Africa Israel Residences, part of the Africa Israel Investments Group led by international businessman Lev Leviev, will present 7 leading projects on the The Israel Real Estate Exhibition in New York on Sep 14-15, 2014.
Hollywood has spawned a series of propaganda films all packaged as entertaining adventure stories replete with big budgets, big stars, bright colors and amazing technical effects.
For example, George Clooney’s 2005 film “Syriana” features a CIA plot to blow up a soft-spoken, highly sympathetic Saudi Prince who, doggone it, was just about to free all the women in his country and usher in a modern era. Obviously, only dirty American oil politics is holding progress at bay in the otherwise peace-loving and tyrant-free Arab Middle East.
In 2006, Brad Pitt starred in “Babel,” a pretentious but “high concept” adventure story set in four geographical locations, including Morocco, where the Muslim terrorists are depicted as soulful and sympathetic.
Liberal, eternally guilty Hollywood has found its new Indians: Muslims, mainly Muslim terrorists, but also the great, silent majority of Muslims, who are very photogenic, and who merely hate infidels. If the Muslim terrorists are brutal – well, by God, we drove them to it. We exterminated our own native Indians of color and then put the survivors on reservations where, dishonored and demoralized, they beat their women and drank themselves to death.
That Muslims are not native American Indians does not change the boilerplate mindset: People of color are the victims, Caucasians are their victimizers. Hollywood rides to the rescue!
“A Mighty Heart,” starring Angelina Jolie, is yet another propaganda film masquerading as an action drama. The film is presumably about Daniel Pearl, the Wall Street Journal reporter kidnapped, tortured, and gruesomely beheaded by Islamists who made sure the grisly video of their handiwork was viewed by millions on the Internet.
I remember that heart-stopping video. Before his decapitation, Pearl admits that he is a Jew (as if that were a crime) and that his parents are Jews – in fact, he tells us, perhaps gratuitously, that the Israelis named a street in Israel after his grandfather. The video functioned as a form of psychological terror. Many Westerners got the message and have behaved in an appeasing, dhimmi-like manner ever since.
We only see a snippet of this video in “A Mighty Heart.” The video is essentially missing – as is Daniel Pearl himself. What we see, instead, are Hollywood’s “good Indians.” This time they are Pakistani Muslim policemen who only want to help find Pearl’s kidnappers.
In Cannes, the film was given a standing ovation. Variety’s reporter, Justin Chang, congratulated the British director, Michael Winterbottom, for finding a way to interest people in what is, after all, a rather “harrowing” story. Chang also praised the film’s “utmost restraint” – which, in my view, is itself the ultimate in dhimmi behavior. Indeed, the film does not condemn Islamic terrorism at all and only once whispers the name “Al Qaeda.”
Predictably, New York Times film critic Manohla Dargis praised the film precisely for its (politically correct) political vision. While she did note that “Mr. Pearl was a casualty of Islamist hatred of Western civilization” she also wrote: “What distinguishes ‘A Mighty Heart’ is its assertion that politics and ideology play a part in poverty and terrorism, in the way some men exploit human misery in the name of God and righteousness.”
Thus, terrorists are merely religious people who are trying to resist “poverty” the best way they can. Dargis was careful to protest the briefly shown scenes of torture – not Danny Pearl’s torture, but that of those Muslims who were part of the plot to kidnap and behead him: “Mr. Pearl would probably have been appalled that this outrage was committed on his behalf; the point is, we should be too.”
It is not surprising that the Council on American Islamic Relations (CAIR) hosted the premiere of the film in Los Angeles. The political story line is quite to its liking.
The film also insinuates that Pearl himself was at least somewhat to blame for his own beheading. He was, after all, warned several times not to meet with Sheikh Giladi except in public, and yet, instead of deciding not to meet him at all, chose to pursue the story.
Pearl, the film suggests, was obviously naive or filled with hubris. He did not want to understand that Jewish-Americans in Pakistan were endangered prey. Heedlessly, he followed his story as if Al Qaeda had not declared jihad against infidels, as if he was immune to the consequences of such a declaration.
