongly to them,” she said, “not reading or understanding them, and having no Jewish education.” She created a piece, “The Presence of Spirit,” sensing “the sacredness of the letters and their healing qualities.” She worked with the concept of skin, without considering the Holocaust and skin lampshades, and she made “Soul Ladders” from a “Shamanic point of view, without thinking of Jacob’s ladder at all!” The only Jewish works she created were the works she made based on a trip to Terezin titled “Still With Us,” “Angels and Messengers” and “Song of Songs,” and another called “Presence of Spirit.”


         Another body of work, “Ladders of Light,” carried “a strong sense of being female, with an insistence on being able to be openly female,” using lace, chiffon and ribbon, and an idea of “play” she returned to in a series “Honoring the Ancestors.” The series was based upon Banner’s upbringing in a “Jewish neighborhood of six family apartments in St. Louis in the late 40’s and early 50’s.”


         As a graduate student at Queens College, a panel of men expelled Banner “for being less than ‘serious’ − using mixed media before it was popular (sewing canvas onto canvas),” she says. “I was told that I should therefore ‘go have babies and teach grade school’.” And as recently as a few weeks ago, she experienced anti-Semitism toward her Musica Viva card with Hebrew letters, which “shocked many people, including some of our board members and musicians, who did not want to handle the cards and did not want the usual extra number to share with friends.”


         But after passing out the same cards at the exhibit at the JCC of Greater Baltimore (where I met Marilyn, as I am also showing a painting in the exhibit), she found the audience much more receptive, “pleased and affirmed, not frightened and shocked.”


         She describes “owning [her] femaleness” as empowering to create more personal work, with “feminine” materials, and a “sensuous” approach. “I am not trying to be a male artist. I don’t want to see like Cezanne or paint like Picasso,” she insists. “Owning my Jewishness has given me the ‘permission’ to use Hebrew letters, Jewish symbols and to be proud of my Eastern European heritage.”



Lips of Crimson Silk by Marilyn Banner. Encaustic, 2004



         Song of Songs influences her piece in “Words Within,” titled “Lips of Crimson Silk” and, indeed, it quotes from the text, translated by Marcia Falk:


Yes, I am black! And radiant –

O city women watching me –

As black as Kedar’s goat-hair tents

Or Solomon’s fine tapestries.

Your teeth –

A flock of sheep

Rising from the stream

In twos, each with its twin

Your lips –

Like woven threads

Of crimson silk.


         Indeed, to viewers who are not familiar with the technique of “encaustic,” the work looks like a bright, colorful painting, perhaps with a hint of Matisse’s style (although surely Banner would insist she is not trying to paint like a man!). But the work is not only a piece about love, it is quite an intense labor of love, using a technique that involves layers of hot wax, into which Banner scratches and scrapes and otherwise manipulates the surface. The technique quite literally involves the “form following the textual content.”


Healing the World


         Rona Lesser of Houston, Texas, draws from Kabbalah in her work, especially, “Sacred Fragments,” her submission to “Words Within.” The piece is based upon the notion tikkun olam, literally repairing the world. Although she notes that this concept of fixing is universal rather than Jewish, her statement in the catalog describes the concept of shevirat ha-kelim (“the shattering of the vessels”), whereby G‑d stored divine sparks inside “vessels” which allowed for the “retraction” of the divine so as to create space for a physical universe. “It is up to us, G‑d’s creations and partners, to heal the world through our actions and gather those sparks together until the vessel, or the universe, is whole again,” Lesser writes. The painting includes Hebrew words signifying the sorts of good acts and traits that can re-gather the sparks, including: emet (truth), chessed (kindness), rachamim (mercy), kedushah (holiness) and a number of others.



Sacred Fragments by Rona Lesser. Watercolor, 2004



         The image also shows two hands, which appear to gather the words as they pop out of a bursting shape (evoking Adolph Gottlieb’s paintings), perhaps the breaking vessels. A tree (the Tree of Life?) stands barrenly below, but if the hands represent the divine and the human partnering in creation, the tree is sure to blossom soon.


         In an interview, Lesser said she did not consider herself a Jewish artist, since many of her pieces do not employ Jewish themes. But “Judaism is an important part of my life and influences how I respond to the world around me,” she said. “When I paint something from nature I definitely think of G‑d’s creations.”


