Posts Tagged ‘Music’
Underneath the Masada Mountain, along the shores of the Dead Sea, over 12,000 people danced to the electronic beats of Dash Berlin, Deep Dish and Sander Van Doorn and other international and local artists on Thursday night, October 23. The second annual Dead Sea Rave -424, which took place from sunset to sunrise, drew in thousands of people including 200 tourists from Europe and neighboring Arab countries.
Israel’s version of the world’s largest electronic music festival in Belgium, known as Tomorrowland, debuted last year, featuring the likes of international French DJ, David Guetta and Steven Angello of Swedish House Mafia who performed before 20,000 Israelis and tourists.
The annual event is placing Israel on the international music map, according to the head of the festival production, Avi Yossef of Zappa Group who has spent 20 years in the business of music production and promotion, including work with Infected Mushroom.
Yossef told Tazpit that David Guetta’s performance last year is helping propel the annual Israeli rave to an international level. “A lot of international artists are interested in performing at this festival in Masada thanks to David Guetta’s performance the previous year,” Yossef said in an interview.
“For these international artists, the history and heroism at Masada together with performing at the lowest point on earth – 424 meters under the sea – is something that is truly unique,” Yossef explained.
This year, festival organizers had only six weeks to put on the major production. “Once we saw that the ceasefire was holding, we didn’t hesitate to hold this party after this difficult summer,” Yossef told Tazpit.
With Holland’s Dash Berlin the first to sign on for this year’s performance, the dance festival’s lineup featured two other Dutch electronic artists, W & W and Sander Van Doorn, along with the Iranian-American DJ and house music producers, Deep Dish, and UK’s record producer and trance DJ, Paul Oakenfold. Other international artists had wanted to come, but had already been scheduled elsewhere according to Yossef.
“We took Dash Berlin to the top of Masada and they were simply awed by the history of the ancient fortress, and seeing where they would be performing later in the desert below,” added Yossef.
About 1,000 festival personnel and security took part in the festival production that was hosted by the Tamar Regional Council in collaboration with the Ministry of Tourism, which promoted the Dead Sea Rave -424 across the world.
Tourism Minister Dr. Uzi Landau, commented that ‘cultural tourism’ is a growing niche market for Israel. “Festivals like the Dead Sea Rave -424 and the Israeli Opera Festival, in conjunction with concerts by major international artists such as Lady Gaga, Rihanna and the Rolling Stones, attract a different type of tourist to our country.”
For the local Israelis, the festival is a huge event as well. “I never miss a concert and I’ll travel anywhere in Israel to experience these parties,” said Youssef, 21 from Jerusalem who DJ’s at home. “I want to be a DJ myself someday.”
More robust accounts of Rabbi Shlomo Carlebach’s life have come to the surface following 20 years after he died on Oct. 20, 1994.
Earlier this year, Natan Ophir published the book “Rabbi Shlomo Carlebach: Life, Mission & Legacy.” This past summer, Rabbi Shlomo Katz’s “The Soul of Jerusalem” hit the shelves.
But even the authors will admit that this larger-than-life, soul-hugging rabbi’s legacy cannot be fully captured in black-and-white pages.
“Shlomo did not seem to fit any restrictive, defining label,” Ophir told JNS.org. “Reb Shlomo was… a charismatic teacher who combined storytelling, sermonic exegesis, and inspirational insights into creating a new form of heartfelt, soulful Judaism filled with a love for all human beings.”
Carlebach, born in Germany from where his family fled following the Nazi invasion, immigrated to New York in March 1939 from Lithuania, just six months before the Nazis invaded that country. In 1945, the family moved to Manhattan so his father, Rabbi Naphtali Carlebach, could take over Congregation Kehilath Jacob on W. 79th Street. After his father’s passing, Carlebach assumed leadership of the synagogue, today known as “The Carlebach Shul.”
It was from his home base at The Carlebach Shul that Shlomo Carlebach set up the first known Hassidic outreach program, Taste and See God is Good (T.S.G.G.). According to Ophir, the organization was based on the idea that, as Carlebach said, “You cannot begin to talk to people about God unless you have first given them a taste of God is good.”
In 1968, Carlebach established the House of Love and Prayer in San Francisco, the first Jewish commune.
His empathetic approach toward the spiritual imports from the Far East was radical for an Orthodox rabbi,” said Ophir.
Everything Carlebach did was radical. He traveled to Germany in the 1960s to teach people whose parents had murdered scores of Jewish people that the time for peace and forgiveness had come, recalled Ben-Zion Solomon, whose home is next door to the late Carlebach’s in the central Israeli community of Moshav Mevo Modi’in, also known as the “Carlebach moshav.”
Carlebach was a scholar in his own right, studying at some of the most renowned American yeshivot. He later connected with the Lubavitch movement, whose leader at the time, Rabbi Yosef Yitzchak Schneersohn, encouraged him to go into outreach. This mandate was the start of what became his calling, serving as the rabbi of the hippie movement.
He had followers around the globe. Many young Jews returned to a Torah lifestyle as a result of their relationship with Carlebach.
His daughter Dari Carlebach said in a previous interview that her father was caught between two worlds—the religious/yeshiva world and the hippie world. She said her father had a huge desire “to love and heal the world,” and he did it with “such heart and grace and empathy.”
Shlomo Carlebach’s unbridled passion might account for why it has taken this long to begin to canonize his legacy. Solomon recounts the way that his rebbe could focus on whoever needed him at the time, that “whoever he was talking to, he became their best friend.”
Solomon and wife Dina met Carlebach in California. Carlebach encouraged Solomon to learn in Israel and eventually to make aliyah, and then handpicked his family to live on the Carlebach moshav.
Solomon recalled that when he arrived in Israel, he was told by the Orthodox-affiliated Diaspora Yeshiva that his wedding to Dina was not valid, as they did not have a ketubah, the Jewish marriage contract. He called Carlebach in a panic. The rabbi told him to get some wine and cake and meet him at the Shabbos House in Jerusalem at 1 a.m.
It’s all over but the singing.
The long-rumored but often-doubted appearance of the Rolling Stones now is official. Mark the calendar, June 4, just about the same minute that the holiday of Shavuot ends.
The timing with the end of the holiday which celebrates the giving of the Torah to the People of Israel is one of the greatest contrasts of values possible. Moses’ going up on Mt. Sinai to receive the Torah is one of the most remarkable and holy events in the history of the world.
It would be nice if the Rolling Stones would begin their concert with Havdalah, the prayer that signals the end of a holiday or Sabbath, but “but you can’t always get what you want.”
Without any sneers at the quality of the Rolling Stones’ music and multi-media extravaganzas, their lyrics and antics are not where I would want my good Jewish children to be, but then again, I would have a problem with Frank Sinatra, also.
Israel really can do without the Rolling Stones although it will bring in a lot of shekels for the agents, parking attendants, transportation companies and hawkers.
June will not be a quiet month in Tel Aviv, which also has scheduled a two-day rock festival in mid-June with the Pixies, making their first appearance in Israel, the Hives and Soundgarden, whose lead singer Chris Cornell’s has performed solo in Israel.
Lady Gaga, Beyonce, Neil Young and Miley Cyprus also are scheduled to appear in Israel this year.
Avraham Fried also will probably be around, but how can he be mentioned in the same breath with degeneration, with the exception of Neil Young.
Speaking of degenerates, the Boycott, Disinvestment and Sanction Movement must be having conniptions at the thought of the Stones performing in Israel and not Gaza.
The Israeli producer of the concert will be Shuki Weiss, who told a press conference Tuesday, “It’s the first time in 35 years that I have no words to describe the enormity of this event. This is a historic moment.”
A ticket will cost somewhere around $175 for the plain folks, and a bit more than $800 for the VIPs.
I think I will skip it, thank you. I covered the Stones’ concert back in the 1970s with a freebie ticket. I admit it was an extravaganza, but beyond that, I think I would rather be part of the throng at Mt. Sinai.
Rest assured, the Boycott Israel crowd won’t be in synagogue on Shavuot and won’t be at the Stones concert in Tel Aviv when the holiday is over.
Last week, The Jewish Press dared the BDS Movement to boycott Whirlpool, the giant appliance conglomerate whose subsidiary KitchenAid is working with SodaStream, one of the favorite targets of Boycott Israel.
Okay, BDS, show your stuff and boycott the Stones.
In her 110 years, Alice Herz-Sommer has been an accomplished concert pianist and teacher, a wife and mother — and a prisoner in Theresienstadt.
Now she is the star of an Oscar-nominated documentary showing her indomitable optimism, cheerfulness and vitality despite all the upheavals and horrors she faced in the 20th century.
“The Lady in Number 6: Music Saved My Life,” a 38-minute film up for best short documentary at the Academy Awards to be handed out next month, begins in her native Prague. Alice — everyone from presidents on down calls her Alice — was born on Nov. 26, 1903 into an upper-class Jewish family steeped in literature and classical music.
A friend and frequent visitor was “Uncle Franz,” surname Kafka, along with composer Gustav Mahler and other luminaries.
Trained as a pianist from childhood, Alice made her concert debut as a teenager, married, had a son and seemed destined for the pleasant, cultured life of a prosperous Middle European. But everything changed in 1939 when Hitler, casually tearing up the Munich accord of a year earlier, marched his troops into Prague and brought with him his anti-Semitic edicts.
Her public concert career was over, yet the family managed to hang on in an increasingly restrictive existence in the Czech capital.
In 1943, however, Alice and her husband, their 6-year old son Raphael (Rafi), and Alice’s mother were loaded on the transport to Theresienstadt. The fortress town some 30 miles from Prague was touted by Nazi propaganda as the model ghetto — “The Fuhrer’s gift to the Jews,” with its own orchestra, theater group and even soccer teams.
With the full extent of the Holocaust still largely unknown, Alice took her deportation with relative equanimity, as was typical for many European Jews.
“If they have an orchestra in Terezin, how bad can it be?” she recalled asking, using the Czech name of the town.
Alice soon found out, as her mother and husband perished there. Alice was saved by her musical gifts and became a member of the camp orchestra and gave more than 100 recitals.
But her main focus was on Rafi, trying to make his life bearable, to escape the constant hunger and infuse him with her own hopefulness.
“What she did reminded me of Roberto Benigni in the Italian film ‘Life is Beautiful,’ “ said Malcolm Clarke, director of “The Lady in Number 6.” “He plays an Italian Jew who pretends to his young son that life in the camp is some kind of elaborate game for the boy’s special amusement.”
Liberated in 1945, Alice and Rafi returned to Prague but four years later left for Israel. There she taught at the Jerusalem Academy of Music and performed in concerts frequently attended by Golda Meir, while Rafi became a concert cellist.
Alice said she loved her 37 years living in Israel, but when Rafi, her only child, decided to move to London, she went with him. A few years later Rafi died at 65, but the mother remained in her small flat, No. 6, in a North London apartment house.
Nearly all of the film was shot over a two-year period inside the flat dominated by an old Steinway piano on which Alice played four hours each day, to the enjoyment of her neighbors.
Originally the filmmakers considered “Dancing Under the Gallows” as the film’s title before going with “The Lady in Number 6.”
It was a wise decision, for the film is anything but a grim Holocaust documentary with Alice’s unfailing affirmation of life, usually accompanied by gusts of laughter.
Her health and speech have declined in recent months, and she no longer does interviews. But in a brief phone conversation, conducted mainly in German, Alice attributed her outlook partially to having been born with optimistic genes and a positive attitude.