(Dargis, in her review, described the Pearls as “a little reckless… fired up by a shared belief that journalism could help make the world better, a chokingly poignant idea in these shockingly cynical times.”)
The message is clear: Salman Rushdie knew he had to go into hiding and many Muslim and ex-Muslim intellectuals publish only under pseudonyms. Did Pearl, as well as Jewish-American businessman Nicholas Berg, who was also decapitated on video, really think the rules of jihad did not apply to them?
How special do Americans and Jews think they are? If Sunnis and Shia Muslims kill each other, honor-murder their own women with impunity, and blow up each other’s mosques – do Americans and Jews think that special treatment is reserved for them because they value life more or hold their own lives dear?
“A Mighty Heart” gave me a mighty headache. It is outrageous that big money in Hollywood, and in film studios all across Europe and the Middle East, is funding so many visual Big Lies which will only continue to confuse and weaken Westerners who should be learning the truth about jihad before it is too late.
About the Author: Dr. Phyllis Chesler is a professor emerita of psychology, a Middle East Forum fellow, and the author of fifteen books including “Women and Madness” (1972), “The New Anti-Semitism” (2003), and her latest, “An American Bride in Kabul” (2013). Her articles are archived at www.phyllis-chesler.com.
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
Rather than serving as a deterrent against terrorist attacks, Israel’s military strength and capabilities are instead looked at as an unfair advantage in the asymmetrical war in which it finds itself.
Sisi:”The religious nature of the Middle East creates challenges for the governing authorities.”
For too long the media and international community have been preaching that “Palestinians” bear no responsibility for the consequences of their decisions and they are passive victims of the conflict.
Iron Dome intercepted over 1,000 rockets aimed at Israel with a success rate of over 90% in 2014
We talked about the responsibility that comes with the pen, its potential to influence and inspire.
Amnesty International:The crippling of the power station was “collective punishment of Palestinians”
Originally scheduled to be held elsewhere, the hotel canceled, pressured by local missionary groups
It’s likely that some of the rebel factions, including US clients, have indeed made pacts with ISIS
Imam Tafsirli of the Harlem Islamic center: “You cannot be a Muslim without believing in Jesus”
If simple fuel choice were implemented, the power of petroleum and those who sell it would cease.
Value of IS: It enables people to see the place to which all other Islamist fascism is headed.
• UNRWA is controlled by or allows itself to be used by Hamas.
“When Frank does something he does it well and you don’t have to worry about dotting the i’s or crossing the t’s.”
President Obama: “ISIL is not Islamic. No religion condones the killing of innocents”
Few of the volunteers were experienced sailors, (Greenfield had been in the Merchant Marine). Few were Zionists.
My good colleague Kay is wrong about the early demise of conspiracy theories and blood libels against the Jews.
“I am surprised those Zionists are not outside protesting,” says one woman.
“Miral” is a film that has garnered an inordinate amount of media attention. In interviews, the director, Julian Schnabel, defends his right to tell the Palestinian “narrative” for what he claims is the first time. He seems not to know that many others before him have specialized in this particular line of work.
Our beloved, miraculous Jewish state is under siege.
It was assumed that the ceaseless persecution of the Jews in exile would cease once we again had our own sovereign homeland, our own army, navy, and air force.
In 1947-1948 I lived in Boro Park where, against parental and rabbinic advice, I joined a Zionist group. By 1950 I was packing machine-gun parts for Israel in a home not far from the Young Israel. But what I did as a child does not compare to what my friend and colleague David Gutmann did for love of Zion at that very time on the dangerous open seas.
Reality has become somewhat Scandinavian. It grows dark early and it is bitterly cold here in New York City and over a good portion of our fair land. Our Prince of Peace (The Norwegian Nobel, not the noble variety) is not yet asking whether “to be or not to be.” Perhaps he is not entirely convinced that “that is the question.”
Printed from: http://www.jewishpress.com/indepth/opinions/hollywood-airbrushes-jihad/2007/07/11/
Scan this QR code to visit this page online: