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July 7, 2015 / 20 Tammuz, 5775
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Wrong Side of the Street

The chain of events doesn't make much sense to the elites.
George Zimmerman may face civil rights charges from federal law enforcement agencies, as well as a civil trial from Trayvon Martin's family

George Zimmerman may face civil rights charges from federal law enforcement agencies, as well as a civil trial from Trayvon Martin's family

Originally published at Sultan Knish.

The Zimmerman case is about many things, but it isn’t about George Zimmerman, an Hispanic Obama supporter who campaigned against police brutality only to find himself plucked up by the hand of Big Brother to play the villainous white racist in the latest episode of liberal political reality television.

Zimmerman is the latest Bernie Goetz; another wholly unlikely cult figure who currently campaigns for vegetarian lunches in public schools and squirrel rescue. It’s not that the two men had anything particularly in common. Unlike Goetz, it is very unlikely that Zimmerman jumped the gun, so to speak, but they both fill a similar niche. They represent the embattled lower half of the middle class.

To understand the Zimmerman case, you have to live in a neighborhood that has just enough property values to keep you paying the mortgage and just enough proximity to dangerous territories to make you feel like you’re living on the frontier.

The chain of events doesn’t make much sense to the elites, which is one reason why they assume that the explanation must be racism. There weren’t a lot of New Yorker readers cheering as Charles Bronson’s Paul Kersey stalked the subways and parks of the city blowing away hoods. The perfect target audience for the Death Wish movies or for Goetz saying “You don’t look too bad, here’s another” was that bottom half of the middle class that didn’t have enough money to leave the city and didn’t have enough liberalism to accept the violence as their just due.

But the case isn’t about race either. It’s about a struggling middle class in a precarious economy trying to hang on to what it has. And it’s about a culture of dropouts from the economy who celebrate thuggery and then pretend to be the victims. It’s doubtful that anyone in Zimmerman’s neighborhood who weathered multiple break-ins has much sympathy for the Martin family. And that’s one reason that the prosecution hasn’t found any useful witnesses.

If Trayvon Martin had been the clean cut innocent kid that the media tried to pretend he is, the reaction might have been different. But he wasn’t. The gap between Martin and Zimmerman wasn’t race, in other circumstances most liberals would have called both men members of minority groups, it was aspiration.

George Zimmerman wanted to to be a cop. Trayvon Martin wanted to be a hood. It’s quite possible that Martin got no closer to his ambition than Zimmerman got to his. Both men were just going through the motions on the edge of a game of cops-and-robbers that suddenly turned deadly real. And even in a country where the thug tops the entertainment heap, the vulnerable parts of the middle class have more sympathy for aspiring cops than for aspiring thugs.

What are cops and thugs? Cops are the protectors of the middle class and thugs prey on the middle class. Not just any part of the middle class, but the vulnerable parts, the men and women without enough money and mobility to get out when neighborhoods turn bad. And then it all comes down to territory and who can intimidate whom. Either the cops intimidate the thugs or the thugs intimidate the cops.

Everyone is the hero in their own story, but George Zimmerman and Trayvon Martin were living out different stories. George Zimmerman was looking out for his neighbors while Trayvon Martin was looking to live the thug life. Martin’s story ended with him realizing that sometimes attitude isn’t enough and Zimmerman’s story ended with him realizing that sometimes even when you try to be the hero, you’re going to be drawn as a villain.

But the Zimmerman and Martin story is an American story. That’s why it has become so big. Back in the 70s, when Paul Kersey was skulking around on the silver screen, it was mainly an urban story. Now it’s an everywhere story. It’s a story about homesteaders and savages, about a shaky middle class built on piles of debt trying to protect what’s left of its way of life while across the street, there’s the glamor of not working and scoring money any way you can.

About the Author: Daniel Greenfield is an Israeli born blogger and columnist, and a Shillman Fellow at the David Horowitz Freedom Center. His work covers American, European and Israeli politics as well as the War on Terror. His writing can be found at http://sultanknish.blogspot.com/ These opinions do not necessarily reflect the opinion of The Jewish Press.

The author's opinion does not necessarily reflect the opinion of The Jewish Press.

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