Originally published at Rubin Reports.
I’m deeply confused about American culture. Let me cite two incidents as examples and then talk about some attitudes I hear about from my son’s reports on visits with friends. Perhaps readers can explain this contradiction between the effete and the brutal.
Arriving in the United States, I go to the nearby Trader Joe’s food store. It is of course very PC. At the checkout counter, the clerk asks, “Have you returned anything?” I did a double-take. Is this a bid for higher taxes? A taunt to the 1 percent who shop there?
No, he explains that they have some kind of program about bringing back bags. “The people in Bethesda,” he smugly asserts, “are the smartest!”
By coincidence, I had just heard some article saying that using returned bags is potentially dangerous since there can be some food remnants that rot and may breed bacteria. (I certainly don’t know what is true scientifically.) Unable to resist, and out of curiosity, I said, “Maybe they are not the smartest,” and explained my concern.
Instantly, he changed his attitude, snarled and said, “They’re the smartest!” No contradiction would be tolerated. Anyway, he started it. But given all the waste involved in a supermarket business–let’s start with the packaging–the small but highly right-thinking-people gesture of reused bags strikes me as a laughable symbol. Not to mention the fact that Trader Joe’s isn’t giving out food to the poor or opening stores to take big losses in what Michelle Obama calls, “food deserts.”
Is this salvation on the cheap, like those in wealthy California coastal cities that take away the farmers’ water to save some obscure fish and then congratulate themselves on their enlightenment?
About the same time, I sit in a sandwich place and a song comes on the radio. My jaw drops. A female singer repeats the lyric, “I said drive, bitch,” apparently it’s a car-jacking? She just keeps going over and over again in a very aggressive tone. At the end, the sound effect indicates that the female driver has been shot and fell down dead.
I sat there speechless. I simply couldn’t believe what I was hearing. If there is a “war on women” isn’t it actually waged most vigorously in certain sectors of popular music? The same could be said of the music of the much honored Jay-Z or many others.
Now perhaps this is a silly taking of two extreme phenomena, and I’ll accept that verdict if that’s what you think. But it symbolizes perhaps a bigger thing. On one hand, American culture today (should I say popular culture?) is one of watch your language, goody-goody, we are just so virtuous. There is rap music and the message given to children in Politically Correct lessons.
On the other hand, though, on film, television, literature, music, and public discourse it is intolerant and at times proudly brutal. Is that a valid observation? And if so how is this tension reconciled?
During a visit to the United States, conversations among young teenage boys, who in school were subjected to intense indoctrination, run like this:
–They make fun of alleged gays among them, flinging the charge as insulting but then quickly adding, not that there’s anything wrong with that.
–They show very vile disrespect toward girls of their age. It doesn’t seem that there is any change over the decades, but there certainly isn’t a reduction of “sexist” attitudes. They discuss them far more openly. The concept of gentleman or even restrained behavior is gone, perhaps in conjunction with the musical examples. Attitudes that would once have been derided as “low-class” by the elite have now become common place. So how is there then an elite setting a good example?
–They use far more racial epithets and negative stereotypes of others than my generation, though it is covered by frequent accusations that this or that is racist. Dubbing of something as racism is used as a weapon, a description of something one doesn’t like.
–They see themselves as part of some downtrodden class even though they are financially well-off. For example, they talk about rich white people but when pointed out that they live in big houses, they say the houses are bigger in some other neighborhoods.
Welsh singer Tom Jones has given the Boycott Israel another kick in the pants by announcing he will perform in Tel Aviv in October
Jones, now 73 years old, will appear the Nokia Stadium in Tel Aviv.
Earlier this week, Eric Burdon, former lead singer of the Animals, changed his mind about honoring the boycott and said he is not canceling his show, despite a flood of emails, some of them threatening, from boycott activists.