The Pull of Judaism


         “Everything I do reflects me, being a Jewish woman artist,” says New York-based Francia, “me, in the world and my responses to where I am − in this case, years of traveling and my responses to places.”


         Her artist book in “Words Within,” titled “Travelogue: Color and Light” responds to travel, particularly in Switzerland and Italy, where she spent many summers in the Jura Mountains of French Switzerland as co-director of a jazz and art program. Not surprisingly, she found the small Jewish community there “quite a contrast to living New York City with such a large Jewish population.”



Travelogue: Color and Light by Francia. Artist book, 2005


         Francia started the Jewish Women Artist Network at a 1991 annual conference of the Women’s Caucus for Art/College Art Association in Washington, D.C. She also organized the first Jewish panel, “Judaism and How It Is Reflected In Your Art and Life,” hoping to give a platform to the voices of Jewish Women in the WCA.


         “I identify both as a Jewish woman artist and a woman artist,” she says, “because Judaism is a very important part of my life − who I am and my vision of the world, how I live my life and, of course, I am always proudly a woman.”


         Her series, “Personal Visions: Art and History Meet,” is a vision of the Jewish Ghetto in Venice. The series culminated with a “six-foot Kaddish installation adorned by maroon velvet, draped on a table − with six memorial candles placed on the table . . .” Her book “Travelogue” draws upon the architecture, design, landscapes, clocks, old instruments, medieval villages and maps, and old synagogues from her travels. “I believe the pull of Judaism is so strong that it is always there in your life either blatantly or subtly,” she says.


       Menachem Wecker is a painter, writer and editor based in Washington, D.C. He welcomes comments at mwecker@gmail.com. His painting, “The Windows of Heaven” will be on exhibit at the JCC of Greater Baltimore as part of an exhibit which opened March 25.

Menachem Wecker

Distorted Reality

Wednesday, April 18th, 2007

(Names Changed)


        We all have preconceived notions that we accept as real and never challenge. One of these is the concept of what is considered old. I have sat with a group of woman, and though many in the group qualified for a seniors discount, those that did, refused to acknowledge that they were that age. It was more important for them to maintain an imaginary age publicly, instead of getting the break financially. Those of us not in that age bracket could not believe it. Until the following year when the scene was repeated, only now we had more seniors who refused to acknowledge they were seniors and this included the very people who made fun of this group the year before. Interestingly, their view of being a senior seemed to change once they joined the ranks.


         Seniors today are certainly not the seniors I remember. Not only are seniors acting younger and doing more, but they are also actually a younger group. Once, you had to be the magic age of 65 to qualify for being a senior − when 65 was the usual retirement age. At that point, we the young and inexperienced, expected you to be too old to work and would go joyously to your rocking chairs. Today, more people are taking early retirement and the 50s is the age that many start second careers. There are many places that now identify you as a senior at the young age of 50 and let you qualify for many wonderful events and discounts. All you have to do is get past the word senior, in your mind, and not let it inhibit you from having fun.


         Shani was a former well spouse. Her husband had passed away just a year ago and she was adjusting to life as a widow. Fortunately for Shani, she no longer had to work. Now that the expenses for her husband’s care were gone, she found that if she was careful, she could live comfortably on her pension and Social Security. For a year now, she has been wondering how to fill her days. Caring for her husband had left her with no time for herself. Now that she had the time, she seemed to not remember how to use it.


         She had been asked to volunteer to visit the sick in her community and other illness-related tasks, at which  she was an expert. However, she just couldn’t bring herself to do that type of chesed right now. That was something she needed a break from. Along with helping out in her community in various ways, she wanted to have fun, make new friends and do different things she had not had time or energy for over the last few years. But, she did not know where to begin to find the things she wanted. Someone suggested she look into the seniors group at the local JCC. Shani was taken aback. After all she was only in her 50s and didn’t want to hang out with a bunch of 80-year-olds. What would they have in common? What were people thinking!


         A year later, in Shani’s well-spouse support group, Andrea also lost her husband and found herself going through the same journey as Shani. The difference was that, though only 55, Andrea wasn’t deterred by the title of “senior” and began to explore what the same JCC had to offer her. Yes there were older people in the building, but Andrea discovered that there were “seniors” there who were younger than she, as well. She was also open to who the person was and not the number of years they had been on this earth.


