Joseph is now the ruler of Egypt. The famine he predicted has come to pass. It extends beyond Egypt to the land of Canaan. Seeking to buy food, Joseph’s brothers make the journey to Egypt. They arrive at the palace of the man in charge of grain distribution:
“Now Joseph was governor of all Egypt, and it was he who sold the corn to all the people of the land. Joseph’s brothers came and bowed to the ground before him. Joseph recognized his brothers as soon as he saw them, but he behaved like a stranger and spoke harshly to them … Joseph recognized his brothers, but they did not recognize him” (Genesis 42:6-8).
We owe to Robert Alter the idea of a type-scene, a drama enacted several times with variations; and these are particularly in evidence in the book of Bereishit. There is no universal rule as to how to decode the significance of a type-scene. One example is boy-meets-girl-at-well, an encounter that takes places three times: between Abraham’s servant and Rebecca, Jacob and Rachel, and Moses and the daughters of Jethro. Here, the setting is probably not significant (wells are where strangers met in those days, like the water-dispenser in an office). What we must attend to in these three episodes is their variations: Rebecca’s activism, Jacob’s show of strength, and Moses’s passion for justice. How people act toward strangers at a well is, in other words, a test of their character. In some cases, however, a type-scene seems to indicate a recurring theme. That is the case here. If we are to understand what is at stake in the meeting between Joseph and his brothers, we have to set aside three other episodes, all of which occur in Bereishit.
The first takes place in Isaac’s tent. The patriarch is old and blind. He tells his elder son to go out into the field, trap an animal and prepare a meal so that he can bless him. Surprisingly, Isaac hears someone enter. “Who are you?” he asks. “I am Esau, your elder son,” the voice replies. Isaac is not convinced. “Come close and let me feel you, my son. Are you really Esau, or not?” He reaches out and feels the rough texture of the skins covering his arms. Still unsure, he asks again, “But are you really my son Esau?” The other replies, “I am.” So Isaac blesses him: “Ah, the smell of my son is like the smell of a field blessed by G-d.” But it is not Esau. It is Jacob in disguise.
Scene two: Jacob has fled to his uncle Lavan’s house. Arriving, he meets and falls in love with Rachel, and offers to work for her father for seven years in order to marry her. The time passes quickly: the years “seemed like a few days because he loved her.” The wedding day approaches. Lavan makes a feast. The bride enters her tent. Late at night, Jacob follows her. Now at last he has married his beloved Rachel. When morning comes, he discovers that he has been the victim of a deception. It is not Rachel. It is Leah in disguise.
Scene three: Judah has married a Canaanite girl and is now the father of three sons. The first marries a local girl, Tamar, but dies mysteriously young, leaving his wife a childless widow. Following a pre-Mosaic version of the law of levirate marriage, Judah marries his second son to Tamar so that she can have a child “to keep his brother’s name alive.” He is loath to have a son that will, in effect, belong to his late brother so he “spilled his seed,” and for this he too died young. Judah is reluctant to give Tamar his third son, so she is left an agunah, “chained,” bound to someone she is prevented from marrying – and unable to marry anyone else.
The years pass. Judah’s own wife dies. Returning home from sheep shearing, he sees a veiled prostitute by the side of the road. He asks her to sleep with him, promising, by way of payment, a kid from the flock. She asks him for his “seal and its cord and his staff” as security. The next day he sends a friend to deliver the kid, but the woman has disappeared. The locals deny all knowledge of her. Three months later, Judah hears that his daughter-in-law Tamar has become pregnant. He is incensed. Bound to his youngest son, she was not allowed to have a relationship with anyone else. She must have been guilty of adultery.