Seconds often make the difference between life and death and new technology makes the difference…
Two of Alan Falk’s biblical paintings immediately assault us aesthetically and thematically. Isaac Blessing Jacob (2009) and The Cry of Esau (2010) document the famous stolen blessing of Beraishis 27 and its consequences. The ancient Isaac is clad in a white nightshirt, raising his bony hands in blessing over his two sons. In one, Jacob has donned a curly-haired brown Afro deceitfully offering his blind father food, while in the other, Isaac’s trembling hands attempt to bless the hysterical Esau at his feet. The cartoonish figures are caught in a melodrama of high-keyed color and exaggerated gesture that casts the biblical tale into an unfamiliar and strange realm.
Alan Falk’s long and fruitful career has taken a complex course over the past 55 years in his search for the best way to comment on the endlessly fascinating human condition. His earlier paintings, probing the complexities of human interactions, were engaged with literal descriptions of various scenes of figures set alongside suburban swimming pools and bucolic seasides. Over time he became dissatisfied with the beautiful technique he developed because he felt it got in the way of the essence of what he was trying to express. Much experimentation ensued, in many different mediums, until over the last ten years, he developed a unique approach utilizing the Biblical narrative to fully explore not only the complexities of the human condition, but also the ramifications of spirituality implicit in a Jewish life.
The Binding of Isaac (2002) showcases Falk’s new style of simple bright color with pronounced outlines to present the startling image of the heavenly angel being simply another aspect of Abraham’s personality halting the sacrifice. The artist’s take on this archetypical story is not merely psychological; it also posits that it is the Divine aspect of Abraham who acts, pointing to the Heavens for authority and confirmation.
An artist’s job is to ask questions, questions that will startle and gnaw at our complacency. That is the role in Falk’s art, a kind of anti-aesthetic drawn from comics, popular film and anime illustration. He is looking to highjack our sensibilities into asking uncomfortable questions about our Jewish lives. Our discomfort is a measure of his success that is much to our benefit.
Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
If you don't see your comment after publishing it, refresh the page.
Comments are closed.
“People who never buy cookbooks are getting this one,” said Victoria. “They read it cover to cover and find it so interesting.”
We have recently witnessed how other minorities deal with even perceived danger aimed at their brothers and sisters. They respond in great numbers.
“The objective behind establishing small communities as places for relocation was a remedy for the excessive cost of housing and education in the large New York metropolitan market,” Mr. Savitsky explained.
Jewish Democrats did not entirely trust the son of Joseph Kennedy, a man broadly considered to be both anti-Semitic and pro-Nazi.
The teenage years are not about surviving. They are about thriving.
Every moment was a gift. I held each one, savoring.
We arrived in Auschwitz on Thursday, January 30, 2014. My seminary was taking us to see where the prisoners were kept. When we got there, I stepped off the bus in complete and total silence. I was in the back, and when we got to the gate I hesitated and started shaking uncontrollably. I couldn’t […]
From the moment Israel was declared a Jewish state, it has been the subject of controversy and struggle.
Now that Pesach is over, we return you to your regularly-scheduled pressing questions: Dear Mordechai, Can I use a nose hair trimmer during Sefirah? Harry Lipman Dear Harry, Yes, as long as your nose hairs are so bad that they’re affecting your job. Like if you have a desk job, and they interfere […]
It is very natural for kids to want attention and to be jealous of each other, especially when there is a new baby.
During the Second World War, a million and a half Jewish soldiers fought in the Allied armies, the Partisan units in Eastern Europe, and the anti-fascist underground movements in Western Europe and North Africa. These Jewish fighters won over 200,000 medals and citations. The Museum of the Jewish Soldier in World War II in Latrun, […]
“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.
A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.
Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).
Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.
Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.
Printed from: http://www.jewishpress.com/sections/alan-falks-lessons-2/2011/08/17/
Scan this QR code to visit this page online: