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Klal Yisroel stood at Har Sinai and accepted the Torah in a state of supreme purity and complete unity. Every Jew reached a level of prophecy and witnessed an unparalleled revelation of G-d. Then Moshe ascended Har Sinai for forty days so G-d could teach him the laws and details of the Torah.
While the transgression of the Golden Calf had caused Aharon to feel a sense of distance from HaShem, the miluim was intended to bring him close again through spiritual perfection. The priestly vestments play a central role in this process and great detail is offered in describing them.
The midrashic world is a dangerous place to inhabit. It delves into our sacred texts to fathom their deeper meanings, solve vexing textual and conceptual problems and, finally, make sense of the holy words in contemporary terms. Midrash is passionate and deeply creative, like the current midrashic paintings of Brian Shapiro.
Every year in the early winter the world-renowned auction house, Sotheby's, presents an auction of Israeli and International (Jewish) Art and Judaica. It is always a delight and Sunday, December 12 was no exception. Since it is an international affair, the foremost experts assemble the finest artworks available. The efforts of specialists Rivka Saker, Sigal Mordechai, Daria Gluck, Esta Kilstein and Jennifer Roth of Sotheby's Israel and Jennifer Roth, Sharon Liberman Mintz, David Wachtel, Elizabeth Muller, John Ward, Jill Waddell, Kevin Tierney here in New York were well rewarded. It was a truly exciting exhibition that frequently surprised one with new insights into many familiar artists.
Many mistranslate the word "midbar" as desert, whereas the word really carries more of a connotation for wasteland or wilderness, perhaps deriving from the root dever for "plague" or davar for "word" or "thing."
Printed from: http://www.jewishpress.com/judaism/parsha/parshas-ki-sisa-dont-panic/2012/03/09/
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