         Rather quickly, Andrea began to find many “senior” programs in which she wanted to participate. These groups had people of every age, but the common interests and wealth of experience made the group rich with diversity and knowledge. She started to fill her days with classes and activities. She made new friends. However, she could not get Shani past her concept of what a “senior” is  and join her. Today  Andrea is leading a new and fulfilling life. Shani is still looking for one.


         In any situation that faces you, it is important to challenge your preconceived notions and see what you are basing your decisions on. Perhaps they are based on something real and important. On the other hand, they may just be a reflection of something you once heard that has no basis in fact. If you refuse to examine your ideas and look into what is holding you back from going on with your life, you may be cutting yourself off for no reason, from a future that is wonderful and full. Just as Shani did.


         You can contact me at annnovick@hotmail.com

Ann Novick

The Singular Experience

Wednesday, December 13th, 2006


         After Work Schmooze, ages 20’s and 30’s. Makor – Steinhardt Building, 35 W. 67th St., Manhattan. 7 p.m. 212-601-1000. www.makor.org


         Central Park Night Ice Skating, Wollman Skating Rink. 7 p.m. Sponsored by Makor – Steinhardt Building, 35 W. 67th St., Manhattan. 212-601-1000. www.makor.org


         Chanukah Singles Event. 8 p.m. Location disclosed upon registration. NO CHARGE. Small groups of men and women (10 men and 10 women) will come together at a designated home each night of Chanukah. Event is ONLY for Shabbos– and kosher-observant individuals. Registration is required, so as to be able to match people with some similar backgrounds. Light refreshments will be served. 718-375-9593.


         Chanukah celebration. Speed dating for ages 30-60. Chabad Lubavitch of Sheepshead Bay, 1315 Ave. Y, Brooklyn. 917-742-8445. $18.


         Chanukah Party at Kings Bay Y, 3495 Nostrand Ave., Brooklyn. 11:30 a.m. 718-648-7703 x 230.


         Midrash Ora V’Simcha Gala Chanukah Party. 3110 Kings Highway (E. 31st St at Nostrand Ave.), Brooklyn. 2:30-5 p.m. Free. Sponsored by Joel Mordechai Arbiser, M.D. RSVP: 718-951-0500.


         Coffee, Cake and Conversation singles group will host a Chanukah get-together from 2:30-5 p.m. at 1467 East 31 Street (corner Kings Highway), Brooklyn. Attendance is free. Music and light food will be offered. Call 718-375-1049, 212-928-5091 or 718-853-2796.


         Sophisticated Singles, ages 35-55. Roundtable Rap. JCC, 15 Neil Ct., Oceanside, L.I. 7:30 p.m. 516-766-4241 x 133. www.friedbergjcc.org  


         Social, ages 55+. JCC, 15 Neil Ct., Oceanside, L.I. 7:30 p.m. 516-766-4241 x 133. www.friedbergjcc.org 


         Sushi and Latkes: Japanese Chanukah Singles Party, ages 30-49. 7:30 p.m. JCC on the Palisades, 411 E. Clinton Ave., Tenafly, N.J. 201-569-7900.


         Shabbos Chanukah Weekend, sponsored by “Flakey” Jake. Somerset Marriot in N.J. 718-436-0682.


         After Work Schmooze, ages 20’s and 30’s. Makor – Steinhardt Building, 35 W. 67th St., Manhattan. 7 p.m. 212-601-1000. www.makor.org 


         Chanukah Rock ‘n’ Bowl. 8:30 p.m. at Bowler City in Hackensack (85 Midtown Bridge Approach), N.J. Sponsored by the JCC on the Palisades. 201-569-7900.


