To mark IDC Herzliya’s 20th anniversary, we spent a day following Prof. Uriel Reichman, IDC’s founder and president, and Jonathan Davis, VP for External Relations, around its delightful campus.
The whole world seemed to be celebrating the composer Steve Reich’s 70th birthday in October (October 3, to be precise). The New York Times ranked him “among the greatest composers of the century.” The New Yorker said he was”the most original musical thinker of our time.” The Village Voice declared him “America’s greatest living composer.” The Guardian (London) summed it all up by stating, “There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history, and Steve Reich is one of them.”
For the first time ever, the three most important musical venues in New York City – Carnegie Hall, Lincoln Center and the Brooklyn Academy of Music (BAM) – have joined efforts to mount a tribute to a living composer. Steve Reich concerts are being presented in cities all over the world. And Steve recently was awarded the Praemium Imperiale Award in Music, the equivalent of the Nobel Prize (presented in areas of the arts not covered by the Nobel awards).
I first met Steve Reich in 1974, when he and Beryl Korot, then his girlfriend and now his wife, walked into the Bible class I was teaching at Lincoln Square Synagogue on the Upper West Side of Manhattan. The class was a review of the weekly Torah portion, and both Steve and Beryl were eager students.
After a while, I noticed that Steve traveled frequently, but before departing he would always ask for the following week’s assignment. I started receiving postcards from all over the world from Steve informing me that he had done his homework and would hopefully be back for the next class. In class, he often asked questions about the material we studied and offered novel insights into the subject matter as well. I soon learned that Steve was an upcoming musician/composer and was performing all over the world.
One day, while walking up Broadway, I noticed a flyer taped to a lamppost. The flyer had a musical score on it and announced that Steve Reich and some musicians were scheduled to perform at Columbia University. I had a strong suspicion that this was the Steve Reich from my class, but I was not certain. My wife, Aidel, and I decided to attend the concert not knowing what to expect.
Members of the audience (mostly university students) were hanging from the rafters. I had never heard Steve Reich’s music. I knew it was modern, and I had never cared very much for modern music.
I soon learned that Steve was one of the fathers of what is known as “minimalist” music. What I heard that night was very creative, based on subtle repetitions. Usually one percussion instrument repeats a brief musical theme again and again and again. Suddenly one note or one beat changes, and the music line is delicately transported into a new musical line or beat. It was hypnotic. The students in the hall appeared to be tripping – not on drugs but the music.
After the program, we took a chance and tried to catch Steve on stage. As soon as he spied us from afar, he excused himself from those around him and came running over with a broad smile, exclaiming, “My rabbi is here, my rabbi is here!” When he reached me, he gave me a big hug.
Steve took his Jewish studies seriously. He decided he needed to try to master biblical Hebrew. We teamed him up with Yeshiva University’s Rabbi Dr. J. Mitchell Orlian who became his mentor and taught him advanced Hebrew grammar and ta’amim (cantillations of the Bible).
I couldn’t understand why Steve was so keen on mastering this obscure subject matter, until I realized he’d decided to include Jewish themes in his music. One of his great pieces of that era (1981) is called “Tehillim”- not “Psalms,” but “Tehillim.” The skills he’d gained and his mastery of cantillations and Hebrew grammar are obvious in that musical piece.
While Steve’s contributions to music are universally acknowledged as monumental, his contributions to contemporary Jewish life are equally important. It was Steve and Beryl who suggested to me in the fall of 1975 that they could benefit from a special Shabbat service specifically designed for those with little or no synagogue background.
About the Author: Rabbi Ephraim Z. Buchwald is director of the National Jewish Outreach Program.
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
Unrest in YESHA and J’m helps Abbas and Abdullah defuse anger, gain politically and appear moderates
A “Shliach” means to do acts with complete devotion and dedication in order to help bring Moshiach.
The pogroms in Chevron took place eighty five years ago, in 1929; the Holocaust began seventy-five years ago in 1939; the joint attack of Israel’s neighbors against the Jewish State of Israel happened sixty-six years ago… yet, world history of anti-Semitism did not stop there, but continues until today. Yes, the primitive reality of Jews […]
“We don’t just care for the children; we make sure they have the best quality of life.”
“Why do people get complacent with the things they’re told?”
Arab opposition to a Jewish State of any size was made known by word and deed in the form of terror
Operation Moses: First time in history that non-blacks came to Africa to free blacks from oppression
As Arabs murder and maim Jews, Jordan’s leaders bark the blood libel of “Israeli aggression.”
Perhaps attacking a terrorist’s legacy broadly and publicly would dissuade others from terrorism?
R’ Aryeh yelled “Run, I’ll fight!” Using a chair against terrorists to buy time so others could flee
Riot started when Muslim students wore the Pal. kaffiyeh and Druze students demanded them removed
The “Media” didn’t want us to know what a kind, giving, loving young woman Dalia was.
A “Palestine” could become another Lebanon, with many different factions battling for control.
Maimonides himself walked and prayed in the permissible areas when he visited Eretz Yisrael in 1165
Set limits! Limits must be established and must be enforced – one may not follow the desires of one’s heart and one’s eyes.
With all the well-earned accolades and fanfare that surrounded last week’s monumental Siyum HaShas, one would expect to find numerous direct references in the Torah mandating the study of Torah. It therefore comes as a great surprise that there is not one direct statement in the Torah commanding its study.
The night of December 8, 2008, was exceptionally cold, but those who attended a special reception for Sam Domb at Abigael’s on Broadway in Manhattan felt only the warmth of this indefatigable man’s love for the Jewish people.
It seems everyone is in a mighty tizzy about young Jews who fail to identify with Israel and don’t much care to visit there. How do we inspire these young folks to develop some feelings for the Holy Land, and attract them to visit Israel?
The whole world seemed to be celebrating the composer Steve Reich’s 70th birthday in October (October 3, to be precise). The New York Times ranked him “among the greatest composers of the century.” The New Yorke rsaid he was”the most original musical thinker of our time.” The Village Voice declared him “America’s greatest living composer.” The Guardian (London) summed it all up by stating, “There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history, and Steve Reich is one of them.”
Printed from: http://www.jewishpress.com/indepth/opinions/steve-reich-world-class-composer-world-class-jew-a-personal-reminiscence/2006/12/13/
Scan this QR code to visit this page online: