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Ironically the same quote by art critic Robert Hughes cited in my May 20th review "Chagall and the Cross" namely that Marc Chagall was the "quintessential Jewish artist of the twentieth century," is applicable in our consideration of Chagall's images for his graphic masterpiece, The Bible. Except here it illuminates the truth: his greatness as a Jewish artist is founded on his lifelong obsession with the Torah. No matter how far he strayed from his Jewish roots, even his late-in-life dalliance with Judeo-Christian universalism as surveyed in that review, nothing could compromise his amazing insights and comprehension of the Torah narratives.
Though he had more than his share of detractors during and after his years as managing and then executive editor of The New York Times, can there be any doubt that the paper began its precipitous and still ongoing decline the moment A.M. Rosenthal was forced, by company policy, to retire in 1986 at age 65?
Irene Klass, the cofounder and publisher of The Jewish Press, the first nationally-distributed Orthodox Jewish newspaper in the U.S., died last week. She was 94.
Five years ago this week, the Monitor learned firsthand just how the mere mention of Richard Nixon is enough to turn even the most mild-mannered of liberals into screaming viragos. In that particular case, the words about Nixon that so provoked them - their tortured heads no doubt filled with the sounds of werewolves howling and fingernails scratching blackboards - appeared not in this column but in a front-page essay for this paper penned by your humble scribbler.
Upon entering Lloyd Bloom's exhibition at the Chassidic Art Institute one is confronted by the sweet beautiful image of a lamb skipping through the air in a puffy cloud landscape. Right next to it is an image of a goat kid cuddled up in the lap of a young shepherd. Further down the wall we see paintings depicting a young man leining from the Torah, then women lighting Shabbos candles and finally a father and son at the seder table, all candidates to be the most emblematic scene of Jewish life imaginable.
At a time when media pundits are calling daily newspapers "print dinosaurs," Las Vegas casino mogul and Zionist philanthropist Sheldon Adelson tweaked the "experts" by investing millions of dollars in the creation of Yisrael Hayom (Israel Today), a free Hebrew-language tabloid newspaper that was launched on July 30, 2007.
I was an avid reader and fan of The Jewish Press long before becoming a writer in its pages. Our publication recently celebrated its milestone 50th anniversary and I would like to take this opportunity to reflect on the paper's unprecedented impact on American Jewry.
This week marks the eighth anniversary of the 9/11 attacks on America by Islamic fundamentalists. What really stands out in looking back at that day and its aftermath are the initial reactions voiced by many highly visible liberals and leftists, both in the U.S. and abroad.
To make a pilgrimage is to travel far and participate in something holy, singular and transformative. Upon the death of a parent, Jews make a pilgrimage thrice daily to a synagogue to participate in the same ritual, the Kaddish said over and over. It doesn't have to be far or near. It simply must be a place that Jews have decided is holy.
Pesach. Ahhh. All that scrubbing, all that shopping, and most of all, all that cooking! How is it possible to keep Pesach costs to a minimum, while still maintaining a wide variety of foods that are both tasty and attractive? And how is it possible to keep Pesach cooking (relatively!) healthy, delicious, and even matzo meal and gluten free?
Perhaps sensing that the liberal media’s attack template of Sarah Palin as lightweight rube had not made a discernible difference in the campaign polling numbers – and may in fact have driven swing voters to the McCain-Palin ticket – The New York Times appeared to be trying a different tack last weekend.