         Shabbat Chanukah Luncheon at the Young Israel of Flatbush, 1012 Ave. I., Brooklyn. Please join us for tefillot in the main synagogue, to be followed by kiddush and a catered, singles only luncheon. 8:45 a.m. Payable to the Young Israel of Flatbush and mail to: Joel Roth, 1119 Ocean Parkway, Apt. 4-F, Brooklyn, N.Y. 11230. Donna: 718-633-8835; Joel: 718-377-4127; Sheldon: 718-434-4623; Suri: 718-338-1347; Marty: 718-951-2560. E-mail: Shelsurfer@aol.com 


         Sophisticated Singles, ages 35-55. Roundtable Rap. JCC, 15 Neil Ct., Oceanside, L.I. 7:30 p.m. 516-766-4241 x 133. www.friedbergjcc.org 


         Social, ages 55+. JCC, 15 Neil Ct., Oceanside, L.I. 7:30 p.m. 516-766-4241 x 133.  www.friedbergjcc.org 


         Chinese Lunch at noon. Rabbi Fingerer will discuss his new book, Adults Only, a provocative and engaging book on topics ranging from human sexuality to solving global war on terror. JCC on the Palisades, 411 E. Clinton Ave., Tenafly, N.J. 201-569-7900 ext. 435.


         After Work Schmooze, ages 20’s and 30’s. Makor – Steinhardt Building, 35 W. 67th St., Manhattan. 7 p.m. 212-601-1000. www.makor.org 


         EndTheMadness will be hosting a private dinner at a Manhattan restaurant with Dr. Michael Salamon, author of Every Pot Has Its Cover. Open to a select group of 24 singles (12 men and 12 women), ages 35 and under. 6:30 p.m. www.endthemadness.org 

Dr. Ari Korenblit

Jewish Polish Posters At JCC

Wednesday, November 29th, 2006

        It is a little known fact in the Jewish world that Poland is famous for its artistic posters. At the annual art and poster fairs held in New York City there is always a very large and impressive collection of fine art posters from Poland.


        Surprisingly, a high number of them have Jewish themes. Last week an exhibit of nearly 100 Jewish-themed Polish posters was opened at the JCC of Manhattan.


         In a talk given at the gala opening of the exhibit, Donald Mayer spoke about the long history of Polish poster printing and how the art form always contained a Jewish flavor due to the fact that Jewish culture was so entwined with Polish culture as a whole.



The poster for the film “A Shop On Main Street”



       “Even after the Shoah, when there were hardly any Jews left in Poland,” Mayer explained, “there was not a significant drop in Jewish poster art.”


         There are many examples of Yiddish theater posters, as well as posters for books, films and cultural events.


         Most of the posters in the exhibit were printed after the Shoah, and therefore many have a melancholy look to them. Many are in stark colors with broken or twisted imagery, depicting the mood of the subject.


         The poster for “A Shop On Main Street” by Wiktor Gorka, 1965, was printed for the Academy-Award-winning film starring an aging Ida Kaminska. It shows shadows of a pair of old hands reaching for buttons on a beige background. This poster is an example of what was produced for the foreign market, as the film was produced by a Czech production company. Some other well-known films are represented at the exhibit are “Cabaret” and “Europa Europa.”


A post-Holocaust poster in memory of the lost Jewish communities of Poland.


        Music and opera are also popular poster topics. There is a whole grouping of posters relating to “Fiddler on The Roof” and other familiar stories that have been put to music, such as “Nabuco,” Verdi’s opera telling the story of the Babylonian exile, and “La Juive.”


         Another popular subject for poster art, especially after the fall of communism in 1989, is the Jewish Cultural Festival held each year in Krakow. For 18 years now, exceptional Jewish-themed posters have been produced for this popular festival held annually in Krakow at the end of June. While the Krakow festival features new posters each year, the Jewish festival in Warsaw reuses the same posters each year but changes the color scheme for every festival.


One of the many posters for the play “A Fiddler on The Roof” –

notice the stripes of the tzitzit used to form the theme of the play.



        Most of the posters were printed on poor paper, as posters are considered ephemera – printed works not expected to last very long. The posters at the exhibit have been backed with linen for preservation, and some are even signed by the artist.


         The exhibit by Yalin and Donald Mayer of Contemporary Posters can be viewed at the JCC of Manhattan, 334 Amsterdam Ave. at 76th Street, until January 17, 2007.


         All the posters are for sale.

Shmuel Ben Eliezer

Printed from: http://www.jewishpress.com/indepth/columns/jewish-polish-posters-at-jcc/2006/11/29/

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