Photo Credit: courtesy, Jason Crouse
(L) Jewish vocalist and musician Jonathan Birin, at an event in Johannesburg, SA

Jews in South Africa still celebrated Israel’s 72nd Independence Day, despite the limitations of a lockdown imposed on the community there as elsewhere due to the ongoing global COVID-19 coronavirus pandemic. The Sandton Sinai School in Johannesburg was among those to show its support for the State of Israel.


The Yom Ha’Atzma’ut celebration held online at the school was one to remember: the play and nursery school families held a “Zoom” dance party with Jonathan Birin, one of the top names on the South African Jewish music scene.

Birin is well known to the Jewish music scene in South Africa, having spent decades performing solo and with his band there — his home community — and abroad, along with producing a wide range of Jewish music as well.

Strong, Traditional Jewish Community
“We are an extremely traditional Jewish community,” Birin said of Johannesburg in an exclusive email interview with

The singer moved to the city after completing his studies at the University of Port Elizabeth, the small city where he was born.

Birin’s 24-year-old daughter Ruby-Anne is currently earning her doctorate in archaeology at Oxford University, he says. In fact, she has also been to Israel; during her undergraduate studies she was part of the Leon Levy expedition team that led the way in discovering and excavating the first known ancient Philistine cemetery just outside the southern coastal city of Ashkelon.

African Music But Ashkenazi Roots
“My grandparents came from Latvia and Lithuania in the late 1930’s before the war,” Birin relates. “I actually went with my cousin Gerald to Latvia last year and we went to visit our grandparents’ villages and houses.”

Birin himself attended a Jewish day school called Theodore Herzl; he was first bitten by “the bug” at school when Rabbi Shlomo Carlebach came there to perform his songs.

“The next day I formed a band with three other friends,” Birin said. “Two of us are still professional musicians; my friend Joseph Cohen has a band in Raanana to this day.

Jonathan Birin when he’s not performing

The Jewish community of Johannesburg, Birin said, is one that loves music, including the music of the world in which they find themselves.

“We are Jewish, and we embrace the South African rhythms.” And so his latest album, ‘Simcha Africa’ was born. The album, he says, is a collection of popular Torah songs that “blends a range of South African musical styles like Mbaqanga and Kwela, along with the unique sound of Cape jazz.”

To achieve this, Birin called on top South African musicians, including trumpeter Sydney Mavhundla (Mango Groove), drummer Rob Watson (Johnny Clegg band), bass guitarist Fana Zulu (Hugh Masekela band) and his friend of 25 years Phil Holder on saxophone and pennywhistle, to help him create a Jewish music version of Paul Simon’s classic album ‘Graceland’.

Songs on the album include ‘Od Yavo Shalom Aleinu’ (Salaam), ‘Boi’, ‘Lecha Dodi’, a reggae song called ‘Oseh Reggae’, ‘Hashem Melech’ and Kol Sasson’, among others.

The album was recorded in Israel with international producer Jeff Horvitch, where the album was mixed, as well as at JB Recording Studios in Johannesburg. Other well-known names who contributed to the album include Speedy Kovac (trombone), Aldert Du Toit (guitar), Avi Avidani (drums), Esra Erasmus and Basi Mahlasela (percussion). Lead vocals and keyboards are by Jonathan Birin with backing vocals by RJ Benjamin, Joel Sacher, TK Goodman, Luyanda Makapela, Sabela Mathembu, Joe Cohen and Joel Scheftz. readers can stream “Simcha Africa,” free, on Spotify, Google Play and You Tube.


Previous articleParshas Acharei Mot-Kedoshim
Next articleDr. Marvin Schick, z”l
Hana Levi Julian is a Middle East news analyst with a degree in Mass Communication and Journalism from Southern Connecticut State University. A past columnist with The Jewish Press and senior editor at Arutz 7, Ms. Julian has written for, and other media outlets, in addition to her years working in broadcast journalism.