web analytics
August 22, 2014 / 26 Av, 5774
Israel at War: Operation Protective Edge
 
 
At a Glance
Sections
Sponsored Post
Jerusalem Mayor Nir Barkat (L) visits the JewishPress.com booth at The Event. And the Winners of the JewishPress.com Raffle Are…

Congratulations to all the winners of the JewishPress.com raffle at The Event



Home » Sections » Arts »

Rylands Haggadah: Medieval Jewish Art in Context


Plague of Locusts & Plague of Darkness (ca.1330) Tempera, gold, ink on parchment: Rylands Haggadah
Courtesy The John Rylands University Library, University of Manchester, England

Plague of Locusts & Plague of Darkness (ca.1330) Tempera, gold, ink on parchment: Rylands Haggadah Courtesy The John Rylands University Library, University of Manchester, England

In our Rylands image (unfortunately damaged) we can see Tziporah on the donkey holding one child in front while her second child clings to her back. Moses is guiding them along from behind as they travel from Midyan, depicted on the right, to Mitzraim depicted on the left. In the lower left we again see Tziporah, now on kneeling on the ground quickly circumcising their son Eliezer, understood by Rashi as her heroic act to save Moses’ life from Divine displeasure (see Nedarim 31b – 32a).

Here the Rylands’ artist brilliantly contrasts the Jewish Return to Egypt, depicting the pivotal narratives of saving Moses’ life through of the mitzvah of circumcision and the very beginning of the redemption of the Jewish people, with an Christian anecdotal episode of the hasty fleeing of the “holy family” to Egypt that will only necessitate a return to take up the narrative again. He has appropriated and subverted a piece of Christian visual culture; one based on a Christian adoption of a Jewish text, and has asserted Jewish mastery and primacy over sacred text. One hopes that the new owner over 600 years ago of what is now known as the Rylands Haggadah appreciated what his humble craftsman delivered into his hands. I know we do.

[I am deeply indebted to Marc Michael Epstein’s “The Medieval Haggadah, Art, Narrative & Religious Imagination” (2011) for many insights into radical nature of these manuscripts.]

About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at rmcbee@nyc.rr.com


If you don't see your comment after publishing it, refresh the page.

Our comments section is intended for meaningful responses and debates in a civilized manner. We ask that you respect the fact that we are a religious Jewish website and avoid inappropriate language at all cost.

If you promote any foreign religions, gods or messiahs, lies about Israel, anti-Semitism, or advocate violence (except against terrorists), your permission to comment may be revoked.

No Responses to “Rylands Haggadah: Medieval Jewish Art in Context”

Comments are closed.

SocialTwist Tell-a-Friend

Current Top Story
Hamas Execution of 11
Hamas Executes 11 Arabs in Gaza, Warning – Graphic [photo]
Latest Sections Stories
(L-R) Rabbis Tzvi Mandel, Akiva Stolper, Meir Borovetz, Yochanan Ivri and Shlomo Rizel. (Not shown: Rabbi Shmaya Modes.)

A CPE class at Kingsbrook Jewish Medical Center in Brooklyn was tailor made for Orthodox participants.

Lewis-081514-Anna-Ticho

“I didn’t choose the landscape; it chose me.”

Astaire-081514

Woe to us that we have to be put to death like common heathen and murderers!

The world sees the hand of God through us, and does not like it.

The Rebbetzin began campaigning to increase public awareness of the importance of saying Amen.

Some educators today believe that Attention Deficit Hyperactivity Disorder falls into an executive function category.

It’s ironic that the reality of death is often the greatest force steering the affirmation of life.

The theme of the event was “Together Let us Rebuild our Holy Beis HaMikdash on Tisha B’Av.”

Chaya Aydel Seminary has already established a close connection with France’s Jewish community.

All attendees left with fervent wishes for a swift and lasting peace in Israel.

How can awareness evolve from exploding stars?

More Articles from Richard McBee
Jerusalem to Jericho Road: photograph by Chanan Getraide
“Chanan Getraide Photographs”: 2004 exhibition at Hebrew Union College Museum

“We are living in a Golden Age of Jewish Art, but don’t know it.”

McBee-062014-Outside

He refuses to flinch from our painful history, perhaps finding a kind of solace in the consistency of irrational enmity directed against us.

“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.

A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.

Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).

Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.

Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.

Bradford has opted to fully exploit the diverse possibilities of the physical surface by concentrating on the three-dimensional application of paint (impasto) and other material.

    Latest Poll

    Do you think the FAA ban on US flights to Israel is political?






    View Results

    Loading ... Loading ...

Printed from: http://www.jewishpress.com/sections/arts/rylands-haggadah-medieval-jewish-art-in-context/2012/08/09/

Scan this QR code to visit this page online: