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Why Was The Prato Haggadah Left Unfinished?

29 Av 5769 – August 19, 2009
When the Cistercian abbot Stephen Harding commissioned an illuminated bible in 1109, he wanted to ensure its accuracy. So he did what any good scholar (but very few medieval Church leaders) would do; he sought rabbinic counsel so that he could have access to the original Hebrew. The so-called St. Stephen's Bible, which can be seen in the Metropolitan Museum of Art's current exhibit, Pen and Parchment: Drawing in the Middle Ages, represents a rare collaboration of rabbinic and Christian scholarship.

Why Was The Prato Haggadah Left Unfinished?

When the Cistercian abbot Stephen Harding commissioned an illuminated bible in 1109, he wanted to ensure its accuracy. So he did what any good scholar (but very few medieval Church leaders) would do; he sought rabbinic counsel so that he could have access to the original Hebrew. The so-called St. Stephen's Bible, which can be seen in the Metropolitan Museum of Art's current exhibit, Pen and Parchment: Drawing in the Middle Ages, represents a rare collaboration of rabbinic and Christian scholarship.

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Printed from: http://www.jewishpress.com/sections/arts//2009/08/19/

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