Across Israel, Meir Panim responds to the growing needs of the country’s 1.75 million impoverished residents through various food and social service programs.
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at firstname.lastname@example.org.
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Her faith she had to hide,
To find out the king tried
But no answer would ever come from
What made this apple decay and grow mold,
This is a message for both young and old.
Purim around here is crazy. And I’m not just talking about the amount of questions I get.
When Hitler entered Prague in March 1939, many Czech Jews managed to escape to Palestine, including Alice’s twin Mariane and her families.
I came to the conclusion a long time ago that I have to do what is right for me – as long as it’s “ halachically kosher” and doesn’t negatively impact on others – and not worry too much about what others think.
Thank you for your amazing letter. I wish you hatzlachah in your new marriage, and may your letter bring more sensitivity to others regarding this issue.
The truth is that you never know what’s going on in a house until you live in it.
A recent occurrence has put it all into perspective for me.
Under the direction of religious studies teacher Mrs. Sharon Ciment, the girls raised a significant amount for this worthy cause.
Shabbos at Young Israel of Sunny Isles is a delight. The beautiful davening and shiurim are followed by a delicious kiddush and seudah shelishit. Yom tovim are times of celebration for the entire community.
The performers stood in front of a wall covered with beautiful graphic designs crafted by H.A. students.
The extraordinary work of Chai Lifeline Southeast reaches as far north as Maryland and as far west as Texas.
Rabbi Weberman is the senior Orthodox rabbi of South Florida. He has been spiritual leader of Ohev Congregation since 1969 and served as president of the Orthodox Rabbinical Council of South Florida since 1979.
The exhibit, according to a statement from guest curator Michele Waalkes which is posted on the museum website, “examines how faith can inform and inspire artists in their work, whether their work is symbolic, pictorial, or textual in nature. It further explores how present-day artwork can lead audiences to ponder God, religious themes, venerated traditions, or spiritual insights.”
It all started at an art and education conference at the Yeshiva University Museum. When one of the speakers misidentified a Goya painting at the Frick Collection, both the gentleman sitting next to me and I turned to each other and corrected the error simultaneously.
One of my favorite places when I was growing up in Boston was the used bookstore on Beacon and St. Mary’s streets. Boston Book Annex could play a used bookshop on television; it was dimly lit and cavernous, crawling with cats, and packed with a dizzying array of books, many of which sold three for a dollar. But used bookstores of this sort, however picturesque and inviting, are a relatively modern phenomena. In the Middle Ages, for example, I would never have been able to afford even a single used book unless I had been born into an aristocratic family. (Full disclosure, I was not.)
Jewish medals, several with Hebrew inscriptions and provocative imagery, were among the gems at The European Art Fair (TEFAF) in Maastricht, Netherlands, as I wrote in these pages two weeks ago. Another mini-trend at the fair, which will interest Jewish art aficionados, was an abundance of works by Marc Chagall.
It’s virtually impossible to ignore the financial aspects of TEFAF Maastricht, the annual arts and antiques fair in the historic city about two hours south of Amsterdam. More than 250 dealers from nearly 20 countries sell their wares—which span from Greek and Roman antiquities to contemporary sculptures—in the halls of the Maastricht Exhibition and Congress Centre, whose corridors are adorned by nearly 65,000 tulips.
Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture.
The whole idea of an artful pushka (tzeddakah or charity box) is almost a tease, if not an outright mockery. Isn’t there something pretty backward about investing time and money in an ornate container to hold alms for the poor?
Located about nine miles north of Madrid, the Palacio Real de El Pardo (Pardo Palace) dates back to the early 15th century. Devastated by a March 13, 1604 fire that claimed many works from its priceless art collection, the Pardo Palace and its vast gardens were used as a hunting ground by the Spanish monarchs.
Printed from: http://www.jewishpress.com/sections/self-portrait-of-the-artist-as-a-jew-with-a-los-angeles-dodgers-cap-kitaj-at-the-marlborough-gallery/2005/04/06/
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