What makes the Land of Israel so special? Given to us by G-d, this wonderfully diverse corner of earth is much more of a gift than meets the eye.
Seth Nadel is active - so much so that his guitar playing can be called "kinetic music," to borrow Agam's term.
"When the Holy One, blessed is He, created the first man, He took him and led him around the trees of the Garden of Eden and said, 'Look at My works!
Forget Portnoy's Complaint. Never mind American Pastoral (1997) or I Married A Communist (1998) and The Human Stain (2000).
He sits somewhat accusingly atop a stamp issued in Russia, remembering the 50th anniversary of his death in 1950.
I recognized him as the Fiddler immediately. Sure, he sat cross-legged on the floor (not the roof) with his back to the audience.
No time of prayer is more intense than at Rosh Hashana and Yom Kippur, as we literally pray for our lives, our sustenance, and ultimately, our salvation.
TEL AVIV - In what is considered a breakthrough in Israel's film industry, director Gidi Dar has managed to create a major motion picture depicting the haredi lifestyle in the Meah Shearim district of Jerusalem.
Samuel Beckett's "Waiting for Godot" explores tragically unrequited anticipation.
Modernity has created a culture of dispensability. Everything comes in a convenient size and a disposable plastic bottle.
The best movies, as all good works of art, pepper us with insistent questions.
Amid the rising action in Disney's "The Lion King," Simba - already a dashing mature lion - follows the monkey, Rafiki, through marshland, until arriving at a loch.
Pinpointing modern art's origin yields a confusing situation; leading art history books claim many "fathers" of Modern Art: Gauguin, van Gogh, Whistler's "Portrait of the Artist's Mother" and sometimes Monet's "Impression: Sunrise."
Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky, are currently exhibiting a selection of eight large Judaic paintings at the Chassidic Art Institute in Crown Heights.
Artists have a way of calling attention to the things we really need to see.
There is Hassidic story about a young boy who attended Yom Kippur services at his local synagogue, and yet could not participate in the High Holiday service because he was illiterate.
The sacred is that which is removed, eternal and ultimately untouchable, something we must always have in our lives and yet can never possess.
Artists have a way of calling attention to the things we really need to see. Their sensitivity and funny way of thinking shake us up, and demand that we take notice.
One hundred years after David Pinski's (1872-1959) "Di Familye Tzvi" was written, the scathing examination of the Jewish world that the play depicts is neither dated nor out of touch with contemporary Jewish life.
"Are you Alfred Nossig?" the waiter asked the middle-aged man at the table.
The Jewish Museum has a story to tell in "My America: Art From The Jewish Museum Collection, 1900-1955."
Pascal Croci's graphic novel, Auschwitz, begins with a question to a witness from Auschwitz-Birkenau, "How long have you been keeping all this to yourself?"
Had Gadya, the playful, threatening and ultimately reassuring song that ends many Seder evenings among Ashkenazi Jews, has a long history in the Haggada.
The foundations of a Jewish life may be discerned in three outstanding works of Jewish art that I had the pleasure to preview for the Kestenbaum auction scheduled for March 30, 2004.
We all attempt to reap sustenance from the past. Our collective heritage acts as a foundation of cultural values necessary for us to build into the future.