Meir Panim implements programs that serve Israel’s neediest populations with respect and dignity. Meir Panim also coordinated care packages for families in the South during the Gaza War.
Malcah Zeldis: New York Artist
Through October 18, 2010
American Folk Art Museum
2 Lincoln Square, New York
Malcah Zeldis’ watercolor painting “Jacob’s Dream” (1982) is the only representation I know of the patriarch that represents him as bearded man with no moustache. The pink-skinned dreamer in Zeldis’ painting wears a robe that evokes the technicolored dream coat his son Joseph would wear, and he sleeps on a hill using what the Bible describes as rocks (but Zeldis renders more as books) for pillows. In the background of the work, which belongs to the genre of na?ve art, one can spot the bundles of grain and the celestial objects that would later figure into Joseph’s dream. As Jacob dreams of the changing of the angelic guard, Zeldis seems to say, he lays the foundation for Joseph’s dreams of his own rise to power. The angels that ascend and descend the “ladder” – which is very flimsy and would surely not comply with fire codes – are red-headed and blue-eyed, and their wings sag at their sides like sacks over their shoulders.
Malcah Zeldis. “Jacob’s Dream.” 1982. Watercolor on paper. 11
About the Author: Menachem Wecker, who blogs on faith and art for the Houston Chronicle at http://blogs.chron.com/iconia, welcomes comments at firstname.lastname@example.org.
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
This past summer was a powerful one for the Jewish people. I will always remember where I was on June 12th when I found out that Gilad, Eyal and Naftali were kidnapped. I will always remember the look on my sister’s face on June 30th when she told me that they were found. I will […]
Avromi often put other people’s interests before his own: he would not defend people whom he believed were guilty (even if they were willing to pay him a lot of money).
How can I help my wife learn to say “no,” and understand that her first priority must be her husband and family?
My eyes skimmed an article on page 1A. I was flabbergasted. I read the title again. Could it be? It had good news for the Miami Jewish community.
Students in early childhood, elementary, and middle school were treated to an array of hands-on projects to create sukkah decorations such as wind chimes, velvet posters, sand art, paper chains, and more.
Each student received a brachah and a handshake.
It is important for a therapist to focus on a person’s strengths as a way of overcoming his or her difficulties.
Sadly, there are mothers who, due to severe depression are unable or unwilling to prepare nourishing food for their children.
Michal had never been away from home. And now, she was going so far away, for so long – an entire year!
The exhibit, according to a statement from guest curator Michele Waalkes which is posted on the museum website, “examines how faith can inform and inspire artists in their work, whether their work is symbolic, pictorial, or textual in nature. It further explores how present-day artwork can lead audiences to ponder God, religious themes, venerated traditions, or spiritual insights.”
It all started at an art and education conference at the Yeshiva University Museum. When one of the speakers misidentified a Goya painting at the Frick Collection, both the gentleman sitting next to me and I turned to each other and corrected the error simultaneously.
One of my favorite places when I was growing up in Boston was the used bookstore on Beacon and St. Mary’s streets. Boston Book Annex could play a used bookshop on television; it was dimly lit and cavernous, crawling with cats, and packed with a dizzying array of books, many of which sold three for a dollar. But used bookstores of this sort, however picturesque and inviting, are a relatively modern phenomena. In the Middle Ages, for example, I would never have been able to afford even a single used book unless I had been born into an aristocratic family. (Full disclosure, I was not.)
Jewish medals, several with Hebrew inscriptions and provocative imagery, were among the gems at The European Art Fair (TEFAF) in Maastricht, Netherlands, as I wrote in these pages two weeks ago. Another mini-trend at the fair, which will interest Jewish art aficionados, was an abundance of works by Marc Chagall.
It’s virtually impossible to ignore the financial aspects of TEFAF Maastricht, the annual arts and antiques fair in the historic city about two hours south of Amsterdam. More than 250 dealers from nearly 20 countries sell their wares—which span from Greek and Roman antiquities to contemporary sculptures—in the halls of the Maastricht Exhibition and Congress Centre, whose corridors are adorned by nearly 65,000 tulips.
Max Ferguson’s 1993 painting Katz’s may be the second most iconic representation of the kosher-style delicatessen after the 1989 Billy Crystal and Meg Ryan film, When Harry Met Sally. Ferguson’s photorealistic painting depicts the deli from an interesting perspective, which is simultaneously inviting and hostile—in short, the dichotomy of deli culture.
The whole idea of an artful pushka (tzeddakah or charity box) is almost a tease, if not an outright mockery. Isn’t there something pretty backward about investing time and money in an ornate container to hold alms for the poor?
Located about nine miles north of Madrid, the Palacio Real de El Pardo (Pardo Palace) dates back to the early 15th century. Devastated by a March 13, 1604 fire that claimed many works from its priceless art collection, the Pardo Palace and its vast gardens were used as a hunting ground by the Spanish monarchs.
Printed from: http://www.jewishpress.com/sections/arts/american-and-biblical-forefathers/2010/02/03/
Scan this QR code to visit this page online: