Posts Tagged ‘art’
A 33-year-old Gazan who sold his bombed-out iron-and-brick doorway to a local artist for NIS 700 (about $175) says he was tricked.
He had no idea that the image of a goddess holding her head in her hand was spray-painted on the door to the remains of his two-story northern Gaza home by a British graffiti artist named Banksy.
Banksy, whose true identity has never been revealed, is from the western British city of Bristol. He is known for painting his murals in unexpected places – famous for it, in fact – and last summer apparently sneaked into Gaza, leaving behind at least four of his works. Banksy also painted a playful kitten and a scene of children swinging in play from a military watch tower. He allegedly entered the enclave via a tunnel from Egypt, according to his publicist, Jo Brooks.
Gaza artist Gelal Khaled says that he did not intend to dupe anyone, but instead bought the painting to protect its artistic value and preserve it from damage. He also said he hopes to display it in other places as well and claimed he has no monetary interest in the painting.
The Gaza artist added that he has been in touch with Banksy’s representatives, however, to request permission to display the mural at Gaza art exhibits.
Some of Banksy’s pieces have sold for more than half a million dollars; a mural painted in 2013 on a shop in London sold for $1.1 million at a private auction.
Rabea Darduna, a father of six whose door became the canvas on which Banksy chose to paint, told the Reuters news agency by telephone he had “no idea what the value of that painting was, or who this Banksy is.
“I heard it can be sold for millions. If I had known, I would never had sold the door so cheap. Now I want it back.”Hana Levi Julian
While Israeli Prime Minister Benjamin Netanyahu referenced several cultural, political, and historical figures throughout his highly-anticipated speech to Congress on Tuesday March 3 – including Harry S. Truman, Queen Esther, Robert Frost, and Elie Wiesel – he concluded his historical address with the biblical figure of the prophet Moses.
The Israeli prime minister did not just mention Moses in passing, he also pointed to the image of Moses in the form of white Vermont marble relief, hanging over the gallery doors overlooking the lawmakers in the House of Representatives Chamber. Netanyahu spoke of the biblical leader, saying “Moses led our people from slavery to the gates of the Promised Land. And before the people of Israel entered the land of Israel, Moses gave us a message that has steeled our resolve for thousands of years.”
It was probably the first time that the marble relief portrait of Moses hanging in the House Chamber ever received such public acknowledgement.
The portrait, designed by artist Jean de Marco, is one 23 marble reliefs that depict historical figures noted for their work in establishing the principals that underlie American law, according to the Architect of the Capitol, a U.S. government website. The site is devoted to providing historic and current information about the function and architecture of the U.S. Capitol Building where Netanyahu gave his speech before a joint-session of Congress.
On either side of the portrait of Moses, there are 11 profiles in the eastern half of the chamber that face left and eleven in the western half, which face right, so that all look toward the full-face relief of Moses in the center. He is described on the site as a Hebrew prophet and lawgiver, who transformed a wandering people into a nation and received the Ten Commandments.
The other profiles include writer of the Declaration of Independence and the third president of the U.S., Thomas Jefferson; King of Babylonia, Hammurabi; Sultan of the Ottoman Empire, Suleiman; Athenian statesman, Solon; Napoleon I, and Maimonides, among other significant leaders from different periods of history.
The image of Moses and other leaders of civilizations and societies have been hanging in the chamber for 65 years. Scholars from the University of Pennsylvania and the Columbia Historical Society of Washington D.C. chose the subjects with the help of authoritative members of the Library of Congress over six decades ago. A special committee of five Members of the House of Representatives and the Architect of the Capitol approved the selection, and the reliefs were installed when the House Chamber was remodeled from 1949-1950.
Prime Minister Netanyahu at the end of his speech quoted Moses from the Book of Deuteronomy, stating in Hebrew, “Be strong and resolute, neither fear nor dread them,” which were the leader’s parting words to the Israelites before they entered the land of Israel. For Netanyahu, they were words that highlighted the strength of friendship shared by the United States and Israel, two countries with a deep respect for the timeless road of history and the challenges along the way.Anav Silverman, Tazpit News Agency
On Thursday evening, students at the Orot Etzion Boys Elementary School in Efrat reenacted different Biblical scenes as part of an interactive live art/Torah exhibition for the month of Adar.
Every floor, corner, class and even staircase of the school (think Jacob’s ladder) showed off exhibits and models the students put together by themselves.
In the exhibit above we see the story of Bilaam (yes, that’s a real donkey inside the school).
The sheep near the Beit Midrash seemed a little scared.
Below is a a 4th grader’s model of Joshua’s battle at Beit Horon made out of play-dough (each figurine shows a lot of individual detail):Photo of the Day
The Swiss museum that was given Nazi-era art has already admitted that at least one of is expensive pieces of art was stolen from Jews.
As reported here last week, Cornelius Gurlitt, whose father dealt with art in the Nazi era, left his collection of art to the Kunstmuseum Bern in Switzerland, which agreed with Germany and the state of Bavaria last week that it would take possession of the works in the Gurlitt collection, except for those that are suspected of having been looted.
The museum published the list of its “Salzburg collection” on Thursday and later admitted that the “Paris Kathedrale” probably is the Picasso work of art from 1902 and which was stolen from Jews by the Nazis.
“We ourselves recognized that this is looted art,” museum director Matthias Frehner said on Friday. He promised that “we will do our utmost to arrange for a swift restitution.”
Some 1,400 works were confiscated from Gurlitt’s Munich home in 2012 in the course of an investigation for tax evasion. Other works were subsequently found in Gurlitt’s second home in Salzburg, Austria.
Greg Schneider, executive vice president of the Claims Conference, told The New York Times, ” Just a little bit of hunting and pecking, and things immediately surfaced. This underscores the necessity for the research, and it shows us why the transparency is so important.”Jewish Press News Briefs
What does the child of Brooklyn Syrian Jews have in common with Manhattan glitterati on a freezing cold night in an Upper East Side mansion?
Diamonds and other stones. Art and design.
This past week New York’s top interior designers gathered in a house on East 63rd Street and Fifth Avenue to celebrate the season and raise money for the Breast Cancer Research Foundation. Among the artists whose creations were requested by designers who contributed their skills to the cause was sculptor Robin Antar. Her work had been noticed by designer Michael Tavano during a show at the Waterfall Mansion, where some of her other pieces are still on display.
Tavano removed her “detached retina” from that show for the room he created at Holiday House NYC. The event shows off the best in interior design and holiday entertaining, and is open to the public from now until December 21. Tavano’s eye-catching room was packed on opening night.
Few of those in their suits and evening gowns at the gala, however, realized the petite Antar wielded a jackhammer and a seven-inch diamond blade saw to carve the stone for her larger-than-life-size sculpture.
“I did it just before I went into surgery for a detached retina,” Antar told JewishPress.com in an exclusive interview. “It was my interpretation of vision.”
But Antar takes the long view in her art. She began her love affair with stone carving as a Brooklyn teenager and created as her first piece a graceful alabaster swan which she has kept in the family collection.
She is also known for the sleek silver Sephardic Torah cases she creates. Not one is left sitting on a shelf unused. The first was cast from a mold formed from a limestone sculpture of a prayer shawl draped on two “shoulders” of the Western Wall.
Little did she know that some day she would use that same mold as the basis for a one-of-a-kind tribute to her youngest son that only an artist mother could produce – sadly, for a tombstone. Antar’s son passed away last year at age 26 of a drug overdose after years of struggling to overcome emotions from early childhood abuse suffered at the hands of a daycare operator. Two more sons — a married businessman and an artist with a special flare for color and design — carry on the family traditions.
Salt from the tears that were shed for the life cut short eventually was poured (in a virtual sense) into unique semi-precious salt cellars she now creates for the light and joy of the Sabbath table. Antar had a huge pile of stone chips left over from other sculptures carved from stone such as blue onyx, rose alabaster and honeycomb calcite, and “didn’t want to waste them,” she says. What began as an experiment is now functional art for the interiors market, with those and larger table bowls both much in demand.
But her pride and joy is the Realism in Stone series, she says; a line of art she calls the “virtual record of contemporary culture” in America.
“I ask myself, ‘Will a bottle of Heinz ketchup really exist in another hundred years?’ and then I begin to see the product emerge from the stone,” Antar explains. Different sculptures are carved from different types of stone, depending on what she is creating – but all require heavy power tools that demand precision in their use.
“You cannot do this work without the right equipment,” Antar warns. “Don’t even THINK of starting to carve stone without a face mask for breathing, and especially not without goggles to protect your eyes.”Hana Levi Julian