Africa Israel Residences, part of the Africa Israel Investments Group led by international businessman Lev Leviev, will present 7 leading projects on the The Israel Real Estate Exhibition in New York on Sep 14-15, 2014.
Just look at the expression on Yonah’s face. It combines fear and incomprehension at his terrible punishment of floating in the belly of the great fish. So too Noah peering out of the ark, perched on the edge of understanding that there might be a future for mankind. Both works point to the genius of Leonard Everett Fisher as an artist and interpreter of biblical narrative.
Leonard Everett Fisher is one of the master American illustrators of the last 50 years. His work is found in both adult and young adult publications, counting approximately 260 books since 1955 with at least 90 of those authored and illustrated by him alone. A native of the Bronx, in his youth he studied with Moses and Raphael Soyer in addition to Reginald Marsh at the Art Students League in New York. After a stint as a topographer during the Second World War he went on to Yale University for undergraduate and graduate degrees and then plunged into a successful commercial book illustration career. What is unique about his success is that he continued to make solely artistic works, simply driven by his own creative desire.
The current exhaustive exhibition at Hebrew Union College, beautifully curated by Laura Kruger, exploits both aspects of his 70-year career. In the spacious three interior exhibition rooms his mind-boggling exploits as a book illustrator and more recent creative works are explored. A sampling of his illustrated books of Jewish interest, many authored by Fisher himself, include: The Wailing Wall, The Dybbuk, To Bigotry No Sanction (Touro Synagogue), The Seven Days of Creation, Moses, The Wicked City (Sodom) and David and Goliath. Additionally we see some examples of his bestselling and masterful series “The Colonial American Craftsman.” These may be Fisher’s most successful work, a 19 volume series, published between 1964 and 1976, that is aimed at young adults and visually explores the material culture of our country’s foundation. The series includes volumes on glassmakers, architects, shipbuilders, blacksmiths, weavers, tanners, cabinetmakers; virtually every imaginable 18th century trade that was essential to building our new country.
Furthermore there is more recent artwork by this now 87-year-old artist. The Center Fielder (2010) is a large meticulous study of a baseball player about to catch a fly ball; poised between expectation and accomplishment. It is wonderfully odd in that the player’s baseball cap is pulled down so that he cannot actually see the ball he is about to catch. Added to this conundrum is the odd insignia of his uniform, Sigma Phi, which does not correspond to any known baseball team. It is mysteriously significant that these Greek letters represent the second oldest Greek secret fraternal organization in the United States, founded in 1827. Suddenly to expound upon the mysteries of baseball, here revealed in one enigmatic image, is yet another facet of Fisher’s creativity. The suspended ball flying towards the player’s mitt is an example of what Curator Laura Kruger identifies as a major motif in Fisher’s work. Again and again we see suspended objects and concentrated depictions of flat vertical surfaces; i.e. walls, that explores the tension between objects in motion and concrete backgrounds.
The cleverest painting in the exhibition is Noah. He stands inside the ark peering out its window at a dove in mid-flight bearing an olive branch in its beak. As we have observed before the bird in mid-air is a hallmark of Fisher’s style complemented by the solid wooden construction of the ark. But it is the play between Noah’s hands and facial expression that truly animates the painting. His hands tell us that he is about to do something – either to grasp the bird or to formulate a thought. The notion of being on the threshold of action is then concretized by the concentrated thought in his expression. Pursed lips and intense staring eyes tell us Noah has just realized the meaning of the dove returning with the olive branch. The fact that somewhere on dry land there is an olive tree tells him that soon he will be able to exit the ark with his family and all the animals and begin the process of recreating earthly life. Fisher’s focus on this moment of revelation narrates into Noah’s story, telling us he didn’t know exactly how God would conclude the destruction of the world. The artist has uncovered the narrative of hope and faith in Noah’s tale.
Richard McBee is a painter and writer on Jewish Art. Contact him at firstname.lastname@example.org
About the Author: Richard McBee is a painter and writer on Jewish Art. Contact him at email@example.com
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In Uzbekistan, in the early twentieth century, it was the women who wore the pants.
This is an important one in raising a mentsch (and maybe even in marrying off a mentsch! listening skills are on the top of the list when I do shidduch coaching).
Maybe now that your kids are back in school, you should start cleaning for Pesach.
The interpreter was expected to be a talmid chacham himself and be able to also offer explanations and clarifications to the students.
“When Frank does something he does it well and you don’t have to worry about dotting the i’s or crossing the t’s.”
“On Sunday I was at the Kotel with the battalion and we said a prayer of thanks. In Gaza there were so many moments of death that I had to thank God that I’m alive. Only then did I realize how frightening it had been there.”
Neglect, indifference or criticism can break a person’s neshama.
It’s fair to say that we all know or have someone in our family who is divorced.
The assumption of a shared kinship is based on being part of the human race. Life is so much easier to figure out when everyone thinks the same way.
Various other learning opportunities will be offered to the community throughout the year.
The new group will also deliver kosher food to Jewish residents in non-kosher facilities, as well as to kosher facilities where the food is not up to par.
The Honey Bee workshop delighted the children and all others who attended the event.
“Vidduy: The Musical” breaks through the formidable barrier of repetitive confession to allow us to begin to understand what is at the heart of this fundamental religious act.
A fascinating glimpse into the rich complexity of medieval Jewish life and its contemporary relevance had intriguingly emerged.
Silverstein’s work has long concerned itself with the intersection between the personal and Jewish Biblical narrative, significantly explored in this column in “Brighton Beach Bible” (July 27, 2009).
Not surprisingly the guardians of synagogue tradition is male dominated in both Moses Abraham, Cantor and Mohel and Synagogue Lamp Lighters.
Neither helpless victims nor able to escape the killer’s clutches, the leaders had to make impossible choices on a daily basis in a never-ending dance with the devil.
Printed from: http://www.jewishpress.com/sections/leonard-everett-fishers-challenge-3/2011/10/16/
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